Ruins - Original Etching after Giuseppe Contenti - 1790s

1790s

Ancient Roman Ruins, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Carlo Nolli in the 18th century. Signed on the plate on the lower rig...

Ancient Roman Drawing, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Filippo de Grado in the 18th century. Signed on the plate. Good con...

Landscape With Monuments and Figures is an Etching realized by Francesco Cepparuli (1750-1767). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (origina...

Landscape with Ruins is an original artwork realized by Jean-Baptiste Huet in the Late 19th Century. Etching print. Good conditions. Signed on the plate. The artwork is depicted ...

Louis Lesueur (1746-1803) A Fantasy Landscape with ancient ruins, 1789, signed and dated "L Lesueur 1789" in the bottom centre Pen and ink and ink wash on paper 14.8 x 22 cm In goo...

Title: Vue des Ruines de la Vénerie – French Architectural Ruins Copperplate Engraving, Louis-Pierre Baltard, 1803 Description: This finely executed original antique copperplate en...

Vue des Restes d’un Temple de Vénus, Isle de Nisida – Antique Engraved Gulf of Naples View (1760s) This impressive 18th-century French engraving presents a sweeping coastal view of ...

An evocative 18th century Italian architectural engraving depicting romanticized classical ruins and monumental masonry structures within the famed gardens of Monte Cavallo, Rome. Rich in atmospheric detail, the composition captures the enduring fascination with antiquity that defined the Grand Tour era and the decorative arts of the late Baroque and early Neoclassical periods. Executed with fine linear engraving techniques, the scene presents towering ruined architectural forms, arched passageways, and lush foliage populated by small strolling figures, creating a dramatic sense of scale and timelessness. The lower inscription references the Giardino Colonnese al Monte Cavallo and credits the design to Bernardo Gamucci, connecting the print to Rome’s celebrated antiquarian and architectural traditions. Presented under matting in a giltwood frame with subtle distressed patina, this piece works beautifully in both traditional and transitional interiors. Ideal for collectors of Grand Tour material, Italian architectural prints...