Giuseppe Vasi

Basilica di S.Croce in Gerusalemme - Etching by Giuseppe Vasi - 18th century

18th century

Chiesa di S.Niccolo de' Perfetti is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for con...

S.MAria in Monticelli Church is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (...

Chiesa di S.Apollinare is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleo...

Chiesa Di S. Giorgio is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and title...

"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns. The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...

Antique print titled 'Paleis van den Prins Pamphilus, op de plaets van 't Collegio Romano.' This print originates from 'Hedendaagsche historie van, en reis-boek door Italien'. Amst.,...

Basilica of Santa Croce in Gerusalemme, Rome – Benoist 1869 Lithograph This finely composed 19th-century lithograph depicts the Basilica of Santa Croce in Gerusalemme, one of Rome’s most historically significant pilgrimage churches. Created by Félix Benoist after Bayot and published in Paris in 1869, the print forms part of the celebrated series Rome dans sa Grandeur, an ambitious publication dedicated to portraying Rome as a continuous architectural and historical landscape. NOTE: This original antique lithograph is offered unframed, allowing the buyer full freedom of framing choice. The composition presents the basilica’s monumental Baroque façade framed by trees and an open foreground landscape, offering a quieter and more contemplative view compared to Rome’s bustling central piazzas. The church rises prominently at the center, crowned with sculptural ornamentation and a clock tower that anchors the skyline. To the left, remnants of ancient ruins evoke the layered history of the site, traditionally associated with imperial Roman structures and early Christian transformation. Figures scattered across the foreground animate the scene—families strolling, visitors pausing, and children at play—introducing a gentle sense of everyday life. This human presence, characteristic of Benoist’s work, connects the grandeur of sacred architecture with the lived experience of 19th-century Rome. The carefully balanced perspective and natural framing elements create a harmonious dialogue between architecture and landscape. Benoist’s lithographic technique demonstrates exceptional control of tone and detail. Fine line work defines architectural elements with clarity, while soft atmospheric shading lends depth to the sky and surrounding terrain. The image reflects the 19th-century Grand Tour fascination with Rome’s lesser-known yet deeply historic sites, presenting Santa Croce in Gerusalemme as both a spiritual destination and a picturesque architectural monument. The lithograph’s calm composition and balanced tonal palette make it especially suitable for interior display, appealing to collectors of ecclesiastical architecture, Roman views, and refined historical prints. It works beautifully in libraries, studies, or contemporary interiors seeking classical character and historical resonance. Condition report: Good antique condition overall. Light age-related toning and scattered foxing, mainly confined to the margins. Image remains clear and well-defined. No significant tears or restorations observed. Framing tips: A wide ivory or warm cream mat enhances the open composition and highlights architectural detail. Frames in dark walnut, ebonized wood, or antique gilt complement the classical subject. Museum glass is recommended for long-term preservation and clarity. Technique: Lithograph Maker: Félix Benoist after Bayot, Paris, 1869 SEO keyword block: Santa Croce in Gerusalemme lithograph, Rome dans sa Grandeur print, Félix Benoist Rome, Basilica Santa Croce Rome, 19th century Rome church view, antique Rome architecture print...

Over 350 year old antique copper engraving of the floor plan to the Palace of Cardinal Este located in Tivoli, Italy by Italian Giovanni Giacomo de Rossi, 1650. Original artwork on ...