Henri Daniel Thouroude

About Separation - Lithograph by Daniel de Losques - Early 20th Century

Early 20th Century

Le Départ is an Original Lithograph realized by Hermann Paul from the series "La Grande Guerre Par Les Artistes" Good condition on a yellowed cardboard. Signed and titled on the lo...

Monsieur Le Major is a vintage Lithograph realized by Hermann Paul from the series " La Grande Guerre Par Les Artistes" Good condition on a yellowed cardboard. Signed and titled on...

Risks and Temptations is an Original Lithograph realized by Willette (Adolphe Léon). Good condition on a yellowed paper. Hand signed with blue pencil on the lower left corner. Ad...

Le loup et le Chien is a Lithograph realized by Paul Hermann in 1905 ca. Good conditions except for some foxings. Hand-singed. Numbered. edition, 1/5 The art work is depicted in ...

Medium: original lithograph. Published in London in 1896 by The Studio. Image size: 7 1/2 x 5 1/2 inches (190 x 140 mm). Sheet size: 11 1/4 x 7 3/4 inches (285 x 193 mm). Signed in t...

This poster is a lithographic enlargement of the dry point print 'Il bouge sans arrêt' by the French artist Claude Weisbuch. The image is an early example of his explorations into th...

Salon d’Automne Edward M. Plunkett, American (1922–201?) Date: 1980 Lithograph, signed and numbered in pencil Edition of 300 Size: 17.5 in. x 19.5 in. (44.45 cm x 49.53 cm)

"H. L'Illusion (L'Estampe Moderne I)" is an original color lithograph by Henri Bellery-Desfontaines. This piece depicts a nude child before a dream-like woman in a blue translucent robe. This piece was published in the French Art Nouveau publication L'Estampe Moderne. Signed in plate. 15 3/4" x 12" art Henri Bellery-Desfontaines , born with Paris in 1867 and dead the October 6th 1909, is a French Noveau artist Jack-of-All- Trades, who produced tables, illustrations, posters, lithographies, drawings of carpet, pieces of furniture and banknotes, and even dabbled with decoration & architecture. In the 1900s, Paris was the perfect place for a group of young artists influenced by artistic currents like neogothic style or symbolism. Most of them started as painters and they switched later to decorative arts, attracted by the idea of an ever-present art, a lifeless art, a total art. Henri Bellery-Desfontaines was a member of this group and he started as as painter in Pierre-Victor Galland’s atelier. He entrusted him the decorative motifs which would frame Panthéon de Paris' drawings: Maillot, Bonnat, Humbert and specially Jean-Paul Laurens, who proposed him to join his atelier in l’École des Beaux-Arts de Paris. With him, he decorated l'Hôtel de Ville de Paris or Le Salon Lobau, Henri Bellery-Desfontaines is thought to have Luc-Olivier Merson (1846-1920) as a teacher. During his years as a student, he started to illustrate magazines and books of tales and in 1895, Bellery-Desfontaines opted rapidly for illustration, probably due to financial problems, and he participated in magazines such as L’Image, L’Estampe Moderne or L’Almanach des Bibliophiles. This year, the Salon des Artistes Français hosted one of his design of tapestry. From 1900 on, he gradually evolved toward an ambitious decorative artist, making tapestries and furniture for rich leaders and patrons. Bellery-Desfontaines was an important artist of his epoch, and he took part in numerous events like Bal de...