This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from the album Satiricon, originates from the 1970 edition published by Ariane Lancell, Editeur, Paris; printed by Guillard, Gourdon et Cie, Paris, September 19, 1970. Sans titre reflects Fini’s visionary and psychologically charged visual language, combining dreamlike symbolism with refined graphic clarity that echoes mythic and theatrical themes.
Executed as a lithograph on velin d'Arches paper, this work measures 17.72 x 12.6 inches (45.01 x 32 cm). Hand signed and unnumbered as issued.
Artwork Details:
Artist: Leonor Fini (1907–1996)
Title: Sans titre (Untitled), from Satiricon
Medium: Lithograph on velin d'Arches paper
Dimensions: 17.72 x 12.6 inches (45.01 x 32 cm)
Inscription: Hand signed and unnumbered as issued
Date: 1970
Publisher: Ariane Lancell, Editeur, Paris
Printer: Guillard, Gourdon et Cie, Paris
Condition: Well preserved, consistent with age and medium
Provenance: From the album Satiricon, 1970
Notes:
Excerpted from the album (translated from French), This grand luxe edition, whose printing of the original lithographs by Leonor Fini was carried out on the presses of Guillard, Gourdon et Cie, and the typography by Dominique Viglino, art printer in Bourg la Reine, was completed on September 19, 1970. The half title, the title, and the initial letter designed for this work were engraved on boxwood by Henri Renaud. Artistic realization Ariane Lancell. Justification of the print run The edition is limited to CCLXXV examples numbered from the press. One unique example on Japon nacre containing a complete suite of all the original color lithographs on Japon nacre, a complete suite of all the original color lithographs on Velin d’Arches, and a full page original drawing. X examples on Japon nacre containing a complete suite of all the original color lithographs on Japon nacre, a complete suite of all the original color lithographs on Velin d’Arches, and a full page original drawing. Numbered from II to XI. VI examples on Japon nacre, containing a complete suite of all the original color lithographs on Japon nacre, a complete suite of all the original color lithographs on Velin d’Arches, and a full page original drawing. Numbered from XII to XVII. VIII examples on Velin d’Arches Containing a complete suite of all the original color lithographs on Japon nacre and a full page original drawing. Numbered from XVIII to XXV. LX examples on Velin d’Arches, containing a complete suite of all the original color lithographs on Velin d’Arches. Numbered from XXVI to LXXXV. CXC examples on Velin d’Arches, numbered from LXXXVI to CCLXXV. In addition, X hors commerce examples lettered from A to J were printed, and XV artist and collaborator examples numbered in Roman numerals from I to XV.
About the Publication:
Satiricon, published in Paris in 1970 by Ariane Lancell and printed by Guillard, Gourdon et Cie, represents an ambitious twentieth century illustrated art album that brought together literary inspiration and modern graphic expression. Conceived as a luxurious bibliophile production, the publication was realized with close attention to the traditions of French fine art printing, incorporating original lithographs, specially engraved decorative elements, and refined typographic design. The project involved collaboration among master printers, engravers, and designers including Dominique Viglino and Henri Renaud, whose boxwood engravings for the half title, title, and initial letter contributed to the album’s distinctive visual identity. Produced on fine papers such as Japon nacre and velin d’Arches, the edition reflects the continuing vitality of the European livre d’artiste tradition during the late twentieth century. Satiricon stands as an example of the period’s collector oriented art albums that combined literature, original printmaking, and meticulous craftsmanship to create visually unified works intended for connoisseurs, institutions, and libraries.
About the Artist:
Leonor Fini (1907–1996) was an Argentine-born Italian-French painter, illustrator, author, and stage designer whose electrifying fusion of myth, mysticism, eroticism, and psychological depth established her as one of the most unmistakable and influential artistic voices of the twentieth century. Celebrated for depicting women as sovereign, enigmatic, and psychologically commanding beings, Fini rejected the patriarchal hierarchy of Surrealism even as she exhibited alongside its foremost figures, forging instead a fiercely independent path defined by theatricality, female autonomy, and visionary imagination. Her richly symbolic universe filled with sphinxes, priestesses, witches, and androgynous guardians was shaped by a broad constellation of influences including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, while also drawing deeply from Symbolist painting, Renaissance portraiture, and Venetian colorism. Moving among artists such as Max Ernst, Giorgio de Chirico, Leonora Carrington, Dorothea Tanning, Meret Oppenheim, and Pavel Tchelitchew, she nevertheless maintained a singular vision whose impact reverberates through the work of later creators including Kiki Smith, Cindy Sherman, Marlene Dumas, Tracey Emin, Pierre et Gilles, Laurie Simmons, and numerous feminist and queer artists who embraced her exploration of gender, identity, and psychological mythology. A prolific illustrator and designer, Fini also shaped European performance culture through celebrated costumes and stage designs, while her paintings entered major museum collections worldwide, including the Metropolitan Museum of Art, the Tate Modern, Centre Pompidou, the Museum of Modern Art in Buenos Aires, and the Moderna Museet. Known for her imaginative freedom, elaborate personal style, and legendary Parisian salon, she remains a defining figure in feminist and avant-garde art history. The highest auction record for Leonor Fini was achieved when her self-portrait Autoportrait au Scorpion sold for 2,319,000 USD at Sotheby's New York on May 12, 2021, underscoring the dramatic rise in appreciation for her visionary legacy.
Leonor Fini Sans titre Satiricon 1970 lithograph modern surrealism feminist art.