Michel Ciry

The Church Etching, Black and White, Signed, 1964, 57x38 cm

1964

Image dimensions: 21 x 16 cm. The Church is an original modern artwork realized in 1980 by the Italian artist Bellosti. Original etching on paper. Edition of 95 prints. Numbered...

Church is a modern artwork realized by Giovanni Stradone in the mid-20th century Black and white etching Hand signed and numbered on the lower margin Edition of 19/70 Includes frame

Hand Signed. of 50 pieces. Catalogo Battisti 53.

Cathedral is an original etching by the German artist Fritz Baumgartner. In very good conditions, except for some small diffused foxing ner the margin that doesn't affect the image The artwork represents a cathedral through strong and confident strokes in a well-balanced composition with perfect hatchings. Discover the last generation of talented engravers! Fritz Baumgartner (Aurolzmümnster 1929 / Austria - Munich 2006). Austrian painter and graphic artist, naturalized German, Fritz Baumgartner, is an incredible interpreter of neo cubism...

Mily POSSOZ The church of Fontenay MEDIUM : Etching SIGNATURE : Handsigned LIMITED : 75 copies PAPER : Rives vellum SIZE : 20 x 15" INFORMATIONS : Bears the blind stamp of the edi...

A lively charcoal study by the artist Christian Julia (1921-1991) depicting a small church. Signed to the lower right. Well presented in a slim wooden frame. On paper. Image size: 49...

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"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...