Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Naoko Matsubara
'Winter Serenity' —Signed Woodcut for Henry David Thoreau's 'Walden'

1971

$450
£337.80
€393.81
CA$637.29
A$639.05
CHF 369.73
MX$7,781.52
NOK 4,290.57
SEK 4,373.08
DKK 2,944.21

About the Item

Naoko Matsubara, 'Winter Serenity' for the portfolio 'Solitude', woodcut, 1971, edition 100. An artist's proof apart from the numbered edition signed and annotated 'for dearest Kashi" in pencil. A fine, richly-inked impression, on cream laid Japan paper, the full sheet with margins in excellent condition. Archivally sleeved, unmatted. Image size 10 3/4 x 13 1/4 inches; sheet size 15 5/8 x 14 1/4 inches. ABOUT THIS WORK Naoko Matsubara’s 'Winter Serenity' (1971) is one of eleven original woodcuts created for 'Solitude,' her important portfolio inspired by the “Solitude” chapter of Henry David Thoreau’s 'Walden.' Living in New England at the time, Matsubara frequently visited Walden Pond and found in Thoreau’s contemplation of nature a sensibility closely related to the Shinto traditions of her Japanese upbringing. In 'Winter Serenity', Matsubara transforms the image of a tree to produce a powerful near-abstraction. An energetic cascade of calligraphic-like passages move across the space in a dense progression of angular, interlocking forms. The broad asemeterical areas of untouched paper balance the composition and suggest a snow-filled expanse. Published by Aquarius Press, Baltimore/New York, in 1971. Impressions of this work are in the permanent collections of the British Museum (London), the National Museum of Modern Art, Kyoto, the National Museum of Modern Art, Tokyo, the Portland Art Museum, the Rhode Island School of Design Museum, and the Smithsonian National Museum of Asian Art. ABOUT THE ARTIST Naoko Matsubara was born in 1937 on the island of Shikoku, Japan, and grew up in Kyoto. Her father was one of Japan's most senior Shinto priests, and her mother came from a very old Shinto family. After graduating from the Kyoto Academy of Fine Arts (now Kyoto Fine Arts University), she went to the United States as a Fulbright scholar, studying for a year at the Carnegie Institute of Art (now Carnegie Mellon University) in Pittsburgh, where she received her MFA. Subsequently, she was invited to study at the Royal College of Art in London; she traveled extensively in Europe and Asia before returning to Japan in 1963. In 1965, she returned to the United States as personal assistant to Fritz Eichenberg, a renowned wood-engraving artist and historian of print-making. Matsubara taught at the Pratt Graphic Center in New York and the University of Rhode Island before settling in Cambridge, Massachusetts, as a freelance artist. In 1972, following her marriage to David Waterhouse, a professor of East Asian Studies at the University of Toronto, she moved to Canada. She remains intensely active as an artist of single-sheet woodcuts, portfolios, and illustrated books, as well as a painter and a mural artist, working out of her studio in Oakville, Ontario. She has traveled widely, written prolifically, and lectured in English and Japanese. In 1981, she was elected a Fellow of the Royal Canadian Academy of Arts. Matsubara taught at Pratt Institute, the University of Rhode Island, and the University of California. Her work is represented in numerous museum collections: Albertina Museum, Vienna; Fogg Museum, Harvard University; Boston Museum of Fine Arts; Cincinnati Art Museum; Tokyo National Museum of Modern Art; Kyoto National Museum of Modern Art; Brooklyn Museum of Art; Detroit Art Institute; Art Gallery of Greater Victoria, British Columbia; Library of Congress, Washington, D.C.; Boston Public Library; New York Public Library; Yale University Art Gallery, New Haven; Philadelphia Museum of Fine Arts. In 2009, a one-person retrospective of her work was held at the Carnegie Institute of Art, Pittsburgh.
  • Creator:
    Naoko Matsubara
  • Creation Year:
    1971
  • Dimensions:
    Height: 10.75 in (27.31 cm)Width: 13.25 in (33.66 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 981741stDibs: LU532318505492

More From This Seller

View All
Winter Trees — Sōsaku Hanga Japanese Woodblock Print, Signed

Winter Trees — Sōsaku Hanga Japanese Woodblock Print, Signed

Located in Myrtle Beach, SC

Hajime Namiki, 'Tree Scene 159', color woodcut, edition 200, 2022. Signed in pencil and with the artist’s red seal. Titled, numbered '37/200' and dated, in pencil. A very fine impres...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Woodcut

'Shimmering Waters' — Mid-Century Modernist Signed Abstract Woodcut

'Shimmering Waters' — Mid-Century Modernist Signed Abstract Woodcut

By Werner Drewes

Located in Myrtle Beach, SC

Werner Drewes, 'Shimmering Waters', color woodcut, 1960, edition 16 in 1960, and 210 in 1962, Rose III.209. Signed, dated, and numbered I2/210 in pencil. Annotated 415 (the artist's ...

Category

1960s American Modern Abstract Prints

Materials

Woodcut

'Sisters' — Renowned Black, Harlem Renaissance Artist, Rare Signed Woodcut

'Sisters' — Renowned Black, Harlem Renaissance Artist, Rare Signed Woodcut

Located in Myrtle Beach, SC

James Lesesne Wells, 'Sisters', linocut, edition not stated but small, 1928. Signed, titled, and annotated 'imp' in pencil. A fine impression on off-white wove Japan paper, with wide margins (1 7/8 to 3 3/4 inches), in excellent condition. Printed by the artist. Very scarce. Matted to museum standards, unframed. Image size 8 3/16 x 6 3/4 inches (208 x 171 mm); sheet size 13 1/2 x 10 3/4 inches (343 x 273 mm). Exhibition and Literature: 'Narratives of African American Art and Identity: The David C. Driskell Collection,' The Art Gallery at the University of Maryland, extensive touring exhibition, 1998-2000. Collections: Pennsylvania Academy of the Fine Arts, Smithsonian Institution (Anacostia Community Museum). ABOUT THE ARTIST “Wells is more than an artist with a deep concern for his fellow man. He carries many of his themes a step further into an apocalyptic world, a world of revelation and shifting lights. … He works on large blocks in a bold free style. … His work has a vigor, therefore, that is not often used in the medium today.” —Jacob Kainen (painter, critic, and collector) from Richard J. Powell’s 1986 essay Phoenix Ascending: The Art of James Lesesne Wells. James Lesesne Wells was an American painter, printmaker, educator, and pioneering figure of the Harlem Renaissance, whose work established a vital connection between African heritage, modernist form, and African American cultural identity. Known for his innovative use of linoleum and woodblock printing, Wells played a key role in shaping 20th-century African American art and inspired countless students throughout his lengthy career as a teacher at Howard University. Born in Atlanta, Georgia, Wells' early exposure to the arts came through church and community, where African American cultural traditions were central. He pursued formal artistic training at Lincoln University in Pennsylvania (earning a B.A. in 1924), followed by studies at the Pennsylvania Academy of the Fine Arts and the Barnes Foundation, where he encountered European modernists as well as traditional African sculpture, which profoundly influenced his style. Wells moved to New York in the late 1920s, swiftly immersing himself in the lively artistic and intellectual scene of Harlem. There, he became associated with artists, writers, and thinkers of the Harlem Renaissance, contributing to the growth of Black cultural identity. Considered a mentor to many famed artists of the Harlem Renaissance, Wells served as director of a summer art workshop in Harlem where his assistants included Charles Alston, Jacob Lawrence, and Palmer Hayden...

Category

1920s American Modern Figurative Prints

Materials

Linocut

Winter Garden

Winter Garden

By Leonard Edmondson

Located in Myrtle Beach, SC

Leonard Edmondson, 'Winter Garden', color etching, edition 50, 1957. Signed, titled, dated, and numbered '50/50' in pencil. A superb, richly-inked impre...

Category

1950s Abstract Expressionist Abstract Prints

Materials

Etching

'Untitled Fantasy' — 1980s Surrealist Abstraction

'Untitled Fantasy' — 1980s Surrealist Abstraction

By Edward August Landon

Located in Myrtle Beach, SC

Edward Landon, 'Untitled Fantasy', color serigraph, 1983, edition 30, Ryan 214. Signed, titled, and annotated 'Edition 30' in pencil. A fine impression, with fresh colors, on off-whi...

Category

Mid-20th Century Abstract Abstract Prints

Materials

Screen

'Avalon South' —— Mid-Century Modernist Signed Wood Engraving

'Avalon South' —— Mid-Century Modernist Signed Wood Engraving

Located in Myrtle Beach, SC

Morris Blackburn, 'Avalon South', wood engraving, 1951, edition 30. Signed, titled, and numbered '12/30' in pencil. A fine black impression on cream wove Japan paper, with wide margins (1 3/8 to 2 1/4 inches), in excellent condition. Archivally sleeved, unmatted. Image size 5 x 7 inches (127 x 178 mm); sheet size 8 5/8 x 10 7/8 inches (219 x 276 mm). ABOUT THE ARTIST Morris Blackburn was a prominent painter, printmaker, and graphic artist, as well as a respected teacher at the Philadelphia Museum School of Industrial Art and the Pennsylvania Academy of Fine Arts. Born in Philadelphia, where he spent most of his career, Blackburn was a descendant of the notable colonial portrait artist Joseph J. Blackburn (c. 1700–1780). He developed an interest in art early on and studied architectural drawing at the Philadelphia Trade School. In 1922, he took classes at the Graphic Sketch Club and later attended the School of Industrial Art. While working for the well-known Philadelphia furniture designer Oscar Mertz, he studied at the Pennsylvania Academy of the Fine Arts from 1925 to 1929. During his studies, he learned painting from Henry Bainbridge McCarter...

Category

1950s Modern Figurative Prints

Materials

Woodcut

You May Also Like

Large Scale Abstract Figurative Landscape Woodcut, Signed Limited Edition 1/10

Large Scale Abstract Figurative Landscape Woodcut, Signed Limited Edition 1/10

By Michael Pauker

Located in Soquel, CA

Large scale limited edition woodcut print of an an abstracted scene with landscape elements and rough figural forms including a dog, house and tree that emerge from chaotic linear ab...

Category

Late 20th Century Post-War Abstract Prints

Materials

Paper, Woodcut, Ink

Untitled - G, Abstract Expressionist Woodcut by Charlie Hewitt

Untitled - G, Abstract Expressionist Woodcut by Charlie Hewitt

By Charlie Hewitt

Located in Long Island City, NY

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled Year: circa 1995 Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Image Size: 16 x 20 inches Size: 20 in. x 24...

Category

1990s Abstract Abstract Prints

Materials

Woodcut

Untitled - N, Abstract Minimalist Woodcut by Charlie Hewitt

Untitled - N, Abstract Minimalist Woodcut by Charlie Hewitt

By Charlie Hewitt

Located in Long Island City, NY

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - N Year: circa 1995 Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Image Size: 16 x 20 inches Size: 20 x 24...

Category

1990s Abstract Abstract Prints

Materials

Woodcut

1967 Woodcut Signed Limited Edition

1967 Woodcut Signed Limited Edition

Located in Rochester Hills, MI

Michael Rothenstein RIP - 1967 Print - woodcut   25'' x 30''inches Edition: signed in pencil and marked sixteen / thirty five Michael Rothenstein (1908-1993) Painter of figurative a...

Category

1960s Modern Abstract Prints

Materials

Woodcut