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Sphinxes from Ancient Rome - Original Etching by Various Masters - 1750s

1750s

Ancient Roman Relief, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous artist in the 18th century. ...

Sphinx Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Fernando Strina in the 18th Century. Signed on the plate. Good conditions. The etching belongs t...

Ancient Roman Statues, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Vincenzo Campana in the 18th Century. Signed on the pl...

Ancient Roman Statue, from the series "Antiquities of Herculaneum", is an original etching on paper realized by Vincenzo Aloja in the 18th century. Signed on the plate on the lower ...

Title: Antique Egyptian and Greco-Roman Heads and Figures – Engraving c.1776 Description: This detailed antique engraving presents a fascinating assemblage of ancient sculptures and...

The two engravings displayed side by side depict monumental structures from ancient Egypt and are dated to the late 18th century. They are both examples of European interest in documenting and exploring Egyptian antiquities during the period of early exploration and fascination with the ancient world. ### Image 1: Profile View of the Remains of the Sphinx near the Pyramids of Egypt - Subject: The Sphinx, one of Egypt's most iconic monuments, is shown with its body largely buried in sand, as it was during this period before modern excavations. The figures atop and around the Sphinx provide scale and show the magnitude of the monument. The image also captures European explorers and researchers measuring the Sphinx, emphasizing the curiosity and study of ancient civilizations. - Age: This engraving likely dates from the late 18th century, during a time when European expeditions to Egypt were becoming more common, particularly following Napoleon's campaign in the late 1790s, which sparked Egyptomania across Europe. - Maker: The engraving is credited to Denon and Lege, both of whom were active artists and engravers during this time. Dominique Vivant Denon...

Classical Mythological Figures Engraving, Montfaucon Antiquité Expliquée 1721 This original early eighteenth-century copper engraving originates from Bernard de Montfaucon’s monumental antiquarian publication L’Antiquité expliquée et représentée en figures, published in Paris in 1721. Widely regarded as one of the most important scholarly works of the Enlightenment, Montfaucon’s encyclopedic study systematically documented the art, mythology, and material culture of the ancient world, laying essential foundations for modern archaeology and art history. The plate presents a carefully arranged compilation of mythological and sculptural studies derived from ancient sources. Multiple vignettes depict classical figures, relief fragments, and symbolic motifs recorded from antique sculptures, gems, and coins. The composition functions almost as a visual catalogue, comparing different representations of mythological subjects collected from prominent European antiquarian collections, including references to works associated with scholars such as Maffei and other early collectors of classical antiquities. At the bottom of the composition, two triton-like sea beings with human torsos and serpent tails raise a nude female figure above the waves, evoking marine mythology connected to nereids, sea deities, or allegorical representations of Venus emerging from the sea. Surrounding studies include winged figures, sculptural heads, medallions, and mythological scenes rendered with remarkable clarity. Montfaucon’s analytical approach—placing multiple related images together for comparison—reflects the Enlightenment ambition to classify and interpret antiquity through visual evidence. The engraving demonstrates the refined precision of early eighteenth-century Parisian copperplate engraving, characterized by delicate linework, balanced spacing, and restrained tonal shading. Beyond its scholarly significance, the plate possesses strong decorative appeal, combining classical imagery with an elegant graphic structure that suits both traditional and contemporary interiors. This original antique engraving is offered unframed, allowing flexibility to select a frame appropriate to the intended interior or collection setting. Condition: Good antique condition with age-related toning and light paper discoloration consistent with early eighteenth-century prints...

Wonderful images of classical Roman masks Copper-plate engravings Published by Monaldini, Rome, 1776 Good quality wove paper Free shipping