Unknown

Street Lamp Original Etching on Paper, Late 19th Century, Unframed

1880

Rouen is an Original Etching realized by Auguste Brouet (1872-1941). The artwork is in good condition included a cream colored cardboard passpartout (40x30 cm). No signature. Augu...

Paris is an original etching on paper, realized by the French artist Auguste Brouet. Passepartout dimension: 35 x 32 cm In very good condition. This artwork represents the river...

Rue St.Yves à Rennes is a black and white etching realized by Francisque Coué in 1870s. Titled in the lower. Image size 20cmx29cm. Very Good condition. Signed in the plate in the...

Rue Du Canal à Figeac is an artwork realized by E.Mazas in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publis...

Title: Historic European Market Square Fountain Architectural Etching on Paper Medium: Etching on paper, unframed Size: 9.75 x 7 inches (height x width) Signed: Illegible pencil sig...

"Venise" is an original etching and chine colle by Edgar Chahine. This is an artist's proof, the third state of the etching, and the artist signed the piece in pencil lower right. Th...

Copperplate etching by Martin Lewis titled "Under the Street Lamp." Edition of 100. Printed on laid paper with watermark and 83 recorded impressions. McCarron catalogue raisonne #70. Signed in pencil with "imp" next to the signature. In the bottom right corner is a penciled 75 and in the top right corner is a 50. The etching is framed and was taken out of the frame for condition report and photographs. The gallery label is on the back of the matte inside the frame. Dimensions without Frame: H 15 in x W 9.5 in. Artist Biography: Martin Lewis (1881-1962) was born in Castlemaine, Victoria, Australia on 7 June 1881. He was the second of eight children and had a passion for drawing. At the age of 15, he left home and traveled in New South Wales, Australia, and in New Zealand, working as a pothole digger and a merchant seaman. He returned to Sydney and settled into a Bohemian community outside Sydney. Two of his drawings were published in the radical Sydney newspaper, The Bulletin. He studied with Julian Ashton at the Art Society's School in Sydney. Ashton, an English-born Australian artist and teacher, known for his support of the Heidelberg School and for his influential art school in Sydney. In 1900, Lewis left Australia for the United States. His first job was in San Francisco, painting stage decorations...

Striking fine art black and white etching of an elaborate decorative element perched atop a building, circa 1920. Signed lower right. Original one-of-a-kind artwork on paper displa...