Various Artists

Vestibule and Facade of the Basilica of S. Ambrose in Milan - Lithograph - 1862

1862

Uses and Customs - Courtyard of the Great Hospital of Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the un...

Uses and Customs - Temple of Saint Anthony in Padua is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: ...

Uses and Customs - Cathedral and Baptistery of Brescia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the univers...

Uses and Customs - Santa Maria delle Grazie in Milan is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe:...

Title: Basilica of Santa Maria Maggiore Interior, Rome – Benoist 1869 Lithograph Description: This refined 19th-century lithograph depicts the interior of the Basilica of Santa Mari...

Title: Courtyard of Palazzo Venezia, Rome – Benoist 1869 Lithograph Description: This refined 19th-century lithograph depicts the courtyard of Palazzo Venezia in Rome, including the Church of San Marco, presenting an elegant architectural view at the heart of the historic city. Created by Félix Benoist after Bayot and published in Paris in 1869, the print forms part of the renowned series Rome dans sa Grandeur, an ambitious publication dedicated to portraying Rome as a unified and living historical environment. The composition focuses on the harmonious Renaissance courtyard, framed by arcaded loggias and balanced architectural proportions characteristic of Roman palatial design. The rhythmic sequence of arches creates strong perspective depth, guiding the viewer’s eye toward the inner façade and rising towers beyond. At the center of the courtyard stands an ornamental fountain, around which figures gather, converse, and pass through the space, animating the architecture with scenes of everyday life. Benoist’s lithographic technique combines documentary precision with atmospheric refinement. Architectural details—columns, cornices, windows, and masonry textures—are rendered with clarity, while delicate tonal gradations soften the overall composition, creating a calm and luminous ambiance. As with other plates from Rome dans sa Grandeur, the image emphasizes continuity between past and present, presenting Rome not merely as a collection of monuments but as a functioning urban environment shaped by centuries of history. Palazzo Venezia itself played an important political and cultural role in Rome, serving variously as a papal residence, diplomatic seat, and administrative center. This historical significance enhances the appeal of the print for collectors interested in Roman architecture, Renaissance urban spaces, and Grand Tour imagery. The lithograph’s balanced geometry and serene atmosphere make it particularly suitable for interior display. Its architectural elegance works beautifully in both classical and contemporary interiors, especially libraries, studies, or refined living spaces seeking historical depth and visual structure. Condition report: Good antique condition overall. Light age-related toning and scattered foxing, mainly confined to the margins. Image remains clear and well-printed. No significant tears or restorations observed. Framing tips: A generous ivory or warm cream mat enhances the architectural symmetry and tonal subtlety. Frames in dark walnut, ebonized wood, or antique gilt complement the Renaissance subject matter. Museum glass is recommended for conservation and clarity. Technique: Lithograph Maker: Félix Benoist after Bayot, Paris, 1869 SEO keyword block: Palazzo Venezia courtyard lithograph, Rome dans sa Grandeur print, Félix Benoist Rome, Renaissance courtyard Rome, San Marco Rome print...

'Chiesa di St Maria-Sopra-Minerva. Veduta delle braccia di Croce' Santa Maria sopra Minerva is one of the major churches of the Roman Catholic Order of Preachers (better known as t...

A large chromolithograph of the main facade of the Basilica of San Marco in Venice, Italy, from Ferdinando Ongania's "Basilica di San Marco in Venezia," published in 1881, is a strik...