Ian Hamilton Finlay

Les Femmes de la Revolution, After Anselm Kiefer

1992

"Ephemeral Blossoms: Treasures from 'Favourite Flowers of Garden and Greenhouse'" Immerse yourself in the delicate charm of "Ephemeral Blossoms," an exclusive collection of original...

Feels Like Real

Early 20th century pressed botanic samples #5 Dimensions in inches: H 17” x W 12” x D 0.7” Age: 1908 Origin: EU Condition: Fair Overview Six early 20th Century pressed botanic sam...

JESSIE DONOVAN Prairie 2024 Six color stone lithograph Ed. Edition of 10 19 x 13 inches

Decorative German Botanical Plates of Technical Plants, Complete Set of 12, 1854 This beautiful set of twelve original hand-colored botanical plates offers a timeless and versatile ...

Luis Camnitzer (Uruguay, 1937) 'La impresión', 1989 silkscreen on paper 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 Unframed ID: CAM1205-010-001_10 Hand-signed by author ____________...

Going North in the Work of Jessica Houston By L. Sasha Gora Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...

Patrick Beaulieu’s most recent project Révélations uses installation and digital prints to explore how artistic manipulation can create shifts in one’s expectations of the visual exp...

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prevost's "Collection des Fleurs et Fruits...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...