Jim Dine

Jim Dine-The Cardinal Red Robe

1976

Maroon Carborundum Robe (C. 47), 1991 Published by Pace Editions, New York Jim Dine (American, b. 1935) Woodcut Print Hand Signed, Dated, and Numbered Lower Left Edition 1/12 Lower L...

This extraordinary and iconic hand-colored aquatint by Jim Dine was created by the artist in 1999, is hand-signed, dated, and numbered in pencil from the edition of just 21, the artw...

Barrow Street Robe #3 Jim Dine, American (1935) Date: 1986 Acrylic, Gouache, Pastel and Charcoal on Paper, signed and dated top middle Size: 41 x 29 in. (104.14 x 73.66 cm) Frame Siz...

Jim Dine Recents Prints is an artwork realized in 1984, in occasion of a Jim's Dine exhibition.  12 oktober - 3 november 1984. Offset colored poster.  h 125 x 80 cm. Good conditi...

Signed, dated, and numbered

Jim Dine is a major post-war artist whose work ranges from vibrant, large-scale paintings to exquisitely-rendered, romantic drawings and bronze sculpture. Dine's debut on the New Y...

Kindergarten Robes, 1983 Signed, dated, and numbered in pencil Woodcut 54 x 70 inches Edition 37 of 75 There are 10 artist's proofs, published by Pace Editions, New York. Catalogu...

This artwork titled "Olympic Robe" From "Game of the XXIVth Olympic, Seoul" is an original colors lithograph on Wove paper by renown artist Jim Dine, b.1935. It is hand signed and nu...

This proof depicts one of Jim Dine's signatures motifs, a deep red heart, which drips down the page. Along the right side of the heart, hand-drawn text reads: “Red design for satin h...

TECHNICAL INFORMATION: Jim Dine The Woodcut Bathrobe 1975 Woodcut and lithograph on Natsume 4007 paper 36 x 24 in. Artist's Proof (A.P.) Pencil signed, dated and numbered Accompanied with COA by Gregg Shienbaum Fine Art. Condition: This work is in excellent condition. Frame: This work is framed in a light wood frame with matte, as shown in photos. ABOUT THE WORK: Jim Dine began painting bathrobes in 1964; some of them were titled or subtitled as self portrait. The bathrobe became a motif in his repertoire which he has returned to on many occasions, in prints as well as paintings. Though he claimed never to wear a bathrobe, nonetheless these are all, in a way, portraits and self portraits. Dexter's Four Robes illustrates the enduring importance of the bathrobe motif in Dine's work, a motif that he has been using over the years in countless printed works to depict mostly himself, but also his wife and people around him. This subject came to him as source of inspiration after coming across an image of a man's dressing gown...