1750
PRÉVOST. Print from Collection des Fleurs et des Fruits
By Jean Louis Prévost
Located in London, London
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prévost came from a long line of French artists spanning 400 years. Jean-...
Color, Engraving, Handmade Paper
PRÉVOST. Print from a Collection des Fleurs et des Fruits
By Jean Louis Prévost
Located in London, London
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prévost came from a long line of French artists spanning 400 years. Jean-...
Color, Engraving
PRÉVOST. Print from Collection des Fleurs et des Fruits
By Jean Louis Prévost
Located in London, London
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. Framed and glazed, overall size: 63.3 by 47.2 cm. [Paris 1805]. Prevost came from a lo...
Color, Engraving, Handmade Paper
PRÉVOST. Print from Collection des Fleurs et des Fruits
By Jean Louis Prévost
Located in London, London
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prevost's "Collection des Fleurs et Fruits...
Color, Engraving, Handmade Paper
PRÉVOST. Print from Collection des Fleurs et des Fruits
By Jean Louis Prévost
Located in London, London
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris. 1805] Prévost came from a long line of French artists spanning 400 years. Jean-Louis himself first exhibited at the Salon when only fourteen years of age, showing paintings of bouquets, a vase of flowers and other small botanical studies. Immediately he was commissioned by Monsieur Roussel to paint the flowers in the wealthy landowner's garden. The result was a 12-volume work of gouache studies, entitled "Hortus Cellensis", and was at once acquired by the Paris Natural History Library. Prévost's "Collection des Fleurs et Fruits...
Color, Engraving, Handmade Paper
FEOLI. Vedute del Museo Pio-Clementino
By Vincenzo Feoli
Located in London, London
Magnificent large plate illustrating the Vatican Museum at the end of the eighteenth century by Vincenzo Feoli (1750 - 1831) after Miccinelli and Costa. The Pio-Clementino museum, n...
Engraving, Handmade Paper
After John Collet - 1778 Mezzotint, A Bird in the Bush is Worth Two in the Hand
Located in Corsham, GB
A humorous hand-coloured mezzotint after John Collet (1725-1780) titled "The Proverb Reversed, or A Bird in the Bush is Worth Two in the Hand." The print wittily inverts the familiar...
Mezzotint
Spilsbury after Reynolds - 1763 Mezzotint, The Right Hon. Frederick Howard
Located in Corsham, GB
A fine eighteenth-century mezzotint by Jonathan Spilsbury after Sir Joshua Reynolds's portrait of the Right Hon. Frederick Howard, 5th Earl of Carlisle. Carlisle inherited his title ...
Mezzotint
Wildlife - Etching by Jean Lepautre - 18th Century
By Jean Lepautre
Located in Roma, IT
Wildlife is an etching realized by Jean Le Pautre in 18th Century. Good conditions. Signed on plate. The artwork is depicted through confident strokes.
Etching
Ward after Morland - 1797 Mezzotint, Inside of a Country Alehouse
Located in Corsham, GB
W. Ward after George Morland. Title, artists and date inscribed in print. Presented in a part gilt frame. On paper.
Mezzotint
18th century triptych etching figurative prints small black and white expressive
By Francois Vivares
Located in Milwaukee, WI
François Vivares was known to have produced several copies of images after older masters, such as, in this case, Rembrandt van Rijn. In this set, Vivares reproduces "The Quacksalver" (1635, Bartsch 129), "Beggar man and beggar woman conversing" (1630, Bartsch 164), and "Beggar Seated Warming...
Etching
Shooting Engraving After George Stubbs, Late 18th Century, Framed
By William Woollett
Located in GB
William Woollett (1735–1785) William Woollett was one of the most accomplished British engravers of the 18th century, renowned for his precision and his ability to capture the paint...
Engraving
