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Julian Trevelyan
Caius College Cambridge: Julian Trevelyan - lithograph Modern British Art
1959/62

Name: Caius College Cambridge: Julian Trevelyan - lithograph Modern British Art
Brand: Julian Trevelyan
Rating: 4.6 (24 reviews)

$1,312.12

£950

€1,130.58

CA$1,819.66

A$1,830.81

CHF 1,062.66

MX$22,312.59

NOK 12,265.88

SEK 12,586.44

DKK 8,450.75

About the Item

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Julian Trevelyan, RA (1910 -1988) Caius College II, Cambridge (1959/1962) 37 x 51 cm Signed by the artist and numbered 4/70 in pencil. The edition consisted of 70 numbered proofs and 30 artist’s proofs. This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College, and Sidney Sussex College. The Government Art Collection has copies of several of the prints in this series. Nephew of the historian G M Trevelyan, Julian Trevelyan was educated at Bedales and then at Trinity College, Cambridge, where he read English. After moving to Paris, Trevelyan studied engraving at Stanley William Hayter’s school, working alongside artists such as Max Ernst, Joan Miro and Pablo Picasso. He married the potter Ursula Darwin in 1934, and in 1935 they moved to Hammersmith, buying Durham Wharf beside the River Thames which was Trevelyan’s studio – and home – for the rest of his life. His wartime service was – like so many artists – as a camoufleur. A Royal Engineer from 1940-43, he served in North Africa and Palestine, forcing the German Afrika Korps to use resources against a dummy army whilst real tanks were disguised as more harmless equipment. In the desert, nothing could be hidden - but it could be disguised. Following the dissolution of his marriage in 1950, he married the painter Mary Fedden. Teaching at Chelsea School of Art, Trevelyan eventually became head of the Etching Department and his pupils included David Hockney and Peter Ackroyd.

Creator:
Julian Trevelyan (1910 - 1988, British)
Creation Year:
1959/62
Dimensions:
Height: 14.57 in (37 cm)Width: 20.08 in (51 cm)
Medium:
Lithograph
Movement & Style:
Modern
Period:
1960-1969
Condition:
Some browning to margins, as so often.
Gallery Location:
London, GB
Reference Number:
1stDibs: LU79532581833

Shop All Julian Trevelyan

Julian Trevelyan

Julian Trevelyan was an important British artist in the twentieth century. The only child of Robert Calverley Trevelyan and his wife Elizabeth van der Hoeven, his grandfather was the liberal politician Sir George Otto Trevelyan and his uncle was the historian George Macaulay Trevelyan. Trevelyan was educated at Bedales School and Trinity College, Cambridge, where he read English Literature. He moved to Paris to become an artist and enrolled at Atelier Dix-Sept, Stanley William Hayter's engraving school, where he learned about etching. He worked alongside artists including Max Ernst, Oskar Kokoschka, Joan Miró and Pablo Picasso. In 1935, Trevelyan bought Durham Wharf, a group of warehouses beside the River Thames in Hammersmith, London. The place became his home and studio for the rest of his life as well as a source of endless artistic inspiration. He became a confirmed Surrealist and exhibited at the International Surrealist Exhibition, which was held at the New Burlington Galleries in London. Trevelyan married Ursula Darwin, daughter of Bernard Darwin and great-granddaughter of Charles Darwin, but their marriage was dissolved in 1950. Their son is the film-maker Philip Trevelyan. It was in 1951 that he married the woman who became his most renowned collaborator and muse, Mary Fedden. From 1950 to 1955, Trevelyan taught history of art and etching at the Chelsea School of Art. Between 1955 and 1963 he was tutor of engraving at the Royal College of Art, before rising to Head of the etchings department and becoming influential to many younger printmakers, including David Hockney and Norman Ackroyd. In July 1986, Trevelyan was awarded a senior fellowship at the Royal College of Art and in September 1987 he was appointed a Royal Academician. A Trevelyan retrospective, The Artist and His World, was held at Pallant House Gallery, Chichester in 2018. His son has written a monograph on Trevelyan, 'Picture Language', published in 2013 by Lund Humphries.

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To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College, Cambridge (Cambridge Series 1956 - 66) Linocut 61 x 80 cm Numbered 37/75 lower left, titled below, marked as artist's proof, and signed lower right, all in pencil. A blue- and grey-hued linocut of King's. A version of this print, owned by the Government Art Collection, hangs in the British Embassy in Tunis. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from...

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