MICHAEL KIRK

NINTH AVENUE SUITE

1975

Horter, Earl. NEW YORK CITYSCAPE. Etching, not dated. Edition size not known. Printed on heavy laid paper, and signed in pencil. 6 1/2 x 6 1/8 inche...

Arms, John Taylor (American, 1887-1953). DOWNTOWN, NEW YORK. F.108. Etching and Aquatint, 1921. Edition of 75. Numbered 19/75 and signed and dated 1921, all in pencil. 8 3/8 x 4 7/8 inches, 214 x 125 mm (plate) plus margins. Framed to 16 1/4 x 12 1/2 inches with the label of The Old Print Shop...

Maurer, Leonard (AmCerican, 1912-1976). CITYSCAPE, Etching and aquatint, 1967. Signed, titled, dated, and inscribed "Artist's Proof," all in pencil. 8 1/2 x 6 3/4 inches (plate), fra...

Ross, John American, (1921-2017), BROADWAY, Color Woodcut, 1957, Ed. 9/10, signed, titled dated and numbered in pencil, on a cream japan paper. 15-1/8 x 19-1/8 inches (image), 18 1/4 x 23 3/8 inches (sheet). A fine impression with strong, fresh colors, but with thin spots and adhesive residue in the left and right margins, well away from the image, resulting from careless removal from an earlier mount. This is one of Ross's most effective and striking prints, presenting New York City at night, under a moon and clouds...

Eighth Avenue at 56th Street, 1930, oil on canvas, signed and dated lower right, 31 ¾ x 24 inches, ex collection Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kan...

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

25th Street, by Elise Zoller, 24 x 30 in. oil on panel. Elise Zoller has recently embarked on a series of plein air paintings of sites around Salt Lake City and in the smaller towns of Utah from Hurricane to Huntsville. She has enjoyed meeting people along the road and learning about the history of the state. “Plein air work can be physically demanding, but there is no substitute for working from life. Light and shadow dance in subtle ways a photograph cannot capture. Even the wind and the fragrances it carries inform the work. Scenes come alive when you stand in one place for a few hours. You’ve got to get to know a spot,” Elise says. “While I work, all manner of people come up and talk to me about their towns and their lives. I’ve met a downwinder from Enterprise, pie bakers in Veyo, pony cart...

Blam's style of painting can best be described as "fractured realism", in the style of Edward Loper Sr. She painted en plein air, in NYC and in/around Wil...