2012
Ross Racine was born in 1952 in Montreal. Racine's works are drawn freehand on a computer and no photographs are used in the process. These imagined, aerial views of suburban development consider our society and methods of transportation within and around suburban developments. These drawings of aerial views use the distant, perpendicular mode of viewing for its reflective capabilities as a way of thinking about design, the city and society in general. His prints have been shown in solo and group exhibitions in the United States, Canada and Europe, most recently at the Des Moines Art Center, The Vienna Künstlerhaus, the International Print Triennial in Katowice, the Koffler Centre of the Arts, the International Print Center New York and the Front Room Gallery in New York. A selection of Racine's prints has won the biennial prize at the 2011 Biennale Internationale de Gravure Contemporaine in Liège, Belgium. His work is in several collections, including the New York Public Library Print Collection, the Des Moines Art Center, the Johnson & Johnson collection and the Hallmark collection. He currently lives in Montreal and sometimes in New York.
Noon
By Ross Racine
Located in New York, NY
signed and editioned on reverse, limited edition of 5 This limited edition print is from Ross Racine's "Metropolitan Gardens,” series, in which the artist depicts realistic aerial ...
Inkjet
Dusk
By Ross Racine
Located in New York, NY
Signed and editioned on reverse. This print is a surreal depiction of an aerial view of a planned building development or subdivision. Developed in the imagination of the artist, th...
Inkjet
Bluff
By Ross Racine
Located in New York, NY
signed and editioned on reverse, limited edition of 5 This limited edition print is from Ross Racine's "Metropolitan Gardens,” series, in which the artist depicts realistic aerial ...
Inkjet
To The River
By Ross Racine
Located in New York, NY
edition of 5 available unframed image size: 23 1/2" x 31 1/2" Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freehand on a ...
Archival Paper, Archival Pigment
"Thesis", Limited Edition Print, Abstract Landscape
By Ross Racine
Located in New York, NY
signed and editioned on reverse. edition of 5, 23 1/2"x31 1/2" This limited edition print by Ross Racine has an abstract quality in the composition. The golden yellow ground in thi...
Archival Ink, Archival Paper, Archival Pigment
Heavenly Heights
By Ross Racine
Located in New York, NY
archival pigment print image size: 23.5"x 31.5" on 26.75"x 34.5" sheet edition of 10 available unframed Ross Racine is an artist living in Montreal (Quebec), Canada, and New Yo...
Archival Pigment
Untitled
By Charles Miesmer
Located in Fairfield, CT
acrylic and paper on panel
Acrylic
Untitled
By Charlie Miesmer
Located in Fairfield, CT
Mixed media on panel
Mixed Media
Paradox V
Located in Denver, CO
Marcos Acosta's paintings beckon and beguile. His most recent collection of Colorado and Southwestern landscapes --paintings on canvas as well as works on paper -- are furtive medita...
Canvas, Oil
Untitled
Located in Barcelona, CT
The painting is being offered with a work and authenticity certificate
Lithograph
Primordial
By David Ondrik
Located in Sante Fe, NM
A photogram is a cameraless photographic image made by placing objects directly onto the surface of a light-sensitive material, such as photographic paper, and then exposing the mate...
Photographic Paper, Photogram
large 5
By Todd Carpenter 1
Located in San Diego, CA
"The Factory Builds Eternally East" depicts a open skies and city lights. This scene is of no particular place, but rather Carpenter's interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul...
Oil, Wood Panel
