Post-Modern Landscape Prints

Original offset colored lithograph travel poster titled “Holland” by the Dutch artist, Paul Erkelens. Signed in the print lower right and dated 1945. Published by Dejong & Company,...

Titled Ledoux, color limited edition lithograph. Hand signed by artist in pencil to right hand corner, 101/150 to left. 19.5" X 14" print view area. This is done in a Postmodernist, Memphis Milano style. Valerio Adami (born 17 March 1935) is an Italian painter. Educated at the Accademia di Brera in Milan, he has since worked in both London and Paris. His art is influenced by Pop Art. Adami was born in Bologna. In 1945, at the age of ten, he began to study painting under the instruction of Felice Carena. He was accepted into the Brera Academy (Accademia di Brera) in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan. In his early career, Adami's works were expressionistic, but by the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments. In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Giancarlo created the film Vacances dans le désert. In 1974 he illustrated a Helmut Heissenbuttel poem, Occasional Poem No. 27. Ten Lessons on the Reich with ten original lithographs {Galerie Maeght}. In 1975, the philosopher Jacques Derrida devoted a long essay, "+R: Into the Bargain", to Adami's work, using an exhibition of Adami's drawings as a pretext to discuss the function of "the letter and the proper name in painting", with reference to "narration, technical reproduction, ideology, the phoneme, the biographeme, and politics". The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. There were four retrospective exhibits of Adami's work between 1985 and 1998. They were held in Paris, the Centre Julio-Gonzalez de Valence (Spain), Tel Aviv, and Buenos Aires. In 2010, the Boca Raton Museum of Art devoted a special exhibit to Adami's Post Modern paintings and drawings. Derriere le Miroir, the editor was Aimé Maeght. Derrière le Miroir is a French art magazine created in 1946 and published until 1982...

Industry, 1928, by Earl Marshawn Washington (b. 1962) Woodcut relief on paper 12 x 9 inches unframed (30.48 x 22.68 cm) Signed on bottom left Inscribed (Industry) on bottom center Da...

PHILEMONA WILLIAMSON Untitled (from the Artsounds Collection), 1986 color offset print, ed. 200 12 x 12 cm. 30.5 x 30.5 cm. Edition 49/100 sign...

LOCUST, 1992 lithograph on heavy black paper, hand signed with initials of artist/numbered/dated in gold metallic ink recto 30 X 31 inches Limited edition of 100 Peter Alexander was born in Los Angeles, California in 1939 the fourth generation of a well-to-do Southern California family that ran oil fields. He grew up in Newport Beach, where the sun and the ocean were staples. (He was surfing by the age of 13.) One of the most lasting memories of his youth was watching a meteor shower over the beach. He studied architecture at the University of Pennsylvania under famed architect Louis Kahn (1957–60); During summers, he produced architectural drawings in the Los Angeles studio of the Modernist Richard Neutra. He continued his studies at the Architectural Association in London, England (1960–62); the University of California, Berkeley (1962–1963); the University of Southern California (1963–64); and the University of California, Los Angeles (1964–65) and (1965–66). After initially working as an architect, he rose to prominence in the 1960s with translucent resin sculptures. He has also produced paintings, including a series that depicts luminous aerial views of the city lights stretching across the Los Angeles basin. He also was commissioned to paint a large mural for the Walt Disney Concert Hall in Los Angeles. His art has appeared in the films Erin Brockovich, Terminator 3 and Shopgirl. Craig Krull Gallery exhibited a survey of Alexander's work, including paintings and sculptures from 1970 - 2009 in conjunction with Pacific Standard Time. Alexander will be exhibited in Pacific Standard Time museum shows as well, including “Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and the Watts Towers Arts Center” organized by the Los Angeles Department of Cultural Affairs, “Phenomenal: California Light and Space” at the Museum of Contemporary Art San Diego, and “Pacific Standard Time: Crosscurrents in L.A. Paintings and Sculpture 1945-1970” at the The J. Paul Getty Museum His work bears a relationship to the Light & Space Movement and Minimalism artists James Turrell, Larry Bell, Robert Irwin, Craig Kauffman, Billy Al Bengston, Joe Novak, Laddie John Dill, Lita Albuquerque. His experiments with industrial materials, begun when he was a student at UCLA, led to the creation of ethereal sculptures...

"Soleil Noir" is a color lithograph signed by Alexander Calder. The sun is black in the distance, the rays for the sun are curvy and jagged rays. The ground stretches out bellow, mos...

Colored lithograph on arches paper of Montmartre and Sacre Coeur by the well known French artist, Jean Dufy. Signed in pencil lower right. Published by Guilde de la Gravure, Paris. Edition size lower left in pencil 75/250. Condition is very good. Provenance: Huntington, Long Island estate. Sight size is 21 by 26.5 inches. Sheet size 22 by 30 inches. Presently unframed. Jean Dufy was born into a large family, the seventh of eleven children. He spent his childhood in Le Havre and it was here that he and his brothers and sister were fortunate to be influenced by their father’s passion for music, a theme that was to become prominent in his work. After completing school, his father, an accountant in a metallurgic company, placed Jean in an import company, holding the position of “commis de dehors”, a clerk. That gave him the opportunity to spend most of his time in the exhilarating atmosphere of the harbour, memorising all these sensations in his sketchbook, filling page by page with drawings of ships in all sizes loading and offloading merchandise from far away countries. Raoul Dufy, Georges Braque and Othon Friesz, assisted by the Parisian art dealer Georges Aubry, organised an exhibition in 1906 at the Town Hall in Le Havre to encourage the people of the city to appreciate Modern Art. It was this exhibition that included masterpieces by leading artists such as Henri Matisse, Pablo Picasso, André Derain, Albert Marquet and others who inspired the young Jean Dufy, particularly Matisse and his extraordinary use of light. He took a job as a secretary on the ocean liner “La Savoie”, crossing the ocean to New York City for nearly two years. After he completed his military service between 1910 and 1911, he settled in Paris in 1912. At this stage he painted mainly flowers in watercolour...

"Pigeons" is an original color lithograph by Harold Altman. It is numbered 46 out of an edition of 285, signed in the lower right hand corner. A multitude of birds flock together, ea...

"Two Suited Women" is an original color lithograph by Harold Altman. It is numbered 24 out of an edition of 285. Two seated women quietly take in each others company before a well ke...

"Two Seated Men" is an original color lithograph by Harold Altman. It is numbered 23 out of an edition of 285, signed in the lower right hand corner. An almost abstract tangle of tr...

"Two Riders" is an original color lithograph by Harold Altman. It is numbered 23 out of an edition of 285. Within a quiet forest path, two riders glide th...

"Trio" is an original color lithograph by Harold Altman. It is numbered 23 out of an edition of 285, signed in the lower right hand corner. Three figures walk on a path within a chan...