Laurent Marcel Salinas

Estuary, Lithograph by Laurent Marcel Salinas

1970-1979

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Canal. Year: circa 1970, Medium: Lithograph, signed and numbered in pencil, Edition: 175, Size: 21 in. x 29 in. (53.34 cm x 7...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Voilier. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 83/175, Image Size: 23.5 x 16.5 inches...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Campagne. Medium: Lithograph, signed and numbered in pencil, Edition: 175, Image Size: 20 x 17 inches, Size: 30 x 21 in. (76...

Bill Sullivan, American (1942 - ) - Low Tide 18, Year: circa 1985, Medium: Hand Colored Lithograph, signed in pencil, Edition: 25, Size: 35 x 50 in. (88.9 x 127 cm), Descriptio...

The Bay is an original lithograph realized by Paul Petit in the mid-20th. Hand-signed. Numbered. Edition, 6/9. The artwork is depicted through confident ...

Landscape is an original lithograph on cardboard, realized by Mario Sportelli in 1980s. The state of preservation is very good. Hand-signed on the lower right Edition of 100 copi...

Landscape is an original lithograph on cardboard, realized by Mario Sportelli. The state of preservation is very good. Hand-signed on the lower right Artist's proof. Sheet dimens...

Landscape is a beautiful lithograph realized by the Italian artist Giuseppe Zancan (Turin, January 14, 1936 - Turin, June 8, 2016). Hand-signed in pencil on the lower right margin and signed on plate. Numbered on the lower right in pencil, copy 72 from an edition of 100 prints. Good conditions. This contemporary artwork represents a poetical landscape created through quick and confident short strokes, in well-balanced composition. Giuseppe Zancan (Turin, January 14, 1936 - Turin, June 8, 2016), was an Italian journalist and artist, His first personal exhibition of engravings dates from this period, in 1967, ordered at the L’Arte Antica gallery in Turin. These were engravings closely related to the work of Beppi Zancan's ideal teacher, Rembradt. In 1971 he exhibited again at the Ancient Art of Turin and at the Cabinet of Prints in Milan and in 1974 at the Casino of Sanremo. In 1974, he became a professional journalist and, in 1975, he was entrusted with the direction of Il Mago, one of the most important Italian comic...