20th Century Nude Prints

Medium: original etching. Printed in 1910 for Theodore Duret's "Manet & the French Impressionists". Plate size: 6 5/8 x 4 3/8 inches (170 x 110 mm). Sheet size: 8 1/2 x 5 3/4 inc...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Medium: lithograph (after the the original lithograph). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. T...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Tracey Emin Every part of me's bleeding Offset lithograph poster, 1999 Published by: Lehmann Maupin Gallery, 39 Greene Street, SoHo, NYC Boldly signed and dated 2025 in silver sharpi...

Medium: original etching. Printed in 1909 for Theodore Duret's "Die Impressionisten" and published in Berlin by Bruno Cassirer. This impression on laid paper bears the Fortuna waterm...

Pencil signed by the artist, lower right, 'Henri Matisse' (French, 1869-1954) with number and limitation, '56/250'. Matted dimensions: 23.75 H x 19.75 W inches Published by the Prin...

A Grand Prix De Rome Submission Circa 1906. “Académie D’Homme” Nude Throwing An Arrow. Period Print (Lithograph or Heliogravure). Image size 19 inches x 12.2 inches ( 48cm x 31cm ). Frame size 22 inches x 15.4 inches ( 56cm x 39cm ). Available for sale; this antique reproductive plate (usually a lithograph or heliogravure) after the original competition drawing is annotated Premier Grand Prix De Rome and is dated in the margin 1906. The print is presented and supplied in a sympathetic contemporary wooden frame (which is shown in these photographs) and behind glass. This antique print is in good material condition with age toning to the paper along with a scattering of aged blemishes. It is supplied ready to hang and display. The print carries a dedication lower right in the margin. An incomplete (partial) ink stamp in the lower left hand corner makes reference to an Anvers (Antwerp) institution. This finely executed early 20th-century figure print of a drawing is of the Académie d’Homme genre (traditional academic nude study). It depicts a nude male figure in dynamic contrapposto, shown mid-action as he prepares to throw an arrow. The pose combines classical balance with controlled movement, reflecting the rigorous standards of French academic training at the turn of the century. The image is a period print, likely produced as a lithograph or heliogravure, after an original competition drawing. It is annotated “Premier Grand Prix de Rome” and dated 1906 in the margin, indicating that the original of this work was a submission to the prestigious Prix de Rome competition, the highest accolade for academic artists in France. Such works were commonly reproduced for study, reference and institutional circulation and it is likely that this reproduction was made in the same year, or shortly afterwards. Rendered with careful anatomical precision, the figure demonstrates a deep understanding of musculature, proportion and weight distribution, hallmarks of École des Beaux-Arts instruction. The neutral background focuses attention entirely on the human form, emphasising clarity of line and sculptural modelling. This circa 1906 academic male nude print...

CLÉMENT CYCLES is a limited edition fine art lithograph re-creation after the original French advertising poster created by PAL(Jean de Paleologue) for Fernand Clément Bicycle Co., F...

Artist: John Kacere (1930-1999) Title: Illeana II Year: 1991 Edition: A.P.; 100, plus proofs. Medium: Lithograph on wove paper Size: 23.5 x 31.5 inches Inscription: Signed by the art...

You have to love the irony in this etching’s unexpected title "Lovesick" (or Liebeskrank in German). The work was originally created by George Grosz in 1916 and is a quintessential e...

Artist: Roy Lichtenstein Title: Nude With Blue Hair Medium: Relief print on Rives BFK mold-made paper Date: 1994 Edition: 28/40 Frame Size: 60 3/4" x 40 3/4" Sheet Size: 57 7/8" x 37...

This artwork titled " Fiddle and Mermaids" c.1975, is an original colors lithograph on Wove paper by noted French/American artist Charles Cobelle, 1902-1994. It is hand signed and nu...

Lithograph numbered and signed by hand 19/60 edition From Israel collection

Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this is a lifetime impression published in 1909 in Berlin by Cassirer for "Kunst und Kunstler...

Joanne by John Kacere, American (1920–1999) Date: 1979 Lithograph, signed and numbered in pencil Edition: 300 Image: 15.25 x 23 inches Size: 19 x 25 in. (48.26 x 63.5 cm) Frame: 23 x...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...

John Kacere, American (1920 - 1999) - Joanne, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 15.25 x 23 inches, Size: 19 x 25 in. (48.2...

Alain BONNEFOIT Beauty in a Dream, 1975 Original lithograph Handsigned in pencil Numbered / 100 On vellum 38 x 55 cm (c. 15 x 22 inch) Excellent condition

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of ecstasy and repose. The loose sketches were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The composition is based on the drawing: Clinical Study, Towards a Heroic-Erotic Monument in the Academic/Comic Style, 1965, ball-point pen on paper, 20 x 40 in. / 60 x 101.6 cm. *This print was etched in six gorgeous inks, each in an edition of ten: take your pick of color!* Oldenburg had an interest in imaginary monuments: he famously conceptualized works such as “Ball”, an unbuilt monument conceived of in 1967 which imagined two ballcocks – the round mechanism in a toilet tank...

Original vintage poster: Bergasol. Artist: Bernard Villemot Professional mounted on acid-free archival linen. Ready to frame. In very fine condition. The Bergasol poster i...

Rockwell Kent, 'The Bather', wood engraving, 1931, edition 120, Burne Jones 63. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 1/2 to 3 1/4 inches); slight skinning at the top sheet edge, verso, otherwise in excellent condition. Archivally matted to museum standards, unframed. Image size 5 3/8 x 7 7/8 inches (137 x 200 mm); sheet size 11 1/8 x 14 1/2 inches (283 x 368 mm). Impressions of this work are held in the following public collections: Burne Jones Collection (Illinois), Chazen Museum of Art, Chegodaev Collection (Moscow), Kent Collection (New York), National Gallery of Art, Philadelphia Museum of Art; SUNY Plattsburg Art Museum, Princeton University Library, Pushkin Museum (Moscow), Smithsonian American Art Museum, Spector Collection (New York), University of Illinois. ABOUT THE ARTIST Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world. Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University. Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper. Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock...

Laurent Marcel Salinas, After Toulouse-Lautrec, Egyptian/French (1913 - 2010) - Nude on Bed, Year: circa 1977, Medium: Lithograph on Arches, Museum Stamped and numbered in pencil, ...

Woman With horse is an original artwork realized by Enzo Assenza. Original print in etching technique. Hand-signed by the artist in pencil on the lo...

Obsessions of the Heart ( The World ) is from one of Salvador Dali's TAROT series titled Visions Surrealiste. It is an original limited edition (78 / 100) lithograph on Japon paper, ...

LADIES WITH PARROTS is an original hand drawn lithograph printed using hand lithography techniques on archival Somerset printmaking paper, 100% acid free by the renowned Chinese born...

This wonderful original etching with drypoint  was realized by Marc Chagall  in 1924. Hand-signed in pencil by the artist "Marc Chagall" at the lower right corner. It's an artist pro...

Original CAZALIS & PRATS since 1875. Artist: Emm. Gaillard. Size: 13" x 19.5". Professionally acid-free archival linen backed and ready to frame. Note that a small ink printing line ...

Leonel Gongora, Colombian (1932 - 1999) - Rembrandt, Year: circa 1968, Medium: Hand-Colored Etching and Aquatint, signed, titled and numbered in pencil, Edition: 2/50, Image Size:...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig;...

This artwork "The KIss" c.1970 is an original drypoint etching on wove paper by noted Czech artist Vladimir Komarek, 1928-2002. It is hand signed and ...

John Melville Kelly, 'Kanani (Hawaii)', drypoint, 1946. Signed, titled and annotated 'No 36' in pencil. A superb impression, in dark brown ink, on ...

Artist: Mel Ramos (American, 1935-2018) Title: "Marquet's Mannequin" *Unsigned proof Year: 1979 Medium: Original Lithograph on unbranded white wove paper Limited edition: an unsigned...

SPELLBOUND is an original hand drawn lithograph(not a photo reproduction or digital print) printed using traditional hand lithography techniques on archival Arches paper, 100% acid f...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue "Liebe" (Dear), Text in German on the plate, The drawing created unusually bold erotic subjects through deft strokes. Good conditions. Mihály Zichy...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Louis Icart, After, French (1888 - 1950) - Eve, Year: circa 1990, Medium: Giclee Print, Size: 8.75 x 11 in. (22.23 x 27.94 cm), Frame Size: 14.5 x 17 inches

Shelly (Sheldon) Fink (American, 1925-2002), "Blonde Nude" Edition of 150, Lithograph signed on Paper, 14 x 17, Late 20th Century, 1963 Depicts a nude woman lying...

Susana en el tiempo (Susana Through Time) presents one of Miguel Conde's recurring strengths: the ability to blend classical figuration with a contemporary psychological atmosphere. ...

Artist: John Kacere (1930-1999) Title: Diane Year: 1979 Edition: A.P.; 200, plus proofs. Medium: Lithograph on Waterford paper Size: 19 x 28 inches Inscription: Signed by the artist ...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Tom Wesselmann Shiny Nude (Stealingworth, 33), 1977 Silkscreen on glossy cast-coated Kromekote paper 8 × 8 inches Edition of 1000 (AP/1000) Pencil numbered ...

Milo MANARA Venus on the Beach Original Screen Print Printed signature in the plate On heavy paper 50 x 70 cm (c. 20 x 28 in) Excellent condition

Artist: John Kacere (1930-1999) Title: Illeana II Year: 1991 Edition: A.P.; 100, plus proofs. Medium: Lithograph on wove paper Size: 23.5 x 31.5 inches Inscription: Signed by the art...

Artist: Hans Bellmer, German Title: La petite fille sur canape noir Year: circa 1970 Medium: Etching, signed and numbered in pencil Edition: 46/70 Image Size: 10.5 x 8 inches Frame...

Medium: original lithograph. Catalogue reference: Guerin 265. This lithograph was executed by Aristide Maillol in homage to Paul Cezanne. Printed in 1914 and published in Paris by Be...

Experience the epitome of 1950s Riviera sophistication with this authentic original Monte Carlo vintage poster 1950s by master artist Jean-Gabriel Domergue. This exceptional travel d...

Figure is an original lithograph on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes, short and...

Artist: John Kacere (1930-1999) Title: Diane Year: 1982 Edition: A.P.; 300, plus proofs. Medium: Lithograph on Somerset paper Size: 18.5 x 24.25 inches Inscription: Signed by the art...

This artwork titled "venus Noir" from the suite "The Mujeres File" 1969 is an original colors lithograph on BFK Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is h...

Salvador Dali - Erotic Grapefruit - Original Hand-Signed Lithograph 1969 Dimensions: P. 57 x 37 cm Sheet: 75 x 56 cm Handsigned, EA (Epreuve d'Artiste) Excellent Condition Reference...

Vintage jockstrap ad poster, 1975. Offset lithograph on paper measures 18.5 x 12.75 inches. Copyright Winifred Bonney. Original offset period print on perio...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Artist: Louis Icart, French (1888 - 1950) Title: Conchita Year: 1929 Medium: Etching, signed in pencil Image Size: 20 x 13 inches Frame Size: 32.5 x 25 inches Reference: Figure 361 ...

Rockwell Kent, 'Mountain Climber', wood engraving, 1933, edition 250, Burne Jones 93. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 9/16 to 3 5/8 inches); slight skinning at the top sheet edge verso, where previously hinged; otherwise, in excellent condition. Archivally matted to museum standards, unframed. Image size 7 7/8 x 5 7/8 inches (200 x 149 mm); sheet size 14 x 11 1/8 inches (356 x 283 mm). Printed by Pynson Printers, New York. Distributed by The Print Club of Cleveland, Publication No. 11, 1933. Literature: 'Rockwellkentiana,' Harcourt, Brace and Company, New York, 1933. '101 of The World’s Greatest Books', edited by Spencer Armstrong, 1950. Impressions of this work are held in the following museum collections: Akron Art Institute, Burne Jones Collection, IL; Cincinnati Art Museum; Cleveland Museum of Art; Columbus Gallery of Fine Arts; Crystal Bridges Museum of American Art; Davis Museum at Wellesley College; Fine Art Museums of San Francisco; H. M. de Young Museum; Hermitage Museum; Kent Collection, NY; Library of Congress; Memorial Art Gallery, University of Rochester; Metropolitan Museum of Art; New York Public Library; Philadelphia Museum of Art; Princeton University Library; Smithsonian American Art Museum, Spector Collection, NY; SUNY, Plattsburg. ABOUT THE ARTIST Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world. Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University. Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper. Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock. In 1905 Kent moved from New York to Monhegan Island in Maine, home to a summer art colony, where he continued to find inspiration in nature. Kent soon found success exhibiting and selling his paintings in New York, and in 1907, he was given his first solo show at Claussen Galleries. The following year he married his first wife, Kathleen Whiting (Thayer’s niece), with whom he had five children. The couple divorced in 1924, and Kent married Frances Lee the following year. They divorced after 15 years of marriage, and the artist married Sally Johnstone. For the next several decades, Kent lived a peripatetic lifestyle, settling in several locations in Connecticut, Maine, and New York. During this time he took several extended voyages to remote, often ice-filled, corners of the globe, including Newfoundland, Alaska, Tierra del Fuego, and Greenland, to which he made three separate trips. For Kent, exploration and artistic production were twinned endeavors, and his travels to these rugged, elemental locations inspired his visual art and his writings. He developed a stark, realist landscape style in his paintings and drawings that revealed both nature’s harshness and its sublimity. Kent’s human figures, which appear sparingly in his work, often allude to the mythic themes of isolation, individualism, heroism, and the quest for self-connection. Important exhibitions of works from these travels include the Knoedler Gallery’s shows in 1919 and 1920, featuring Kent’s Alaska drawings...

This is a wonderful colour lithograph entitled ‘Scorcio di Roma con profilo femminile’ (View of Rome with female profile) by Italian artist Ugo Attardi (1923-2006). The work is a gr...

Rockwell Kent, 'Diver', wood engraving, 1931, edition 150, Burne Jones 88. Signed, and titled 'The Diver' in pencil. A brilliant, black impression, on cream, wove Japan paper; the fu...

Alméry Lobel-Riche Lying Nude on a bed Original etching Handsigned in pencil Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition

Nude Of Woman is an original colored print realized during the XXI century by the Futurist artist Emilio Notte. Colored lithograph on paper. Hand-signed by the artist in pencil on t...

Hand Monogrammed. Edition of 50 pieces. Provenance: Galleria Prandi. Very good condition.