Paul Cadmus

Arabesque

1947/1979

Signed, titled, and numbered in pencil, recto Lithograph (Edition of 200) 10 x 10.5 inches (25.4 x 26.7 cm), sheet Contact gallery for price. This work is offered by ClampArt in ...

Paul Cadmus Stewart’s 1934/1979 Signed, titled, and numbered in pencil, recto; Also blindstamped, l.l. Etching (Edition of 35) 18 x 14.5 inches, sheet

Standing Nude Signed, l.l. Pen and ink on paper 11 x 7 inches (27.9 x 17.8 cm) This work is offered by CLAMP in New York City.

Mobile (The Inventor) 1953 Signed and numbered Serigraph 15.813 x 21.125 inches (40.2 x 53.7 cm) Contact gallery for price. This work is offered by C...

Standing Female Nude in Profile, hand on hip Colored chalks on Strathmore Charcoal grey paper, c. 1980 Signed in chalk lower right (see photo) In 1941, Fidelma Cadmus (Paul’s sister)...

Standing Female Nude Colored chalks on tan Strathmore paper, c. 1975 Signed in chalk upper right (see photo) Condition: Excellent Housed in an 8 play acid free rag matting S...

Self Portrait with Arms Over Head, vignette on Paul Cadmus on left Graphite drawing on thin wove paper, c. 1940's Unsigned Provenance: Paull Cadmus Jon F. Anderson (1937-2018) Condition: Sheet size: 15 x 10 1/4 inches Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Born in Hoboken, New Jersey, Margaret Hoening (1906–1998) was a painter and an etcher perhaps best known for her photographs as part of the PaJaMa photography collective. After attending Smith College, she settled in New York, where she pursued formal artistic training at the Art Students League. There, she met the artist couple Paul Cadmus and Jared French. In 1937, she married French, fifteen years her junior, who had spent the previous decade with Cadmus. The trio formed a tight bond, with Cadmus and French continuing their relationship. Together, the three formed PaJaMa (a mashup of their first names, Paul, Jared, and Margaret). Using Hoening’s Leica, they captured themselves, their artist friends, and members of the gay community posing in artful tableaux on the beaches of Fire Island, Provincetown, and Nantucket over the following eight years. Those captured by their camera include the photographer George Platt Lynes; Cadmus’s sister and artist Fidelma; artist Bernard Perlin; and Monroe Wheeler, director of exhibitions at the Museum of Modern Art, among others. Though she produced few canvases, Hoening’s paintings demonstrate the influences of French and Cadmus, particularly with her adoption of the time-intensive, traditional medium of egg tempera that they championed. In the 1940s, the Frenches’ social circle continued to expand. They befriended the British author E.M. Forster, who stayed with them on his first trip to New York in 1947, spending a few days with them in Provincetown, and visiting them again in 1949. When Cadmus began a relationship with the young artist George Tooker in 1944, the trio became a foursome, with Tooker regularly vacationing with the group and appearing in PaJaMa’s photographs...

Nude is an Original Pencil Drawing realized by Anthony Roaland in 1990s. Good condition on a white cardboard, one margin with tear type notepad. Hand...