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Period: 18th Century and Earlier
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art
Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

Set of Four Engravings from Nash's "History of Worcestershire" /// Landscape Art

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Stourbridge", "A View of Upton upon Severn, from Ryal Hill", "Bewdley", and "Tenbury" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Four Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10" x 16.5" Image size (each): approx. 6.88" x 11.75" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All four works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in 1799. And, both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". Both "A View of Stourbridge" and "A View of Upton upon Severn, from Ryal Hill" have unidentified fleur-de-lis watermarks in the center of their sheets. "Bewdley" has an unidentified watermark in the center of its sheet resembling "XV" and "Tenbury" has no watermark. Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Laid Paper, Engraving

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT
AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

AMERICAN REVOLUTION - THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT

Located in Santa Monica, CA

AMERICAN REVOLUTION THE ABLE DOCTOR IN AMERICA SWALLOWING THE BITTER DRAUGHT, 1774 (LC Cresswell 664). Engraving and etching. Originally from "The London Magazine", April 1774. Pl...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving

AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776
AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776

AMERICAN REVOLUTION- WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776

Located in Santa Monica, CA

REVOLUTIONARY WAR NEWS FROM AMERICA or PARTIOTS IN THE DUMPS, 1776 (LC Cresswell 703) Engraving from The London Magazine, Plate 7 3/8 x 5, trimmed within plate mark at right. Sheet...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving

Entombment; Plate 2 from The Passion of the Christ
Entombment; Plate 2 from The Passion of the Christ

Entombment; Plate 2 from The Passion of the Christ

By Hendrick Goltzius

Located in Middletown, NY

Celebrated for the "sfumato" effect that Goltzius achieved through engraving alone, the incredibly fine lines in this work create the illusion of soft, glowing light and atmospheric ...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving, Laid Paper

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise
De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

De wapenhandelinghe van de ruiters; Plate 10 from The Riding School, or Exercise

By Jacob de Gheyn II

Located in Middletown, NY

A 16th century image from the state-sponsored military manual that revolutionized European warfare tactics. Leiden: 1599. Engraving on laid paper with a partial chalice and grapes ...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Laid Paper, Engraving

Shells, French 18th century natural history marine sea shell engraving

Shells, French 18th century natural history marine sea shell engraving

Located in Melbourne, Victoria

18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute. Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...

Category

Victorian 18th Century and Earlier Prints and Multiples

Materials

Engraving

"House Cleaning in Preparation for the New Year" - Japanese Woodblock on Paper
"House Cleaning in Preparation for the New Year" - Japanese Woodblock on Paper

"House Cleaning in Preparation for the New Year" - Japanese Woodblock on Paper

By Kitagawa Utamaro 1

Located in Soquel, CA

"House Cleaning in Preparation for the New Year" - Japanese Woodblock on Paper House cleaning scene by Kitagawa Utamaro (Japanese, 1753-1806). This print was originally published around 1796-1799, with this example being a later reprint. The full scene is five sheets - there are two more sheets to the right that show more members of the house. However, it is these three sheets that contain the majority of the action - a maid sweeping at a mouse, a lady fainting, and a painting moved aside to allow for cleaning. Presented in a new black mat. Mat size: 24"H x 38"W Paper size: 17.75"H x 33"W Print Impression: 14.63"H x 29.5"W Utamaro Kitagawa...

Category

Edo 18th Century and Earlier Prints and Multiples

Materials

Rice Paper, Woodcut

VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....

VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....

By Giovanni Battista Piranesi

Located in Santa Monica, CA

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving
Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving

Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving

By Johann Wilhelm Weinmann

Located in Alamo, CA

An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...

Category

Naturalistic 18th Century and Earlier Prints and Multiples

Materials

Engraving, Mezzotint

Piranesi IV Fine Art Print, Archival Pigment, Late 18th Century
Piranesi IV Fine Art Print, Archival Pigment, Late 18th Century

Piranesi IV Fine Art Print, Archival Pigment, Late 18th Century

By Giovanni Battista Piranesi

Located in Slovak Republic, SK

Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.

Category

Italian School 18th Century and Earlier Prints and Multiples

Materials

Archival Pigment

Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg
Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg

Frankfort, Germany: A 16th Century Hand-colored Map by Braun & Hogenberg

By Franz Hogenberg

Located in Alamo, CA

This is a 16th century original hand-colored copperplate engraved map of Frankfort, Germany entitled "Francenbergum, vel ut alij Francoburgum Hassiae Opp" by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Cologne, Germany in 1595. This is an English translation of an excerpt from the original text in the atlas: "Frankenberg or, according to others, Francoburgum, a town in Hesse. Charlemagne vested the town of Frankenberg with many freedoms and privileges, which it still enjoys to this day, and on account of its valiant and victorious soldiers awarded a signet, upon which there formerly appeared a golden castle with a tower, together with the letter F and a golden crown. Frankenberg, seen here from the northeast, lies on a hill above the River Eder. The hillside is covered with fields neatly separated by bushes and fences. Soaring above the town is the massive Liebfrauenkirche, which was modelled on St Elizabeth's church in Marburg. The New Town was founded in 1335 at the foot of the hill (right) and merged with the Old Town as late as 1556. Frankenberg was founded by Conrad of Thuringia in 1233/34 to prevent the archbishops of Mainz from expanding their sphere of influence...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving

The South West Prospect of London – English School 18th century
The South West Prospect of London – English School 18th century

The South West Prospect of London – English School 18th century

Located in Middletown, NY

A stunning 18th century optical view of London from the Thames. London: 1760. Copper plate engraving with hand coloring in watercolor on cream laid paper with a large circular wate...

Category

English School 18th Century and Earlier Prints and Multiples

Materials

Watercolor, Handmade Paper, Engraving

Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map
Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map

Persiae, Armeniae, Natoliae et Arabiae Descriptio per Frederick deWit 1666 map

Located in Paonia, CO

Map of Persiae, Armeniae, Natoliae et Arabiae Descriptio per F de Wit 1688 engraving from: Atlas Contractus Orbis Terrarum Praecipuas ac Novissimas Complectens Tabulas. Amsterdam, N. Visscher, 1656-77. (Koeman III, Vis5-8) This highly decorative map of the Middle East is by the Dutch engraver, publisher, and map seller...

Category

Realist 18th Century and Earlier Prints and Multiples

Materials

Engraving

Four Framed Hogarth Engravings "Four Times of the Day"
Four Framed Hogarth Engravings "Four Times of the Day"

Four Framed Hogarth Engravings "Four Times of the Day"

By William Hogarth

Located in Alamo, CA

The four plates in this "Four Times of the Day" set were created utilizing both engraving and etching techniques by William Hogarth in 1738. Hogarth's original copper plates were refurbished where needed by James Heath and these engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's original copper plates were used for printing. Most were melted down during World War I for the construction of bombs. Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. The inscription below each print reads "Invented Painted & Engraved by Wm. Hogarth & Publish'd March 25. 1738 according to Act of Parliament". These large folio sized "Four Times of the Day" engravings/etchings are presented in complex gold-colored wood frames with black bands and scalloped gold inner trim. A majority of each thick impressive frame is covered with glass applied near the outer edge. Each frame measures 25.75" high, 22.25" wide and 1.88" deep. There are a few small dents in the edge of these frames, which are otherwise in very good condition. "Morning" has two focal areas of discoloration in the upper margin and some discoloration in the right margin, a short tear in the left margin and a short tear or crease in the right margin. "Noon" has a spot in the upper margin that extends into the upper image, but it is otherwise in very good condition. "Evening" has a faint spot in the upper margin, but it is otherwise in very good condition. "Night" is in excellent condition. The "Four Times of the Day" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Victoria and Albert Museum. Through this series Hogarth is portraying early 18th century London street life at "Four Times of the Day". His characters are exhibiting their personalities, quircks, strange activities, but he also wants to draw attention the disparities between the wealthy aristocracy and the common working class. Plate 1, "Morning" depicts morning in Covent Garden in the winter in front of Tom King...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving, Etching

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799

By Samuel Ireland

Located in Melbourne, Victoria

'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...

Category

Naturalistic 18th Century and Earlier Prints and Multiples

Materials

Engraving, Etching, Aquatint

Jan Oytenbogaert
Jan Oytenbogaert

Jan Oytenbogaert

By Rembrandt van Rijn

Located in San Francisco, CA

This artwork titled Jan Uytenbogaert" 1639 is an etching on paper After Rembrandt Van Rijn, 1606-1669, plate engraved By French renown engraver Charles Armand Durand, 1831-1905. Sign...

Category

Realist 18th Century and Earlier Prints and Multiples

Materials

Etching

Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise
Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise

Wapenhandelinghe van Roers, Musquetten ende Spiessen; Plate 4 from The Exercise

By Jacob de Gheyn II

Located in Middletown, NY

An image from a 17th-century military drill manual depicting techniques for handling muskets and pikes. De Ghen II, Jacques / Jacob Wapenhandelinghe van Roers, Musquetten ende Spies...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Laid Paper, Engraving

Resurrection; Plate 7 from The Passion of the Christ
Resurrection; Plate 7 from The Passion of the Christ

Resurrection; Plate 7 from The Passion of the Christ

By Hendrick Goltzius

Located in Middletown, NY

Celebrated for the "sfumato" effect that Goltzius achieved through engraving alone, the incredibly fine lines in this work create the illusion of soft, glowing light and atmospheric ...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving

A Wooded River Landscape; Entry into the Wood
A Wooded River Landscape; Entry into the Wood

A Wooded River Landscape; Entry into the Wood

By Anthonie Waterloo

Located in Middletown, NY

A magnificent forest scene with lush, vast foliage along a brook by a master of the Dutch Golden Age. Amsterdam: c1650. Etching on cream laid paper, 5 1/8 x 5 3/4 inches (130 x 147 ...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Laid Paper, Etching

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes
Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

Set of Three Engravings from Nash's "History of Worcestershire" /// Landscapes

By Treadway Russell Nash

Located in Saint Augustine, FL

Artist: Treadway Russell Nash (English, 1724-1811) Title: "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Three Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Sheet size (each): approx. 10.13" x 16.75" Image size (each): approx. 7" x 11.88" Reference: Upcott III, page 1330 Condition: A few light handling creases. Have been professionally stored away for decades. They are all strong impressions in excellent condition Notes: Provenance: private collection - Aspen, CO. All three works were engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after drawings by himself. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". All three, "A View of Pershore, from Pensham hill", "A View of Shipston upon Stour", and "Kidderminster" have an unidentified watermark in the center of their sheets resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving, Laid Paper

The Flight into Egypt
The Flight into Egypt

The Flight into Egypt

By Hans Lautensack

Located in Middletown, NY

Etching on handmade cream laid paper with a deckle edge, and an elaborate and large watermark of a crowned figure with a harp, and letters A S, 11 3/4 x 8 inches (298 x 204 mm); shee...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Handmade Paper, Laid Paper, Etching

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving
Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving

By Colen Campbell

Located in Saint Augustine, FL

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Laid Paper, Engraving, Intaglio, Etching

Ancient Roman Fresco Herculaneum - Original Etching by G. Morghen - 18th Century

Ancient Roman Fresco Herculaneum - Original Etching by G. Morghen - 18th Century

By Giovanni Morghen

Located in Roma, IT

Ancient Roman Frescofrom the series "Antiquities of Herculaneum", is an etching on paper realized by Giovanni Morghen in the 18th Century. Signed on the plate. Good conditions exce...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

Old man with a long beard and cap - After Rembrandt, copy
Old man with a long beard and cap - After Rembrandt, copy

Old man with a long beard and cap - After Rembrandt, copy

By Ferdinand Bol

Located in Middletown, NY

Etching on cream laid paper, 3 x 2 1/4 inches (76 x 57 mm), margins. In very good condition with some minor losses at the extreme lower right corner. Pencil inscriptions on the ver...

Category

Flemish School 18th Century and Earlier Prints and Multiples

Materials

Laid Paper

Hollyhock Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Hollyhock Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Hollyhock Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

By Johann Wilhelm Weinmann

Located in Alamo, CA

This is a hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741), entitled "A. Alcea Folio Lacinato, B. Alcea Vesicaria, C. Alchimilla minima, D. ...

Category

Naturalistic 18th Century and Earlier Prints and Multiples

Materials

Engraving, Mezzotint

Le Lévrier  - Etching by Jacques de Sève - 1771

Le Lévrier - Etching by Jacques de Sève - 1771

By Jacques de Seve

Located in Roma, IT

Buffon, Histoire Naturelle, 1767–1771 – Tom. V, Pl. XXVII (p. 300): Le Lévrier Copper engraving depicting Le Lévrier (Greyhound) standing in elegant profile within a landscaped esta...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

The Archangel Raphael Leaving Tobias' Family - Etching by Rembrandt - 1641

The Archangel Raphael Leaving Tobias' Family - Etching by Rembrandt - 1641

By Rembrandt van Rijn

Located in Roma, IT

The Archangel Raphael Leaving Tobias' Family is an etching by Rembrandt executed in 1641. This etching is a proof of the 3rd state (of 4) before of the diagonals on the ground at the...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Etching

Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

Banana Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann

By Johann Wilhelm Weinmann

Located in Alamo, CA

This is an original antique colored botanical mezzotint and line engraving of banana plants, which is finished with hand-coloring. It is entitled "Banana 2. Mauze, Baradis-feigen", p...

Category

Naturalistic 18th Century and Earlier Prints and Multiples

Materials

Engraving, Mezzotint

Union - Whom --- Has Join'd, Let No Man put Asunder!
Union - Whom --- Has Join'd, Let No Man put Asunder!

Union - Whom --- Has Join'd, Let No Man put Asunder!

Located in Middletown, NY

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...

Category

English School 18th Century and Earlier Prints and Multiples

Materials

Watercolor, Handmade Paper, Laid Paper, Etching

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper
"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper

By Francisco Goya

Located in Soquel, CA

"Que pico de Oro" (What a Golden Beak) - Etching and Aquatint on Paper 5th or 8th edition print of "Que pico de Oro" from the Los Caprichos with burnished aquatints, drypoints etchi...

Category

Northern Renaissance 18th Century and Earlier Prints and Multiples

Materials

Engraving, Etching, Aquatint, Laid Paper

Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century

Shunga - Woodcut by Katsukawa Schuncho - Mid-18th Century

By Katsukawa Shunshō

Located in Roma, IT

Shunga is an original modern artwork realized by Katsukawa Schuncho (1726 – 1793) in the half of the 18th Century. Erotic scene from the series "Koshuko zue juni ko". A courtesan with a customer under a kimono stand...

Category

Modern 18th Century and Earlier Prints and Multiples

Materials

Woodcut, Paper

Moses Parts the Red Sea & Receives the Ten Commandments
Moses Parts the Red Sea & Receives the Ten Commandments

Moses Parts the Red Sea & Receives the Ten Commandments

Located in Soquel, CA

Moses Parts the Red Sea & Receives the Ten Commandments - Leaflet from the 1497 'Pirate' Nuremberg Chronicles The Nuremberg Chronicles were first published in 1493 by Anton Koberg...

Category

18th Century and Earlier Prints and Multiples

Materials

Rag Paper, Etching

The Temple of Bacchus - Etching - 1796
The Temple of Bacchus - Etching - 1796

The Temple of Bacchus - Etching - 1796

Located in Roma, IT

Etching on paper published by S. Merigot, London, in 1796. A finely executed late eighteenth-century topographical engraving depicting the celebrated Temple of Bacchus at Baalbek, L...

Category

Surrealist 18th Century and Earlier Prints and Multiples

Materials

Etching

Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen
Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen

Map of the East Indies: An Original 18th Century Hand-colored Map by E. Bowen

By Emanuel Bowen 1

Located in Alamo, CA

This is an original 18th century hand-colored map entitled "An Accurate Map of the East Indies Exhibiting the Course of the European Trade both on the Continent and Islands" by Emanu...

Category

Old Masters 18th Century and Earlier Prints and Multiples

Materials

Engraving

Baroque religious devotional engraving and embroidery, representing the Virgin o
Baroque religious devotional engraving and embroidery, representing the Virgin o

Baroque religious devotional engraving and embroidery, representing the Virgin o

Located in Valladolid, ES

Exquisite and iconic Baroque religious devotional engraving and embroidery, 18th century, depicting Our Lady of Mercy with the Child Jesus, framed in its original carved and polychro...

Category

Baroque 18th Century and Earlier Prints and Multiples

Materials

Silk, Paper

Thamas Kouli-Kan, Roy de Perse, 1742 (Nader Shah), portrait engraving, 1742
Thamas Kouli-Kan, Roy de Perse, 1742 (Nader Shah), portrait engraving, 1742

Thamas Kouli-Kan, Roy de Perse, 1742 (Nader Shah), portrait engraving, 1742

Located in Melbourne, Victoria

French 18th century engraving, published in Paris, of the Emperor of Persia, Tahmasp Quli Khan (c.1688-1747), also known as Nader Shah. 150mm by 100mm (platemark) 170mm by 120mm (sh...

Category

French School 18th Century and Earlier Prints and Multiples

Materials

Engraving

Curlew Bird and Charleston, SC: Original 1st Ed. Audubon Hand-colored Lithograph
Curlew Bird and Charleston, SC: Original 1st Ed. Audubon Hand-colored Lithograph

Curlew Bird and Charleston, SC: Original 1st Ed. Audubon Hand-colored Lithograph

By John James Audubon

Located in Alamo, CA

This is an original rare and extremely collectible first edition John James Audubon hand colored lithograph entitled "Long-billed Curlew", No. 71, Plate 355, from Audubon's "Birds of America. It was lithographed, printed and colored by J. T. Bowen and published in Philadelphia between 1840-1844. It depicts a male and a female Long-billed Curlew standing on a grassy mound with water and the skyline of the city of Charleston...

Category

Naturalistic 18th Century and Earlier Prints and Multiples

Materials

Lithograph