Georg Philipp Rugendas the Elder

Erzeige dich eine mutter zu sein [...].

Circa 1740

King, Daniel (with Wenceslaus Hollar) Ordinis Benedictini monialis; Saint Thecla of Kitzengen c 1650. Etching with engraving on cream laid paper with an indiscernible watermark wit...

Decorative motifs of the German Renaissance is a vintage chromolithograph. Good conditions. The artwork represents Decorative motifs of the German...

The Virgin and the Child is an original Woodcut on cream-colored paper. realized after Albrecht Durer, a reproduction of the early 20th Century from the...

This drawing, bistro on paper, depicts a typical Renaissance-style Majesty, thus the Virgin enthroned with Jesus on her lap. The echoes are clearly referable to the school of Filippo...

German Renaissance is an artwork realized in 19th century. Lithograph on paper. The artwork represents decorative book binding of German Renaissance. The artwork is depicted skillf...

19th century, by Giovanni Battista Salvi, known as Sassoferrato (Sassoferrato, 1609 - Rome, 1685) Praying Madonna Oil on canvas, 44 x 54 cm Framed, 88 x 60 cm Giovanni Battista S...

Wonderful image after Dietrich Fine steel engraving. Published by A.H. Payne C.1850 Unframed.

Oil on Canvas. This is a copy of a Praying Madonna painted by Giovan Battista Salvi, known as Sassoferrato, who became known for this type of depiction of Mary, portrayed in an attit...

This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture. The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...

Wonderful image after Holbein Fine steel engraving. Published by A.H. Payne C.1850 Unframed.