Stencil Portrait Prints

Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...

Medium: pochoir (after the painting). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x ...

Medium: pochoir (after the drawing). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 1...

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Medium: pochoir (after the pastel). A soft and delicate impression, printed in Paris in 1948 and published in an edition of 1200 by Braun et Cie. Size: 6 1/2 x 4 1/2 inches (164 x 11...

Mr. Brainwash World Class, 2009 Thirteen color silkscreen on hand stained archival art paper. Individually finished with spray paint and stencil balloon; unique variant Hand signed t...

Medium: pochoir (after the watercolor). Printed in 1924 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Medium: pochoir (after the watercolor). Printed in Paris in 1924 and published by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscriptio...

Mr. Brainwash Bob Marley’s 74th Birthday Limited Edition Screen Print with Watercolor from 2019. Iconic, beloved artist, Bob Marley is a pioneer and legend of Reggae music. "One Lov...

Paul Cezanne Portrait, The man with a hat, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) ...

POSE (Jordan Nickel) - Both Ends - Urban Graffiti Street Art I am very excited to be releasing my first ever tondo print. Both Ends is by far my most a...

Paul Cezanne The card player, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) INFORMATION ...

after Jean Dubuffet Personnage Pochoir on paper 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art revue XXe siècle Unsigned and unumbered as issued

after Jean Dubuffet - Man - Pochoir 1956 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXè siècle Unsigned and unumbered as issued

after Jean Dubuffet - Man - Pochoir 1960 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXème siècle Unsigned and unumbered as issued

after Jean Dubuffet - Flowers - Pochoir 1957 Dimensions: 32 x 25 cm Edition: G. di San Lazzaro. From the art review XXe siècle Unsigned and unumbered as issued

This exquisite lithograph and pochoir after Raoul Dufy (1877–1953), titled Portrait de Mademoiselle Kessler (Portrait of Mademoiselle Kessler), originates from the 1968 folio Visages...

This exquisite lithograph and pochoir after Sonia Delaunay (1885–1979), titled Portrait de petite fille (Portrait of a Young Girl), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), published by Editions Artistiques et Documentaires, Paris, and Daniel Jacomet, Editeur, Paris, and rendered and printed by Daniel Jacomet et Cie, Paris, 1968. The composition reflects Delaunay’s modern sensitivity to rhythm, structure, and expressive clarity, translating the original drawing into a refined synthesis of color and form through meticulous printmaking. Executed as a lithograph and pochoir on velin paper, archivally hinged on a velin support sheet as issued, this work measures 18.5 x 14 inches overall, with the image measuring approximately 13.39 x 10.83 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Sonia Delaunay (1885–1979) Title: Portrait de petite fille (Portrait of a Young Girl), from Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), 1968 Medium: Lithograph and pochoir on velin paper, archivally hinged on velin support sheet, as issued Dimensions: 18.5 x 14 inches overall; image size 13.39 x 10.83 inches Inscription: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Editions Artistiques et Documentaires, Paris; Daniel Jacomet, Editeur, Paris Printer: Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, published by Editions Artistiques et Documentaires and Daniel Jacomet, Paris Notes: Excerpted from the folio (translated from French), This album, first of the series of pochoirs similar to masters drawings, published by Daniel Jacomet, publisher, was completed printing on March XXXI, MCMLXVIII. The fifteen drawings have been rendered in similar pochoirs in Les Ateliers Daniel Jacomet. Composition and typographic printing are from the Union Printing. It was drawn in LXX numbered examples and L examples, out of the trade. About the Publication: Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, issued in 1968, represents a landmark achievement in Parisian printmaking devoted to the faithful translation of historic master drawings into modern pochoir and lithographic form. Conceived and published by Daniel Jacomet in collaboration with Editions Artistiques et Documentaires, the project inaugurated a series dedicated to rendering canonical drawings with exceptional fidelity to line, tone, and original intent. Jacomets atelier was internationally respected for its rigorous technical standards and scholarly approach, bridging museum collections and contemporary print culture through meticulous craftsmanship. By uniting works spanning centuries and artistic traditions, the publication reflects a curatorial vision rooted in preservation, education, and aesthetic continuity. Produced in strictly limited examples, including a small number outside the trade, it exemplifies the highest standards of mid twentieth century Parisian printmaking and remains valued for its role in transmitting the legacy of master draftsmanship to collectors, institutions, and scholars. About the Artist: Sonia Delaunay (1885–1979) was a Ukrainian born French painter, designer, and avant garde visionary whose revolutionary use of color, geometry, and abstraction transformed twentieth century art and design. Born Sarah Stern in Odessa, she moved to Paris, where she became a leading figure of modernism and a pioneer of Orphism, a lyrical offshoot of Cubism founded with her husband Robert Delaunay that fused structure, rhythm, and pure chromatic energy. Deeply influenced by the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, Delaunay absorbed the experimental spirit of the European avant garde while extending abstraction beyond the canvas into fashion, textiles, interiors, and stage design. Her theory of simultaneity celebrated the dynamic interaction of colors, creating visual rhythms that paralleled music and movement, and her designs for the Ballets Russes and Atelier Simultane introduced geometric modernism into everyday life. Like Picasso, she sought to unify art and existence; like Kandinsky, she viewed color as a spiritual force; and like Duchamp and Man Ray, she embraced modern technology and materials as tools for innovation. Her works from the nineteen thirties through the nineteen sixties captured the rhythm of modern life through radiant compositions of interlocking forms and shifting hues. The first living woman honored with a retrospective at the Louvre in nineteen sixty four, Delaunay remains a cornerstone of modernism, with works held in the Museum of Modern Art, the Tate Modern, and the Centre Pompidou. Her highest auction record was achieved by Rythme couleur (1964), which sold for approximately 4.3 million US dollars at Sothebys Paris on November twenty four, two thousand twenty one, confirming her enduring influence and global stature. Sonia Delaunay lithograph...

This exquisite lithograph and pochoir after Edgar Degas (1834–1917), titled Portrait de Julie Belleli (Portrait of Julie Belleli), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), published by Editions Artistiques et Documentaires, Paris, and Daniel Jacomet, Editeur, Paris, and rendered and printed by Daniel Jacomet et Cie, Paris, 1968. The composition reflects Degas’s penetrating psychological insight and disciplined draftsmanship, translating the intimacy and structural clarity of the original drawing into a refined modern printmaking language. Executed as a lithograph and pochoir on velin paper, archivally hinged on a velin support sheet as issued, this work measures 18.5 x 14 inches overall, with the image measuring approximately 9.45 x 7.87 inches. Signed in the plate and unnumbered as issued. Rendered and printed by Daniel Jacomet et Cie, Paris. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Portrait de Julie Belleli (Portrait of Julie Belleli), from Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux (Faces of Children. Fifteen Drawings from Durer to Dufy from the Collections of the National Museums), 1968 Medium: Lithograph and pochoir on velin paper, archivally hinged on velin support sheet, as issued Dimensions: 18.5 x 14 inches overall; image size 9.45 x 7.87 inches Inscription: Signed in the plate and unnumbered as issued Date: 1968 Publisher: Editions Artistiques et Documentaires, Paris; Daniel Jacomet, Editeur, Paris Printer: Daniel Jacomet et Cie, Paris Condition: Well preserved, consistent with age and medium Provenance: From the 1968 folio Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, published by Editions Artistiques et Documentaires and Daniel Jacomet, Paris Notes: Excerpted from the folio (translated from French), This album, first of the series of pochoirs similar to masters drawings, published by Daniel Jacomet, publisher, was completed printing on March XXXI, MCMLXVIII. The fifteen drawings have been rendered in similar pochoirs in Les Ateliers Daniel Jacomet. Composition and typographic printing are from the Union Printing. It was drawn in LXX numbered examples and L examples, out of the trade. About the Publication: Visages d Enfants. Quinze Dessins de Durer a Dufy Appartenant aux Collections des Musees Nationaux, issued in 1968, represents a landmark achievement in Parisian printmaking devoted to the faithful translation of historic master drawings into modern pochoir and lithographic form. Conceived and published by Daniel Jacomet in collaboration with Editions Artistiques et Documentaires, the album inaugurated a series dedicated to rendering canonical drawings with exceptional fidelity to line, tone, and original intent. Jacomets atelier was internationally respected for its rigorous technical standards and scholarly approach, bridging museum collections and contemporary print culture through meticulous craftsmanship. By uniting works spanning centuries and artistic traditions, the publication reflects a curatorial vision rooted in preservation, education, and aesthetic continuity. Produced in strictly limited examples, including a small number outside the trade, it exemplifies the highest standards of mid twentieth century Parisian printmaking and remains valued for its role in transmitting the legacy of master draftsmanship to collectors, institutions, and scholars. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries. Renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation, employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture. Although associated with Impressionism, he rejected plein air spontaneity in favor of studio based discipline rooted in the linear precision of Jean Auguste Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet, while also drawing inspiration from Japanese ukiyo e prints, classical sculpture, and early photography. His independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, abstraction, and conceptualism find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure. Degas’s pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse and Francis Bacon to Lucian Freud, Giacomo Manzu, and contemporary practitioners across visual and performing arts. His works are held in nearly every major museum collection worldwide, including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London. The highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, confirming his enduring stature as one of the most sought after artists in the Western canon. Edgar Degas lithograph...

This exquisite lithograph and pochoir after Gustave Courbet (1819–1877), titled Portrait de Juliette Courbet endormie (Portrait of Juliette Courbet asleep), originates from the 1968 ...

This exquisite lithograph and pochoir after Jean Auguste Dominique Ingres (1780–1867), titled L enfant a la chevre (Child with a goat), o...

This exquisite lithograph and pochoir after Jean Baptiste Leprince (1734–1781), titled Tete de petite fille russe (Head of a young Russian girl), originates from the 1968 folio Visag...

This exquisite lithograph and pochoir after Antoine Watteau (1684–1721), titled Feuille d etudes avec croquis de petites filles (Study sheet with sketches of little girls), originate...

This exquisite lithograph and pochoir after Cornelis de Vos (1584–1651), titled Enfant endormi (Sleeping child), originates from the 1968 folio Visages d Enfants. Quinze Dessins de D...

This exquisite lithograph and pochoir after Peter Paul Rubens (1577–1640), titled Portrait de petite fille (Portrait of a young girl), originates from the 1968 folio Visages d Enfant...

This exquisite lithograph and pochoir after Guido Reni (1575–1642), titled Tete d enfant (Head of a child), originates from the 1968 folio Visages d Enfants. Quinze Dessins de Durer ...

This exquisite lithograph and pochoir after Annibale Carracci (1560–1609), titled Portrait d un jeune garcon (Portrait of a young boy), originates from the 1968 folio Visages d Enfan...

This exquisite lithograph and pochoir after Federico Barocci (c.1535–1612), titled Tete d enfant (Head of a child), originates from the 1968 folio Visages d Enfants. Quinze Dessins d...

This exquisite lithograph and pochoir after Paolo Veronese (1528–1588), titled Tete de jeune negre (Head of a young Black man), originates from the 1968 folio Visages d'Enfants. Quin...

This exquisite lithograph and pochoir after Albrecht Durer (1471–1528), titled Deux tetes d'enfant (Two children’s heads), originates from the 1968 folio Visages d'Enfants. Quinze De...