Watercolor Portrait Prints

Alejandro Colunga is a renowned Mexican artist born in 1948 in Guadalajara, Jalisco. He is part of the Nueva Mexicanidad movement and is celebrated for his surrealist and fantastical...

A collection of gruesome 19th century images illustrating the barbarism of the Qing penal code. London: William Miller, 1801. Six (6) stipple point engravings with hand coloring in...

A lively image by a female artist who was part of a vibrant generation of British printmakers who were pushing the boundaries of color and technique during the early 20th century. N...

Paul KLEE (after) Portrait of a Yellow Lithograph and stencil (Jacomet process), on canson paper Printed signature in the plate 50 x 38.2 cm (19.6 x 14.9 in) INFORMATION : This lit...

"Keep Shooting for America": Original Maquette by Heller (WWI-Era Patriotic Poster Study). This image is an original maquette (a preliminary painting or study) for a patriotic poste...

A lively image by a female artist who was part of a vibrant generation of British printmakers who were pushing the boundaries of color and technique during the early 20th century. N...

A richly hand-colored image with a counterstrike on the verso. London: Hannah Humphrey, 1804. Etching with hand coloring in watercolor on buff wove paper, 10 1/4 x 15 inches (260 x...

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence...

Screen print & hand-finished watercolor on paper. Hand signed and numbered by the artist. Pest Control included. Banksy’s Dumbo is an extremely rare...

Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm), the full sheet, full margins. In very good condition with some minor, light sta...

This lithograph is a piece of my private collection from artists of the 20th Century. It is original, signed by artist and numbered 217/220. It is vibrant in color and in very good...

London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...

London: 1799. Copperplate stipple engraving with hand coloring in watercolor, 17 1/2 x 10 1/4 inches (445 x 260 mm) (sheet), full margins. In very good condition with some minor, lig...

An excellent example of Rowlandson's visual commentary on the challenges of changing fashion for those with a less than ideal physique. Rowlandson, Thomas (after George Murgatroyd W...

Tokyo: Kawaji, 1830. Three (3) woodblock prints (nishiki-e) in color on handmade mulberry paper, each 2 5/8 x 3 3/8 inches (67 x 82 mm), the full sheet, margins slightly trimmed. Ea...

A rare, extensively hand-colored impression of this charming British satirical image. London: 1830. Lithograph with hand coloring in watercolor on cream wove paper, 12 1/4 x 9 5/1...

Paul KLEE (1879 - 1940) Happy character Color photolithograph after a painting Signed in the plate On vellum 83 x 60 cm (c. 32 x 24 in) Excellent condition

London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, a...

Tokyo: Yokoyama Ryohachi, 1892 Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, the full ...

Tokyo: Matsuki Heikichi, 1893 Woodcut in ink with embossing and hand-coloring in watercolor on handmade mulberry paper, 14 1/2 x 9 7/8 inches (368 x 251 mm), ōban tate-e, full margi...

El Mercado de Pátzcuaro II captures a glimpse of daily life in the highland town of Pátzcuaro, Michoacán. The scene shows three Indigenous figures, rendered with bold lines and earthy tones, standing amid the bustle of the market. Two men in traditional white cotton clothing and wide-brimmed straw hats stand in conversation, their woven baskets and bundles suggesting they are either arriving to sell goods or preparing to return home with their purchases. Beside them, a woman cloaked in a dark rebozo gazes outward, her expression reflective and steady, grounding the composition with a quiet dignity. The strong woodcut textures emphasize folds of fabric, rough straw, and woven fiber, reminding the viewer of the handmade traditions that sustain the culture. The marketplace of Pátzcuaro has long been a hub of commerce and cultural exchange, and Oñate’s print conveys both the social energy and the rooted traditions of this setting. The figures are depicted not as anonymous passersby but as individuals whose posture, clothing, and belongings tell stories of community, resilience, and labor. The muted yet warm palette, accented with yellows and reds, suggests early morning light spilling across the plaza’s cobblestones, while the abstracted background blocks provide rhythm and structure without distracting from the human presence. Francisco Rodríguez Oñate (1940–2019) was a distinguished Mexican post-war and contemporary artist whose career extended over several decades throughout Mexico, the United States, and Latin America. Born in Michoacán, he received his education at the Escuela Popular de Bellas Artes at the University of Michoacán, where he studied under esteemed artists such as Alfredo Zalce, Roberto Martínez, and Javier Arévalo...

Mr. Brainwash Bob Marley’s 74th Birthday Limited Edition Screen Print with Watercolor from 2019. Iconic, beloved artist, Bob Marley is a pioneer and legend of Reggae music. "One Lov...

"Femme des Imerrhane" translated to "Woman of the Imerrhane is plate number 34 in Jean Besancenot's stunning portraits and depictions of the people of ...

"Moghanzi du Sultan" translated to "The Sultan's Moghazni" is plate number 4 in Jean Besancenot's stunning portraits and depictions of the people of Mo...

"Citadine en Tenue de Ménagère" translated to "Townwoman Dressed For Housework" is plate number 9 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from...

"Homme des Zemmour" translated to "Man of the Zemmour" is plate number 24 in Jean Besancenot's stunning portraits and depictions of the people of Moroc...

"Notable Citadine" translated to "City Notable" is plate number 2 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from ...

A mischievous tableau with sexual overtones. Tokyo: Shuei-Sha, 1768. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 inches (273 x 200 mm), full margins. I...

Etching with extensive hand coloring in watercolor on white wove paper, 13 3/4 x 10 3/4 inches (347 x 271 mm); sheet 24 x 17 inches (608 x 430 mm), full margins. In good condition wi...

"Mariée Juive de Fès" translated to "Jewish Bride of Fez" is plate number 52 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Costumes du Maroc" ("Costumes of Morocco). The woman depicted here is a young Jewish woman dressed for her wedding. She is dressed in traditional fashion for a Jewish wedding for the community in Morocco, a community with a long history in the region, especially the city of Fez, the second largest city in Morocco and known as the "Mecca of the West" for its contributions to religion and learning. For this reason and its northern proximity, Fez was a prominent destination for Jews fleeing Spain. Jewish history in Morocco is long, dating back to the 1st century, their numbers later increased by the Sephardic Jews who were expelled from Spain in 1492 by the Alhambra Decree. Jean Besancenot's sixty plate reproduced and handcolored gouache on paper study on the diversity of Morocco's cultures is a work of stunning historical importance in tracing the rich and vibrant diversity of North Africa. Besancenot spent the 1930s traveling around Morocco, undertaking an awe-inspiring study of its peoples and rendered in vivid and precise detail the way they traditionally lived and dressed. Many of those outfits and cultural expressions are gone now, with Besancenot's watercolored drawings of them some of the only ways that people can now visit the past. The original manuscript of "Costumes du Maroc" is kept in the Royal Collection in Rabat, with only 310 copies of it produced. These prints are fresh from the folio and have been newly museum framed under conservator glass; unframed the image of the print is 12.75 x 7.75 inches. The tissue guards that bear the caption of the plate have been framed in the verso with the title visible behind clear plastic. Jean Besancenot, real name Jean Girard, was a photographer, painter, designer, and ethnologist who was born in 1902 in Estrées-Saint-Denis. His work straddles the crossroads of art and ethnography as he was primarily interested in the costumes and ornaments of Morocco in the first half of the 20th century. He arrived for the first time in Morocco in 1934, a country he traveled through until 1939. There he produced a very rich ethnographic documentation on the traditional costumes and adornments of the different Moroccan ethnic groups. His work, composed of photographs, films, drawings and paintings, testifies to the aestheticism of Moroccan cultural heritage that was still marked by little Western influence. His book "Costumes du Maroc" was published in 1942 at the end of his first trip and presents 60 documented plates of Moroccan costumes...

Aquatint and etching with hand coloring in watercolor on Arches wove paper. Hand initialed 'M. Ch.' lower right by Marc Chagall. Hand numbered 52/100 lower left. Paper size: 17.5 ...

This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London. 'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...

From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 7) Etching with handcoloring in watercolor on cream wove paper, 8 3/8 x 11 1/2 inches (2...

Etching with extensive hand coloring in watercolor on white wove paper, 13 3/4 x 10 3/4 inches (347 x 271 mm); sheet 24 x 17 inches (608 x 430 mm), full margins. In good condition wi...

Don Quixote And Sancho Panza by Kate Boxer ilustrating men on horses on a yellow background with white elements. Additional information: Sold unframed limited Edition of 30 To...

Woodcut in ink with embossing and hand-coloring in watercolor on laid Japon paper, 16 x 10 inches (406 x 253 mm), ōban tate-e, full margins. Scattered handling wear and toning, other...

London: Thomas McLean, 1820. Second Edition. Etching with handcoloring in watercolor on cream wove paper (published 1835), 8 3/8 x 11 1/2 inches (210 x 29 0mm), full margins. Second...

London: Thomas McLean, 1818. Third Edition. Etching with hand coloring in watercolor on cream wove paper, (published August 1st, 1835), 9 1/2 x 13 3/4 in...

A well-colored Victorian portrait of the woman whose ghost is known to haunt the Bank of England and Threadneedle Street. Lithograph with hand-coloring in watercolor, 9 x 6 1/2 inch...

Two minor villains from "Medley of Tales of Revenge" square off, as performed at the Kiri theatre, Tokyo, in May of 1794. Toyko: Tsutaya Juzaburo, 1794. Woodblock (nishiki-e) with ...

Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...

English School, 19th century The Sunday Before Confirmation; Parson: What did your godfathers & godmothers then for you? Boy: Nothing sir, rot'em for I never had none. London: Thoma...

"Juan Sebastian Barbera (Mexico, 1964) 'Personaje', 1991 Silkscreen and Watercolor on paper Velin Arches 300 g. 15.8 x 11.9 in. (40 x 30 cm.) ID...

Neapolitan Fishermen is an original modern artwork realized by Anonymous Artist of thr XIX Century. Original gouache. Hand-signed on the lower center corner: "LeDoux". The work is...

Woman with red hair in a hat with feather, in green, black and white, Monotype ev edition 5/6 with hand coloring and mixed media work. Kim Frohsin spent 12 years working on monotype ...

Paris: L'Estampe Moderne, 1897. Color wood engraving on light-weight, cream-colored imitation vellum, 13 1/2 x 9 1/2 inches (342 x 252 mm), full margins. With the L'Estampe Moderne ...

A charming scene of men and women in various dress, perhaps a theater company costume fitting. English School, 19th century (circle of Cruikshank), circa 1860. Watercolor and pencil...

London: Thomas McLean, 1825. Aquatint with engraving and handcoloring in watercolor on wove paper, 8 7/8 x 10 3/4 inches (225 x 272 mm), wide margins. Light handling wear and four s...

London: Allen & West, 1797. Engraving with hand coloring in watercolor on cream wove paper, 8 1/8 x 10 5/8 inches (213 x 270 mm), wide margins. Scattered toning, mat tone, and dog-e...

Albert Einstein portrait, "A L E", a color collotype print, watercolor by Lilya Vorobey (American, 20th C). Unsigned. From a collection of her works. On mat board. Image, 9.75"H x 7....

The Order is an original drawing artwork in black marker and watercolor on paper realized by Mino Maccari in the 1960s. Hand-signed by the artist on the lower right. Good condition...

"Femme Des Aït MGuild" translated to "Woman of the Aït MGuild" is plate number 19 in Jean Besancenot's stunning portraits and depictions of the people ...

"Femme de Tagmout Chantant L'Ahwas" translated to "Woman Of Tagmout (Singing the Ahwash)" is plate number 44 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Costumes du Maroc" ("Costumes of Morocco). The woman depicted here is veiled and draped and in the midst of singing the "ahwash", a traditional song and dance from the regions of southern Morocco, such as Tagmout, and which has some roots in the pre-Islamic cultures of the Amazigh (also known as the Berbers) and is performed primarily by the Shilha, a sub-group of the Berbers. The ahwash is a community performance that incorporates song, dance, poetry, and frame drums...

"Juive du Tafilelt" translated to "Jewish Woman of the Tafilelt" is plate number 55 in Jean Besancenot's stunning portraits and depictions of the peopl...

"Femme de Tiznit Portant L'Amendil" translated to "Woman of Tiznit Wearing the Amendil" is plate number 47 in Jean Besancenot's stunning portraits and ...

Sleeping man. Paper, etching, watercolor, 19x13 cm Juris Putrāms graphics artists, works in book and advertising graphics, poster art, creates installations, organizes campaigns, de...

"Homme de L'Ouanergui Portant le Tabban" translated to "Man of The Ouanergui Carrying the Tabbane" is plate number 25 in Jean Besancenot's stunning por...

"Costume du D'Apparat dit du Maghzen" translated to "Formal Dress Called " is plate number 14 in Jean Besancenot's stunning portraits and depictions of...

ZOFIA ANNA MISIAK Zofia Anna Misiak is a contemporary painter from an artistic family. Her parents are Janina Żylińska and Stanisław Misiak. Zofia Anna Misiak graduated from the Acad...

Lonely dreamers 1992. Paper, etching, watercolor, 22x14 cm. Roman Lapp (1961. 24. VII Moscow) – painter Artist learned drawing to M. Zuhovickis. He graduated Art Academy of Latvia,...