Created in 1964, ‘Fumeur à la Cigarette Blanche’ belongs to Picasso’s late graphic period, a prolific era in which he returned to themes of portraiture, artistic identity, and the creative process. The smoker became a recurring motif in Picasso’s work, representing contemplation, individuality, and the intellectual life of the artist. Rather than a traditional portrait, Picasso uses the smoker as a psychological study. The cigarette, posture, and simplified facial features convey a moment of reflection—the private act of observation and thought that parallels the creative process itself.
Executed as an aquatint and etching, the work demonstrates Picasso’s mastery of intaglio printmaking. Aquatint allowed him to create rich tonal fields, subtle gradations, and painterly surfaces, while etched lines provided structure and expressive character. The copper plate became a place of experimentation where Picasso could develop imagery through layers of line, texture, and revision.
The Fumeur series reflects Picasso’s late-career interest in reduction and expressive economy. Through bold contours, simplified forms, and controlled tonal contrasts, he transformed an everyday subject into an exploration of character, presence, and artistic identity.
Published by Galerie Louise Leiris, Paris, and printed at the renowned Atelier Crommelynck, the edition was limited to 50 numbered impressions with additional artist’s proofs, ensuring a controlled and closely supervised body of original works. This impression has been exceptionally well cared for and remains in excellent condition. The print retains the depth of the aquatint tones, clarity of the etched line, and the refined surface qualities characteristic of Picasso’s original graphic editions.
Examples of Fumeur à la Cigarette Blanche are documented in major collections and institutional holdings, including works associated with the Ford Foundation Collection, and the print is included in the definitive catalogues of Picasso’s graphic work by Bloch and Baer.
The artwork is signed lower right, “Picasso” and has framed dimensions of 30 3/8 x 26 1/4 x 1 3/4 inches.
Provenance:
Private Collection, California
Literature:
Georges Bloch, Pablo Picasso Catalogue of the printed work: Editions Kornfeld et Cie, Berne, 1971, no. 1169
Baer, Brigitte, Picasso, peintre-graveur, Bern, 1989, no. 1169