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Romare Bearden
BOPPING AT BIRDLAND (STOMP TIME) Signed Lithograph, Abstract Jazz Portrait, Sax

1979

$5,800
£4,370.89
€5,107.48
CA$8,230.64
A$8,255.65
CHF 4,788.75
MX$100,776.10
NOK 55,467.23
SEK 56,766.98
DKK 38,178.31

About the Item

BOPPING AT BIRDLAND(STOMP TIME) is a limited edition color lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free, in an edition size of 175 by the renowned African American artist Romare Bearden. A semi-abstract multicolor print in shades of red, yellow, blue, green, pink beige, white, gray and black - BOPPING AT BIRDLAND(STOMP TIME) is a lively jazz portrait drawn using expressive watercolor brushwork depicting a male jazz musician standing in profile playing saxophone, in front of an enthusiastic jazz club crowd of listeners. BOPPING AT BIRDLAND(STOMP TIME) is from the Jazz Suite of lithographs inspired by monoprints created by the master American artist, Romare Bearden in 1979. Print size - 24 x 33.5 in., full bleed image, no margins, unframed, mint condition, fresh vivid colors. Hand signed in pencil by Romare Bearden, From the master printers private collection. Print documentation provided. Edition size - 175, plus proofs Year published - 1979 “Even though you go through these terrible experiences, you come out feeling good. That’s what the blues say and that’s what I believe—life will prevail.” —Romare Bearden Romare Bearden (1911-1988) was a prolific and multifaceted artist who worked in a wide range of media, including painting, collage, murals, album covers, book illustration, and stage design. Born in North Carolina, he moved New York at a young age and grew up amidst the vibrant cultural scene of the Harlem Renaissance in the 1920s. Bearden was drawn early on to the European avant-garde and to Old Master painting, and experimented with various modernist styles. During the civil rights movement of the 1960s, however, themes of African American life began to dominate his work. His personal artistic language blended contemporary scenes, childhood memories, and religious and folkloric imagery. These were conveyed through a technique influenced by such diverse practices as cubist collage, quilting, and jazz music. A longtime professional social worker in New York, Bearden was also active in several arts organizations dedicated to promoting minority artists and wrote frequently on art and social issues. artist bio - SFMOMA
  • Creator:
    Romare Bearden (1911 - 1988, American)
  • Creation Year:
    1979
  • Dimensions:
    Height: 24 in (60.96 cm)Width: 33.5 in (85.09 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Mint condition, never been framed or mounted, fresh vivid colors, pencil signed inscribed P.P.(Printers Proof) aside from the edition of 175. Printers chop mark embossed on lower corner.
  • Gallery Location:
    Union City, NJ
  • Reference Number:
    1stDibs: LU832318303222

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LOUISIANA SERENADE is a limited edition color lithograph by the renowned African American artist Romare Bearden, printed on archival Somerset printmaking paper, 100% acid free, in an edition size of 175. LOUISIANA SERENADE, from Bearden's late 1970's colorful JAZZ series of musical imagery, captures a Southern evening depicting two male figures playing their guitars on the veranda while a seated woman sits listening beside a glowing glass chimney lamp. LOUISIANA SERENADE, printed in lush hues of green, red, yellow, purple, blue presents a free flowing watercolor-like abstract music portrait by the renowned American artist Romare Bearden. Print size - 24.5 x 33.75 inches, unframed, excellent condition, fresh colors, full bleed image, no margins, hand signed in pencil by Romare Bearden, inscribed P.P.(Printers Proof) aside from the edition of 175, printer's chop mark embossed on lower edge, print documentation provided Year Published - 1979 Edition size - 175, plus proofs Printer - J K Fine Art Editions Co. NY Publisher - London Arts Group, Detroit MI Cat. Reference: Figure 28, Page 39 in "A Graphic Odyssey: Romare Bearden as Printmaker" Edited by Gail Gelburd, Published by the University of Pennsylvania Press About the artist- Romare Bearden (1911-1988) Born in Charlotte, North Carolina, Romare Bearden is one of America’s most esteemed African American contemporary artists. Bearden grew up in the Harlem neighborhood of New York City and attended New York University where he received a degree in mathematics. Following graduation, Bearden turned his attention to art, pursuing further studies with George Grosz at the Art Students League. The artist served in the United States Army from 1942 to 1945. After leaving the Army, Bearden used funds from the GI Bill to travel to Europe for six months to study art history and philosophy at the Sorbonne. During this trip, Bearden had the opportunity to meet Henri Matisse, Georges Braque and Joan Miro, all of who had a strong influence on his artwork. Bearden’s work on canvas and collages expressed the complexities of rural Black America. “My intention is to reveal through pictorial complexities of the life I know,” he said. He integrated scenes from his childhood in North Carolina and from New York City, including many rituals and social customs. Another theme throughout his work was music. Bearden grew up surrounded by musicians and loved jazz and blues. Romare Bearden’s artwork can be found in numerous permanent collections around the country including the Museum of Modern Art and the Metropolitan Museum of Art. Retrospective exhibitions of Bearden’s art have been held by The Mint Museum of Art, Charlotte; the Museum of Modern Art; the Detroit Institute; and the Studio Museum in Harlem. As well, President Reagan...

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