Robert Rauschenberg 'Drawing and Studies for Recent' 1970

1970

This is a reproduction of Quote by Robert Rauschenberg, from a rare exhibition poster in the Collection of European Masters series, published by Achenbach Editions for the Kunstsamml...

This striking exhibition poster was created in 1991 by the influential American artist Robert Rauschenberg for his Works exhibition at Knoedler & Co., one of the most historically si...

This is titled Venezuela, an exhibition poster created for Robert Rauschenberg's Overseas Culture Interchange (ROCI) series. The poster is signed in pencil by Rauschenberg and is not...

The title Favor Rites for this poster references a theme or concept related to rituals, preferences, or influential practices in art or culture. Rauschenberg's use of titles often co...

Artist: Robert Rauschenberg Title: Why You Can't Tell #2 (from Suite of Nine Prints) Medium: Screen-Print with Collage Elements on Wove Paper Edition: 73/100 Sheet Size: 30" x 23" Fr...

A composition resembling a collage, created by American Pop Artist Robert Rauschenberg. Multiple images of noteworthy American figures, such as the Kennedy family, are overlaid above...

Artist: Robert Rauschenberg Title: Features from Currents, #57 Year: 1970 Medium: Hand-Printed Screenprint on Aqua B 844 Paper, signed and numbered in pencil Edition: 50 Paper Size:...

Robert Rauschenberg "Untitled" 1973 Medium: Screenprint and collage in colors Printed and Published by Styria Studios, New York and with their blindstamp Signed and Numbered 71/100 Images Size: approx. 28 x 20 inches Framed Size: approx. 34 x 26 inches Born with the name Milton Rauschenberg in Port Arthur, Texas, Robert Rauschenberg became one of the major artists of his generation and is credited along with Jasper Johns of breaking the stronghold of Abstract Expressionism*. Rauschenberg was known for assemblage*, conceptualist methods, printmaking, and willingness to experiment with non-artistic materials--all innovations that anticipated later movements such as Pop Art*, Conceptualism*, and Minimalism*. In May, 1999, ARTNews magazine featured him as one of the top twenty-five influential western artists, stating: "His irreverent notions of what an artwork could be gained him the status of an enfant terrible. . .Rauschenberg pushed the viewer to accept the unexpected." He has said that he believes painting should relate to both life and art and that he wants is artwork to be the intermediary between the two. He received much formal art education beginning with the Kansas City Art Institute in 1947 and 1948. He studied briefly in Paris at the Academie Julian*, and from 1948 to 1949 was at Black Mountain College* in North Carolina with Josef and Anni Albers. This period was followed by several years attendance at the Art Students League* in New York City with Morris Kantor and Vaclav Vytlacil. In 1951, he exhibited all white and black paintings incorporating viewer participation through the shadows they cast on the works. At Black Mountain College, he had met composer, John Cage, and dancer- choreographer, Merce Cunningham, for whom he worked in his company as a designer, manager, and performer. Frequently he scoured the area in which they were performing for 'unusual' objects such as tires, old radios...