Simon Waranch

Light Orange Wiggle

2026

Simon Waranch (b. 1999) is an artist at the vanguard of fine art glass sculpture. Blending a mastery of classical techniques with imaginative formal experimentation, Waranch’s work ...

Bronze Sculpture, Edition 26 of 100 Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local coun...

jd Hansen is an American sculptor whose work explores the tension and interplay between vulnerability and strength, using human and animal forms rendered in bronze and stainless stee...

Simon Waranch (b. 1999) is an artist at the vanguard of fine art glass sculpture. Blending a mastery of classical techniques with imaginative formal experimentation, Waranch’s work ...

Alex Gabriel Bernstein’s Open Sun (2023) is a luminous cast and cut glass sculpture that radiates warmth and elegance. Measuring 23.5 x 25 x 3 inches, the piece is composed of vibran...

FERRARA SHOWMAN GALLERY is proud to present Offerings, the first solo exhibition in twenty-three years of New Orleans-based artist and gallery co-owner, Jonathan Ferrara. For his gal...

Brindle’s Light Glyph’s, are luminescent and mercurial sculptures, constantly shifting in hue as the viewer moves around them. Absorbing and reflecting light, they have a meditative ...

Signed on Base. *This is "one of the finest and most unique from this series" - Toots Zynsky When I hear music, it translates into color. —Toots Zynsky Toots Zynsky’s distinctive heat-formed filet de verre (glass thread) vessels enjoy a widespread popularity and deserved acclaim for their often extraordinary and always unique explorations in color. Defying categorization, her pieces inhabit a region all their own, interweaving the traditions of painting, sculpture, and the decorative arts. Mary Ann Toots Zynsky was born in 1951 and raised in Massachusetts. Known professionally and to her friends as Toots Zynsky, she received her bachelor of fine arts in 1973 at the Rhode Island School of Design (RISD) in Providence. There, she was one of a group of pioneering artists studying with Dale Chihuly, who made studio glass a worldwide phenomenon. “Glassmaking was wide open,” Zynsky remembers. “Hot glass slipped through the air, pulled and stretched. There was music and the furnaces were roaring. . . and everyone was working in concert. . . It was this material that hadn’t been widely explored as an artist’s medium. Everything was possible, and there was so much to be discovered. There were no rules. You could do anything you wanted.” In Chihuly’s words, her class was a group with extraordinary energy, amounting to “the most creative, highly charged institutional experience I’d ever been a part of.” Among Zynsky’s classmates at RISD were other artists who went on to build successful careers, such as James Carpenter, Bruce Chao, Dan Dailey, and Therman Statom...