Thomas Lendvai

Untitled (black octagons)

2018

Quattro Quadro Uno (QQ1) 18.0 x 18.0 x 1.5, 5.0 lbs Tempera, Vinyl Paint, wood Hand signed by artist Artist's Commentary: "From the OPPOSTO series - color, form and their opposites. 'I had to return to the basics of the visual and sculptural languages and to remove all narrative and historical references in my pursuit of pure form in sculpture.' Two colors of a tempera glaze over a wood construction and Black and White hand cut vinyl appliqué." About the Artist: The early work of de Musée...

Artist Commentary: Event 02.2000.015 is a one of an ongoing series of sculptures exploring my envisioning cosmic events and their existence in spacetime. This piece is also an exploration of combining different materials into sculpture. Keywords: abstract, welded metal, Artist Biography: Fred Klingelhofer, a primarily self-taught artist, grew up in a Chicago south side neighborhood. He received a BS degree in physics from Roosevelt University and worked as an engineer for 30 years. During those years he enrolled in art workshops and classes at a nearby community college completing courses in figure drawing, 2D and 3D design, ceramics, sculpting the figure, welding and metal sculpture. His focus has been on creating sculpture since 2006. Fred has exhibited his sculpture in a number of group exhibitions with Chicago Sculpture International, Art Prize (Grand Rapids, Michigan), Sculpture in the Park (St Charles, Illinois), Sculpture Walk Sioux Falls...

Geometric Abstract Contemporary Metal Sculpture. 44"W x 44"H x 2", unframed Modern, Optical Illusion, Origami, Mixed Media, Handmade, Elegant, Sleek, Neutral, Black

Artist Commentary: Anachronic is a piece in a body of work exploring sound and the way that it inhabits space in the built environment. The pattern, repetition, and weaving represent the rhythm, texture, and syncopation of sound. This piece represents an envelope of sound, a finite piece of time, a controlled environment. It is heavily influenced by my time as a DJ and the practice of connecting patterns. It is about a controlled process - the merging of a creative practice with an understanding of materials and technique. In this object the marks of process are left bare, witness to the hand, craft, and labor. It is an homage to skilled work and the workers I learned from. Keywords: 3D, plane, wood, metal Artist Biography: Leaning into a bias toward abstraction/intuition, artist Francisco Rosario...

Little Halley 8 is a bronze sculpture by contemporary artist Richard Perry, dimensions are 17.5 × 18 × 15.5 cm (6.9 × 7.1 × 6.1 in). The sculpture is signed and comes with a certifi...

John Poché creates polished aluminum and stainless-steel kinetic sculptures. His works range in scale from small indoor tabletop works to large-scale outdoor sculptures triggered exc...

Concrete sculpture coloured in the mass, 32 cm × 38 cm × 22 cm. Edition of 8 + 4 Artist's proofs. Deeply fascinated with the concept of construction, Delphine Brabant composes her ab...

Black geometric sculpture by Ursula Meyer conceptual Artist. Ursula Meyer (1915-2003) American sculpture signed and dated. This monumental geometric form sculpture is one the first work of art ever offered for sale, only at Greenwich Living, by renowned artist Ursula Meyer. Provenance: From the Estate of Ann Pollon Re: The Collection of Ursula Meyer. Descendant. Acquired from the Artist Studio. Ursula Meyer was a German-born American sculptor, art-focused academician, and fine art critic, who proved an influential player in the transmission of and appreciation for European born Modernism to the United States in the post-World War II era. At first a ceramicist beholden to the teachings of 1930s Germany’s Bauhaus and Italy’s Futurists, she eventually became a creator and exponent of a crisp, geometry-focused sculptural lexicon in ceramics, and later wood and metal sculpture. Her legacy includes a decades-long exploration of Minimalism, as well as experimentations in creating and deciphering Conceptual and Expressive genres. Born in Hanover, Germany in 1915 to Ernst Josef Meyer and Elsa Katzenstein, Ursula Meyer is recorded as having “studied with former Bauhaus masters after the Bauhaus itself had closed under threat of National Socialism” in 1933. Spanning the years 1934 through 1937, Ursula’s Bauhaus tutorial is not fully documented, but it may well have included at least brief study with the French-born Marguerite Friedlaender Wildenhain (1896-1985), the first woman to earn the Master Potter certification in Germany, and who worked with Paul Klee, Wassily Kandinsky, Max Kehan and Gerhard Marcks (1889-1981). Meyer is recorded as having directly worked with Marcks, as well as with Otto Lindig...