Unknown

Organic Tube Shell Sculpture

Circa 2019

Lofty one of a kind branch coral assemblage or sculpture handcrafted with organic specimens, with its ocean inspired form and texture, exclusively designed by F.S. Henemader antiques...

Lofty large staghorn and table coral assemblage or sculpture presented on a lucite base. Designed and executed exclusively by F.S. Henemader. H: 17.5 W: 30 D: 16 Base: H: 1 W: 12 D: 8

Striking one of a kind assemblage handcrafted with organic branch coral in a dramatic, ocean inspired composition. Designed and crafted exclusively by F.S. Henemader and presented on...

Lofty one of a kind branch coral assemblage or sculpture handcrafted with organic specimens, with its ocean inspired form and texture, designed exclusively by F.S. Henemader and pres...

This contemporary abstract sculpture made from organic materials is created from industrial hemp, a consciously chosen material that carries both aesthetic and ecological significanc...

Aura Sculpture in Bio-Based Resin by Waves.STUDIO Dimensions: Ø 40 x H 35 cm. Materials: Bio-based resin. Aura is designed to evoke a sense of tranquility and curiosity, inviting th...

"An oyster is a seemly simple creature although through its miraculous structure can create something as beautiful as a pearl. It’s outer shell seems impenetrable yet the inside is s...

Signed on Base. *This is "one of the finest and most unique from this series" - Toots Zynsky When I hear music, it translates into color. —Toots Zynsky Toots Zynsky’s distinctive heat-formed filet de verre (glass thread) vessels enjoy a widespread popularity and deserved acclaim for their often extraordinary and always unique explorations in color. Defying categorization, her pieces inhabit a region all their own, interweaving the traditions of painting, sculpture, and the decorative arts. Mary Ann Toots Zynsky was born in 1951 and raised in Massachusetts. Known professionally and to her friends as Toots Zynsky, she received her bachelor of fine arts in 1973 at the Rhode Island School of Design (RISD) in Providence. There, she was one of a group of pioneering artists studying with Dale Chihuly, who made studio glass a worldwide phenomenon. “Glassmaking was wide open,” Zynsky remembers. “Hot glass slipped through the air, pulled and stretched. There was music and the furnaces were roaring. . . and everyone was working in concert. . . It was this material that hadn’t been widely explored as an artist’s medium. Everything was possible, and there was so much to be discovered. There were no rules. You could do anything you wanted.” In Chihuly’s words, her class was a group with extraordinary energy, amounting to “the most creative, highly charged institutional experience I’d ever been a part of.” Among Zynsky’s classmates at RISD were other artists who went on to build successful careers, such as James Carpenter, Bruce Chao, Dan Dailey, and Therman Statom...