JOHNSON TSANG

Searching for Spring

2022

Johnson Tsang (b. 1960s), Searching for Spring, Limited Edition Resin Sculpture Johnson Tsang, The Moment, 2020 Medium: Polished matte-resin wall sculpture 27.00cm (H) × 19.30cm (W)...

Johnson Tsang (b. 1960s), Searching for Spring, Limited Edition Resin Sculpture Johnson Tsang, Searching for Spring, 2020 Medium: Polished matte-resin wall sculpture 21 x 28 x 28 cm...

The Moment By Johnson Tsang 2024 Painted, dry cast and porcelain-filled resin, matte spray paint 43 x 15.6 x 13 cm Signed edition of 100 Accompanied by a Certificate of Authent...

Johnson Tsang (b. 1960s), Searching for Spring, Limited Edition Resin Sculpture Johnson Tsang, Searching for Spring, 2020 Medium: Polished matte-resin wall sculpture 21 x 28 x 28 cm...

Introducing the stunning art sculpture "Fight for a Dream" by Hong Kong artist Johnson Tsang. Known for his surreal and uncanny sculptures, Tsang's work ...

Johnson Tsang Fight For A Dream, 2021 Signed dated & numbered Resin cast sculpture with accompanying beech wood handle 10 1/4 x 5 7/8 x 23 5/8 in 26 x 15...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...