1200
Vierge en majesté. Catalogne française - Maria Lactans
Located in PARIS, FR
Rare Vierge à l'Enfant en bois polychrome de tradition romane, région du Fenouillèdes, représentant une Virgo Lactans. Avant cette découverte, seules 3 vierges allaitantes médiévales...
Wood
Gothic Virgin and Child - Eastern France. Mid-14th century.
Located in PARIS, FR
Gothic Virgin and Child - Eastern France. Mid-14th century. Carved in the round from walnut, this work relates to the output of workshops in eastern France in the mid-14th century. S...
Wood
Vierge en majesté mosane. Sedes Sapientiae.
Located in PARIS, FR
Grande Vierge à l'Enfant en chêne de la fin du 13ème siècle ou début du 14ème siècle. La plastique des visages et du Christ évoque le 13ème siècle (le visage de la Vierge évoque le visage de la Sedes Sapientiae...
Wood
Saint Anne with the Virgin and Child - Upper Rhine - Late 13th c
Located in PARIS, FR
Important elm-wood sculpture carved in very high relief and hollowed at the back. Anne is seated in majesty, veil and wimple framing a composed face, holding at her left the blessing...
Wood
Enthroned Madonna and Child.
Located in PARIS, FR
Large Virgin and Child in carved wood, carved back. Sitting on a throne bench, Mary carries Christ seated on her left knee. The Virgin has a face with stylized features with semicircular eyebrow arches, almond-shaped eyes with protruding eyeballs. Marie is wearing a belted dress with a simple neckline and a coat with a flap that goes back to the front. Tiny traces of polychromy. Romanesque influences are still present. With her protruding eyes, she can also be compared to the statuary of Lake Constance. Our Virgin, rare for its size, nevertheless presents strong analogies with the Italian Sedes Sapientiae...
Wood
Large romanesque sculpture depicting Saint Lucy. Northern Spain.
Located in PARIS, FR
Large romanesque statue of Saint Lucy of Syracuse is dated from the 12th century. The saint is represented veiled and diademed, she wears a long dress, with an important tie. Stone s...
Sandstone
Polychrome Carved Wooden Virgin In Prayer, 16th Century, Italy
Located in MARSEILLE, FR
A remarkable carved and polychromed wooden sculpture depicting the Virgin Mary standing in prayer, her hands joined in a gesture of devotion and contemplation. Executed in Italy duri...
Fruitwood
Saint Woman in polychrome carved wood
Located in Saint-Ouen, FR
SAINT WOMAN IN POLYCHROME CARVED WOOD ORIGIN : ITALY PERIOD : late 13th century Height : 103 cm Length : 28 cm Width : 16 cm Remains of polychromy ...
Softwood
18th Century Italian Carved Wood Polychrome Virgin Mary Sculpture
Located in Doha, QA
This is an outstanding Italian 18th century carved wood polychromed sculpture of Virgin Mary. The Sculpture is hand painted with some remains of a gold gilt in few places and originated until lately in a private Villa in Tuscany (Italy). The colors are typical red, blue and green are spectacular on this large figure. The Virgin's hands are joined together in a prayer, while standing on a pedestal on the both sides of which are devil's horns (bottom left side horn missing ) symbolising Holly Mary defeating the Evil, protected by the Holly Ghost and an Angel. A story tells the pose of the Virgin Mary sculpture...
Wood, Pine
Virgin with Child. Carved and polychrome wood. Spanish school, 13th century.
Located in Madrid, ES
Virgin with Child. Carved and polychrome wood. Spanish school, 13th century. It has faults. Polychrome wood carving that shows the Virgin sitting on a throne, with her right hand r...
Other
Important 15th Century Polychrome Wood Virgin and Child
Located in Saint-Ouen, FR
Important 15th century polychrome wood virgin and child Origin: Southern Germany Period: Late 15th Century, Ca. 1480-1490 Height : 125 cm Polychrome limewood Good condition Provenance : Private collection, Alsace, France. As soon as 1430, sculpture starts a major and deep stylistic evolution than will unfold over a century, until around 1530. We call it the International Gothic. This production is particularly interested in a quest for realism. This important Virgin and Child wears a long red dress with a round gilded neckline. A delicate golden belt...
Wood
Important 14th Century Polychrome Limestone Virgin from Lorraine
Located in Saint-Ouen, FR
Provenance : - Kunsthaus Heinrich Hahn, Frankfurt am Main, sale 16, June 17, 1930, lot 16. - Sotheby's, Amsterdam, Feb. 26, 2006, lot 201. HISTORIC Located between Moselle valley and Meuse valley, framed by the Vosges Mountains on the south side and the duchy of Luxembourg on the north side, the duchy of Lorraine is the result of several partitions. It starts with the 9th century when the Carolingian empire is divided, with Lothar 1st inheriting Lotharingia. In 959 this territory was in turn divided in two; Lower and Upper Lotharingia, the latter being the forebear of the duchy of Lorraine. This duchy was under the rule of the Holy Roman Germanic Empire until 1736 when it was absorbed by the kingdom of France. All along its history the duchy of Lorraine has found itself in the midst of many conflicts. Alliances and feuds marking European history were always particularly sensible in Lorraine where instability was frequent. Because of its geographic position the duchy of Lorraine was also an artistic crossroad. Hence the duchy of Lorraine becomes from the 13th century onwards an important artistic centre where a particular type of Virgin and Child appears. According to professor J. A. Schmoll the characteristics of Lorraine sculpture burgeon around 1280-1300 in the Aube region. It presents “vigorous volumes, restrained movements, rare but solemn gestures and a strong interiorised and stern expression”. Those Virgins look similar with a wide forehead, a shield- or oval-shaped face, large neck, small lips and a cleft chin. This model is particularly in favour during the 13th century because of the revival for Marial worship and for the theme of the Virgin and Child. It bears witness to a new religious sensibility with a more intimate vision of religious practice. DESCRIPTION The important 14th century Virgin we present to you is one of the most beautiful examples of sculptural art from Eastern France, with her fascinating distant gaze. Her contrapposto posture is induced by the weight of the child she carries high on her left side. The child has a chubby face framed by blond hair with well defined curls and he wears a long red V-collared tunic from which emerge his feet. The fabric is animated by long folds. The position of the right foot turned to the back is a detail we can notice on several Virgins from Lorraine. He holds a bird that seems to be pecking his thumb. “The bird /held by the child in his hands/ has been read as a reference to an episode from Christ’s childhood when he has moulded sparrows with clay before giving them life. It appears in the apocryphal gospel of Pseudo-Matthew (ch. 27) and later in the Quran (III, 43, v. 110). However the iconography seems to be more influenced by the concept of Redemption or of Eucharist, the bird symbolising the soul of the Christian about to be redeemed or revitalised.” Mary wears a long dress with two rock crystal cabochons remaining from the original five. She is covered by a red cloak enriched with old-gold motifs draped as an apron falling in long pleats along her left hip. The relief treatment and the volume of the cloak developing a network of concentric pleats contrast with the the flat pleating of her dress. They nevertheless suggest the curve of her bent right leg. She wears a floret crown securing a short thin veil carved in very low relief. From it emerges her blond curled hair characteristic of the 13th century. The large face with almond-shaped eyes, straight nose, small lips and cleft chin casts its gaze afar in a fashion typical of 13th century Virgins. In her right hand she holds a lily flower. In a very refined manner the artist has carved a band on her right ring-finger. In the back, carefully sculpted, spreads the minutely detailed short veil. COMPARATIVE STUDIES This sculpture of great quality presents obvious similarities with Virgins from Lorraine, designated by William Forsythe...
Limestone
