Plaster Sculptures

This contemporary sculptural wall installation is comprised of more than 275 individual acorn caps mounted on brass pins - each cap is filled with plaster and paint in bright hues of...

Feline is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 78 × 35 × 60 cm (30.7 × 13.7 × 23.6 in). This ...

Mid 20th Century sgraffito work on plaster by Jean Pierre de Cayeux. The work is signed and dated on the skirt of the card player, bottom right, and on the stretcher of the chair, bo...

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

An art deco terracotta-painted plaster sculpture of a standing partly nude woman holding a tray, signed and dated "KA (19)15" by Swedish sculptor Knut Andersson (1884–1954). This pie...

Frederick William MacMonnies (American, 1863-1937) Model Study for Truth, c. 1910-14 Painted plaster 16.5 x 9.25 x 7.5 inches For the 1920 sculpture for the New York Public Library ...

Never opened at all and still sealed in Original Packaging. An absolutely iconic piece from Daniel Arsham and a must have for any Pokemon Fan! Daniel Arsham Pokemon Perrotin Pika...

Ragisména which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical world. The wo...

Raymond Graber's celestial light sculptures transform the sense of perception, challenging the human eye’s sense for scale and time with a transcendenta...

Abstract geometric, minimalist, three dimensional wall sculpture in light grey Precision board, Venetian Plaster, pigments, and beeswax Despite it's stone-like appearance, the scul...

Block XI is a unique plaster sculpture by contemporary artist Delphine Brabant, dimensions are 20 × 11 × 14 cm (7.9 × 4.3 × 5.5 in). The sculpture is signed and comes with a certifi...

"Direct Expression" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 18.25"h x 19.25"w x 2.75"d framed, and is s...

This striking, characterful bull is a wonderful, early, and truly unique piece by the Russian/French sculptor Joseph Constant (1892-1969). Dating from the 1940s, this animal subject ...

ERODED SAFARI, 2022 Resin, Plaster and Aluminium Oxide 12 × 5 3/10 × 4 1/2 in / 30.5 × 13.5 × 11.5 cm Edition of 500 Daniel Arsham's Eroded series is a striking series of sculp...

Classical-style plaster bust, depicting Hera (the Greek goddess) or Juno (her Roman counterpart). It is modeled after the "Barberini Hera", a famous Roman marble copy of a lost 5th-c...

Abstract modernist, minimal, Brancusi inspired three dimensional wall sculpture in light grey. Made of carved high-density foam, epoxy resin, pigment and gypsum cement. Despite it's ...

This contemporary sculptural wall installation consists of more than 270 individual acorn caps mounted on brass pins - each cap is filled with plaster and paint in bright hues of pin...

Minimalist, New Brutalism abstract three dimensional wall sculpture in white "Closing Gate Faster Than We Wished", by Japanese born artist, Dai Ban, in 2...

This piece titled "Milan Lounge" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This piec...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Ensemble, plaster is a sculpture by contemporary French artist Delphine Brabant from the “Human Being” series. Edition of 8 + 4 artist's proofs. 16.1 × 12.6 × 7.9 in / 41 × 32 × 20 c...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

Ragisména which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical world. The wo...

Unity I, Plaster is a plaster sculpture by contemporary artist Delphine Brabant. Dimensions: 14.5 × 8.2 × 3.9 in / 37 × 21 × 10 cm. The sculpture is signed and numbered, it is part...

This piece titled "Instant Slaughter" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This...

"Make Yourself Useful" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 22"h x 23"w x 6.25"d and comes with a gallery-issued ...

William Zorach (American, 1887-1966) Seated Woman Painted plaster Inscribed underside "V" 12.5 x 9 x 5 inches Provenance: The Tatti Family Collection Bill Zorach was born in Lithuan...

Abstract minimalist three-dimensional wall sculpture in light grey and black "Please Leave Us Alone" by Dai Ban, 2020 29 x 24 x 10 inches Precision board, Venetian Plaster, Beeswax, Pigment Lightweight sculpture (weighs about 5 lbs.) and hangs on the wall with a French cleat Excellent condition and ready to hang as is Signed, verso This contemporary, abstract horizontal wall sculpture...

"Fruit of Poet" by Dai Ban, 2021 42" X 22" X 12" Foam Board, Venetian Plaster, Beeswax, Pigment Dai Ban designed this dynamic abstracted wall sculpture in his studio in the Berkshi...

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

Taking its name from the seven-tablet Babylonian creation myth, Enūma Elish unfolds across sculpture, video, engraving, and performance — summoning ancient mythologies into contempor...

Thelma Frazier Winter (American, 1903-1977) Woman and Child, c. 1935 Glazed stoneware, painted plaster 14 x 7 x 5.875 inches Thelma Frazier Wint...

Walter Sinz (American, 1881-1966) Mother and Child, 1949 Plaster Signed and dated on base 23.5 x 6 x 9 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on Jul...

Walter Sinz (American, 1881-1966) Zinnia, c. 1930 Plaster Signed on base 9 x 8 x 4 inches Walter A. Sinz was an American sculptor born in Cleveland, Ohio on July 13, 1881. Sinz’s fa...

Here for your consideration is a beautiful vintage Austin sculpture John Cutrone 1987 "Waiting in the Wings" ballet slippers. Signed " Austin Prod Inc 19...

This standing kinetic sculpture by Tal Nehoray is from her latest body of works and is made of 2 hand made sculptures: a heart and a brain that are mounted on metal base. Both sculpt...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Donkey is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 82 × 60 × 60 cm (32.2 × 23.6 × 23.6 in). This ...

This piece titled "Anna's Pizza" is original artwork made from paper, basswood, plaster, acrylic, enamel, watercolor, wire, pvc, pins, pastel, inkjet prints by Drew Leshko. This piec...

"Interface Blue" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 24"h x 20.25"w x 2.75"d framed, and is shipped...

"She Carried Water", 2019 (Abstract Free Standing Tabletop Sculpture in Shades of White, Grey and Black) 31 x 12 x 8 inches Precision board, Venetian plaster, pigments, beeswax The ...

18 x 24 x 8 inches styrofoam and venetian plaster Black and white three dimensional floating high contrast wall sculpture with clean lines Dai Ban presents new series of minimalis...

Badger is a unique smoke-fired stoneware, resin, plaster and clay sculpture by French contemporary artist Cécile Raynal, dimensions are 80 × 36 × 52 cm (31.5 × 14.1 × 20.4 in). This ...

"Silicon Valley" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 20"h x 24.25"w x 2.75"d framed, and is shipped...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended to be exhibited in several way...

"Mur" is part of an edition of 5 pieces. Mattia Listowski (b. 1987, Paris, France) is a French sculptor, draughtsman, and photographer with French, Italian, and Polish origins, comi...

"Art in motion" is a series that offers artworks working with matter; concrete, cement, plaster, mortar, and natural pigments. These works are intended t...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

Carole Jeane Feuerman "Joes Belly" Sculpture signed and numbered. In good condition measures 21x21

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Worn White 01 46.13 x 46.13 x 3.38, 25.0 lbs Plaster Hand signed by artist Artist's Commentary: "Made of plaster, gypsum, water, wood, sand, salt, and crushed gold glass, this ar...

Dying Slave After Michelangelo Buonarroti French School, Late 19th / Early 20th Century Monumental Plaster Cast with Carrara Marble Finish 7 ft. 6 in. Tall A monumental and deeply ev...

"One Footed Trauma Vessel" is an original piece by Jedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 29.5"h x 14.75"w x 2.5"d and comes with a gall...

“Female Figure” (2023) by Zura is a life-size sculpture measuring 39 × 16 × 12 inches (99.1 × 40.6 × 30.5 cm), crafted in plaster with an option for bronze casting. This unique work ...

A polychrome and gilt plaster statue of the Blessed Virgin Mary. The quality of the original gilding and the handling of the folds in the clothing are exceptional. A wonderful statu...

RICHARD LOUIS GARBE, RA (1876-1957) Aelfrieda, The Artist’s Daughter Signed and dated 1956 Plaster with patinated surface on a wooden base 30 cm., 11 ¾ in. high Provenance: Gifte...

Antique Grand Tour Plaster Cast after Antonio Canova – Life-Size Figural Group This impressive, life-size antique plaster cast represents one of t...

Daniel Arsham Modern Artifact 001, 2021 plaster and cast resin 12.7 (h) x 19.5 cm (dia.) Edition of 500 Daniel Arsham's Eroded Series is a captivating exploration of time, memory, a...