Plaster Sculptures

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. These Form Studi...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...

ODETTA is pleased to offer this important sculpture from the Estate of David Hayes. David Vincent Hayes (March 15, 1931 – April 9, 2013) was an American sculptor.. Hayes received a...

Megan Klim's mixed media work juxtaposes several materials on one picture plane.  She highlights their inherent qualities to create surface tension which sparks a conversation and in...

Rah-Rah is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. The oil clay is extruded to take on a "noodle form". The composition is laid out on pl...

Wood, window screen, plaster, joint compound, polymer and acrylic paint

Joe Davidson’s recent body of work consists of interlocking forms stacked one on top of another. Upon closer inspection, one can see the remnants of the ...

This piece is made by casting Hydrostone on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and gilding are applied to emphasize the texture on the surfac...

This is an abstract painted plaster cast relief sculpture designed to be mounted directly to the wall or installed on a shelf. It is reminiscent of a fossil or natural or scientific curiosity in a "Wunderkammer," or historical cabinet of curiosities. It is signed on the back. Ava Blitz...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Mixed Media on Board, wire, plaster, and paint, signed verso. 8.25" H x 8.25" W x 1.25" D. Provenance: From the collection...

Bedfellows refers to partnerships and celebrates relationships. This piece is subtle and beautiful. The pale, purple paint accentuates the carved texture. The piece is framed in wh...

Wood, window screen, plaster, joint compound, polymer and acrylic paint

Artist Commentary: This piece is created using a variety of casting materials cast into a concrete form tube (sonotube) and combined with cast off indust...

Wood, window screen, plaster, joint compound, polymer and acrylic paint

This piece is made by casting Hydrocal FGR95 (a very hard plaster) on top of an oil clay pattern. Once cured, the oil clay is removed, then paint and brass leaf are applied to the s...

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....

Code Breaker (Dialect series), by Eleanna Anagnos - Mixed Media - 40.6 x 32.7 x 6.35 cm 16” x 12.5” x 2.5”in - Two-dimensional sculpture, c.2023 “Over the last twenty years, I ha...

A fine abstract polychromed plaster bust of a figure with hat by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United ...

Artist Commentary: This is from a series of sculptures created by casting different materials into a concrete form tube (sonotube) and combining that wit...

Yukihisa Isobe Untitled Mixed media (plaster relief on panel) Signed, dated and Inscribed “Tokio” (on the reverse) 28 x 40.5 cm Executed in 1962 PROV...

"We Are All In" is a wall hung sculpture depicting a series of arm/hand outlines overlapping. I was referencing a sports team ritual of standing in a circle before or after a game. ...

Tom Nussbaum is known for a variety of work including drawings, paper cuts, prints, sculpture, children’s books, animations, functional design objects, and site-specific commissions....

Working primarily in the medium of installation, but also that of photography and video, Karine Payette creates fictional environments that function as freeze frames in which narratives are suspended. In her work, she uses everyday objects to construct extensive dream-like scenes in a hyperrealist manner. These mises-en-scène serve to hint at a potential narrative which evokes the precariousness of our surrounding world. Through the playful use of everyday objects that are transposed into extraordinary situations, she craftily toys with our vision of things, so as to stimulate reflection about the instability of the materials and forms which are part of our living environments. She questions notions of comfort and displeasure in a perpetually transforming world. Karine Payette, who holds a MFA from UQAM, lives and works in Montreal. Her works have been displayed in solo exhibitions, notably at the Galerie de l’UQAM (Confort instable, 2012) and at Le lieu, Centre en art actuel in Quebec City (L’autre dimanche matin...

Biomorphic and earthy yet industrial style wall or tabletop sculpture. Abstract wire form with corrugated hydrocal plaster form. The piece is smooth and...