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17th Century Nude Sculptures

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Period: 17th Century
Roman sculptor - 17th century Baroque alabaster Hercules and Cerberus group
Roman sculptor - 17th century Baroque alabaster Hercules and Cerberus group

Roman sculptor - 17th century Baroque alabaster Hercules and Cerberus group

Located in Varmo, IT

A Roman sculptor (17th century) - Hercules and Cerberus. 18 x 9.5 x h 37 cm. Full figure carved in alabaster. Separate alabaster base. The sculpture depicts the climactic moment o...

Category

Baroque 17th Century Nude Sculptures

Materials

Alabaster

A late 17th Italian carved limewood figure of Mermaid, circle of Filippo Parodi
A late 17th Italian carved limewood figure of Mermaid, circle of Filippo Parodi

A late 17th Italian carved limewood figure of Mermaid, circle of Filippo Parodi

Located in PARIS, FR

A late 17th c. Italian carved figure of Mermaid, Circle of Filippo Parodi (Genoa, 1630 – July 22, 1702) Dimensions: h. 29.13 in, w. 30.31 in, p. 18.9 in (at the base) Magnificent Italian Baroque sculpture depicting a mermaid seated on the rock. All the virtuosity of the sculptor unfolds in this carved group. The fantastic creature is featured seated, the upper part of the body darting forward, the head looking upwards. Sophisticated hairstyle with rows of pearls intertwined in her hair, her loose locks fly in the wind and bring movement to the whole sculpture. The wide-open eyes with hollowed-out pupils make it possible to follow the mermaid's gaze, towards the sky. The half-open mouth further magnifies this bewitching and seductive attitude. Its long double tail ending in fins wraps on either side of a rocky mound strewn with objects evoking the underwater world: seashells and shells, branches of coral. The ornamental richness combined with the great care taken in its execution make it a work in which the splendor of Italian Baroque art unfolds in such characteristic scenic movement. The composition betrays a strong influence from Filippo Parodi, the leader of Genoese Baroque sculpture, and points to an artist from his circle. Our sculpture was probably part of a decorative monumental palace. The iconographic theme evoking the marine world finds its application in the numerous fountains and artificial grottos, designed in Italian palaces at the turn of the 17th and 18th centuries. Giacomo Filippo Parodi (Genoa 1630 – July 22, 1702) was an Italian Baroque sculptor of the Genoese school, who introduced Bernini's aesthetic to Genoa. In his youth fathers a first apprenticeship with a carpenter, he went to Rome where he became a pupil of Bernini. He had the opportunity to admire in person the works and style of the French sculptor Pierre Puget...

Category

Baroque 17th Century Nude Sculptures

Materials

Wood

Bronze of Amphitrite after Michel Anguier
Bronze of Amphitrite after Michel Anguier

Bronze of Amphitrite after Michel Anguier

Located in New Orleans, LA

After Michel Anguier French 1612-1686 Amphitrite Bronze This remarkable bronze masterpiece was cast after a High Baroque masterwork by French sculptor Michel Anguier. After traini...

Category

Baroque 17th Century Nude Sculptures

Materials

Bronze

Artista fiorentino del XVII secolo da Verrocchio putto fontana in terracotta
Artista fiorentino del XVII secolo da Verrocchio putto fontana in terracotta

Artista fiorentino del XVII secolo da Verrocchio putto fontana in terracotta

Located in Florence, IT

Questa statua in terracotta in eccellente stato conservativo considerata l'età e la fragilità del materiale, raffigura un putto nell'atto di soffiare, colto in una posa di intenso p...

Category

Renaissance 17th Century Nude Sculptures

Materials

Terracotta

Putto in legno dorato reggi candela barocco italiano
Putto in legno dorato reggi candela barocco italiano

Putto in legno dorato reggi candela barocco italiano

Located in Florence, IT

One flame candle holder putto made of gilded wood. Those kind of objects were present in churches or noble villas, specially during the Baroque times. The base is not coeval.

Category

Baroque 17th Century Nude Sculptures

Materials

Gold

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Young Goatherder Bronze Sculpture by Oscar Gladenbeck, circa 1900

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Located in Rochester, NY

Bronze statue of young goatherder by Oscar Gladenbeck. circa 1900. Signed "Oscar Gladenbeck Friedrichshagen". period sculpted artist sculpture collectio...

Category

Renaissance 17th Century Nude Sculptures

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1961 Coty Award Plaque Kenneth  Hairdresser Jacqueline Onassis Bronze Fashion
1961 Coty Award Plaque Kenneth  Hairdresser Jacqueline Onassis Bronze Fashion

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion

Located in New York, NY

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...

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American Modern 17th Century Nude Sculptures

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Ilithyia III by Yann Guillon - Female nude sculpture, figurative, bronze
Ilithyia III by Yann Guillon - Female nude sculpture, figurative, bronze

Ilithyia III by Yann Guillon - Female nude sculpture, figurative, bronze

By Yann Guillon

Located in Paris, FR

Ilithyia III is a bronze sculpture by contemporary artist Yann Guillon, dimensions are 26 × 16 × 18 cm (10.2 × 6.3 × 7.1 in). The sculpture is signed and numbered, it is part of a l...

Category

Contemporary 17th Century Nude Sculptures

Materials

Bronze

Grand Tour sculpture “Archer”, Otto Lessing, gilt bronze and onyx, Germany
Grand Tour sculpture “Archer”, Otto Lessing, gilt bronze and onyx, Germany

Grand Tour sculpture “Archer”, Otto Lessing, gilt bronze and onyx, Germany

Located in Valladolid, ES

One of a kind and masterpiece sculpture “Archer” (“Bogenschütze,” original German title) in gilt bronze, a work by Otto Lessing, based on an original design from 1908. Many small-sc...

Category

Art Nouveau 17th Century Nude Sculptures

Materials

Marble, Bronze

Italian Neoclassical sculptor - 18th century terracotta seated Venus at the Bath
Italian Neoclassical sculptor - 18th century terracotta seated Venus at the Bath

Italian Neoclassical sculptor - 18th century terracotta seated Venus at the Bath

Located in Varmo, IT

Italian sculptor (18th century) - Venus at the Bath. 27 x 22 x h 45 cm. Full figure in modelled terracotta. The sculpture depicts a seated Venus on a rocky support, caught in the ...

Category

17th Century Nude Sculptures

Materials

Terracotta

Pair of Baroque putti or triumphant angels in carved wood
Pair of Baroque putti or triumphant angels in carved wood

Pair of Baroque putti or triumphant angels in carved wood

Located in Valladolid, ES

Pair of Gorgeous Putti or triumphant angels, carved wood, 18th century. Traditionally associated with the Italian or French Baroque. With curly hair and expressive arms and legs, T...

Category

Baroque 17th Century Nude Sculptures

Materials

Wood

Italian Rococo sculptor - 18th century terracotta Vanity with a Putto
Italian Rococo sculptor - 18th century terracotta Vanity with a Putto

Italian Rococo sculptor - 18th century terracotta Vanity with a Putto, c.1750

$3,537Sale Price|25% Off

H 16.54 in W 6.7 in D 4.73 in

Italian Rococo sculptor - 18th century terracotta Vanity with a Putto

Located in Varmo, IT

Italian modeller (18th century) - Allegory of Vanity. 17 x 12 x h 42 cm. Fully modelled terracotta figure. The group depicts a standing female figure, partially draped with bare b...

Category

Rococo 17th Century Nude Sculptures

Materials

Terracotta

Vertical Bronze Cibot
Vertical Bronze Cibot

Elisabeth CibotVertical Bronze Cibot, 2000

$9,000

H 26.38 in W 7.88 in D 10.63 in

Vertical Bronze Cibot

By Elisabeth Cibot

Located in Pasadena, CA

Sculpture - original. bronze 6/8 Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the environment of Elisabeth...

Category

Contemporary 17th Century Nude Sculptures

Materials

Bronze

Sorbe Small Bronze Sculpture Nude Boy Drinking Male Figure Marble Stone
Sorbe Small Bronze Sculpture Nude Boy Drinking Male Figure Marble Stone

Sorbe Small Bronze Sculpture Nude Boy Drinking Male Figure Marble Stone

By Wim van der Kant

Located in Utrecht, NL

Sorbe Small Bronze Sculpture Nude Boy Drinking Male Figure Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high sc...

Category

Contemporary 17th Century Nude Sculptures

Materials

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Previously Available Items
Baroque Roman sculptor - 17th century alabaster sculpture - Hercules Cretan Bull
Baroque Roman sculptor - 17th century alabaster sculpture - Hercules Cretan Bull

Baroque Roman sculptor - 17th century alabaster sculpture - Hercules Cretan Bull

Located in Varmo, IT

Alabaster sculpture - Hercules and the Cretan Bull. Rome, 17th century. 20 x 12 x h 34 cm. Made entirely of carved alabaster. Separate alabaster base, minor defects and signs of ag...

Category

Baroque 17th Century Nude Sculptures

Materials

Alabaster

Italy, early 17th century - Seated Faun - Bronze
Italy, early 17th century - Seated Faun - Bronze

Italy, early 17th century - Seated Faun - Bronze

Located in Paris, Île-de-France

Unknown Artist (Italy, early 17th century) Seated Faun Bronze on a marble base (later), 32 cm in height Provenance: Private collection This bronze depicts a faun, a mythological figure from ancient Rome often associated with nature and fertility, embodying both human and animal attributes. The faun is portrayed here in a dynamic posture, seated on a marble base, which, though added later, enhances the sculptural dimension of the piece. His muscular and tense body seems to capture a moment of jubilation or exuberant pleasure, as evidenced by his upturned face and open mouth in an ecstatic smile. This expressive gesture, along with the casual positioning of his raised arm behind his head, evokes the freedom and hedonism traditionally associated with these mythological creatures. The quality of the bronze craftsmanship is remarkable, particularly in the muscular details and the expressiveness of the face, signs of technical mastery typical of late Renaissance and early Baroque Italian sculpture. The faun's legs are muscular but also marked by hooves, emphasizing his hybrid nature, half-human and half-animal. This hybridity reflects an iconographic tradition in which fauns are often associated with debauchery and wild living, removed from human society. Seventeenth-century Italy, particularly Rome and Florence, was a hub of prolific artistic production, with artists such as Gian Lorenzo Bernini and Alessandro Algardi...

Category

Renaissance 17th Century Nude Sculptures

Materials

Bronze