Unknown

"Charles Lindbergh Book Ends, " Cast Bronze created in 1929 by an Unknown Artist

1929

"Kota Reliquary Figure Nigeria" is a wood and copper sculpture created in Nigeria circa 1970. A head is made with wide red eyes. Their hair is in...

John Hallett is a Wisconsin-based veterinarian-turned-artist. Edition 3/50 Signed left side

"King with Two Tribesmen" is a bronze relief sculpture from the Nigeria-Benin area tribe. It depicts three figures: two tribesmen on the left a...

John Hallett is a Wisconsin-based veterinarian-turned-artist. Edition 2/50. Signed left side.

Featuring monuments to the states of New York and California. Rudolf Schwarz was an Austrian born American sculptor. Emigrated to Indianapolis in 1897 to help complete the Soldiers a...

Pair of 1940s Painted Bronzed Plaster (dipped in bronze) Dante Bookends

France / 1920 / bookends / wood and bronze / Art Deco A captivating pair of French Art Deco bookends dating to the 1920s, each featuring a finely cast bronze relief of a conductor i...

French Belle Epoch Antoine Bourdelle Sculptural Pair of Bookends Patinated Bronze Edmond Etling & Cie Foundry, Paris ca. 1910 DIMENSIONS Height: 7.5 inches Width: 3.33 inches Depth: 3.33 inches MARKINGS Same markings are present on the plinths of both bookends: Signed 'A. Bourdelle’. Stamped ‘Edmond Etling & Cie Foundry, Paris’ ABOUT BOOKENDS This exquisite pair of bookends, created by the renowned French sculptor Antoine Bourdelle, epitomizes the grace and emotional depth of the Belle Époque era. Each bookend is a remarkable sculpture in its own right, yet when placed together, they form an inseparable narrative composition, bound by a shared plot. One bookend captures the passionate embrace of Harlequin and his mistress, a tender yet intense moment frozen in time. The second bookend portrays Pierrot, lost in the anguish of jealousy, his expression and posture radiating sorrow and longing. Together, these two figurative sculptures create a dramatic scene, where the books they support become part of the stage set, acting as a barrier between the characters—much like a stage wall in a theatrical performance. The interplay of emotion and movement in this captivating sculptural pair makes it a true masterpiece, seamlessly blending art with functionality. ABOUT SCULPTOR Émile Antoine Bordelles (French, 1861 - 1929) was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts seyle to modern sculp[ture. His studio became the Musee Bourdelle, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the15th arondissement of Paris, France. His very well known for his use of quivering Romanesque forms in his depictions of mythological figures. One of his best known works Hercules the Archer (1909), was a commissioned sculpture for the financier Gabriel Thomas. Born Émile-Antoine Bourdelle on October 30, 1861 in Montauban, France, he learned woodworking as a youth from his father who was a cabinetmaker. While assisting his father during the workday, he studied drawing at the École des Beaux-Arts in Toulouse in the evening. Moving to Paris in 1885, the artist became an assistant to Auguste Rodin in 1893, Rodin’s influence is evident in many of Bourdelle’s early sculptures. By 1900, he had begun receiving commissions for a number of theaters and later taught classes at his studio to young artist such as Alberto Giacometti and Otto Gutfreund...