Charlie Ahearn

Dondi White, Zephyr & Charlie Ahearn ‘Heroin Kills' Subway Art Photograph 1981.

Charlie Ahearn, "Rapture" (in motion) 1981: A rare historic Debbie Harry, Fab 5 Freddy & Lee Quinones photograph captured by Wild Style director Charlie Ahearn on the set of Blondie'...

Obtained directly from artist. Artist Bio: Charlie Ahearn, best known as the director of the classic hip-hop film Wild Style (1982), arrived in New York in 1973 to attend the Whit...

DJ Lovebug, Grandmaster Caz, Busy Bee at the Celebrity Club: Harlem, New York, 1980 by Charlie Ahearn, director of Wild Style (1982): A seminal early Hip Hop photograph featured as p...

Limited edition Wild Style Spray-paint Can: This much decorative limited edition Wild Style spray paint can was born out of a collaboration between director Charlie Ahearn & Montana ...

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

He first began tagging subway cars during the late 1970s and was featured in Charlie Ahearn’s 1982 movie Wild Style. Rammellzee went on to release the hip-hop single “Beat Bop” with ...

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images presented graffiti as art, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a number of hit songs and music videos.

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

The images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style and a nu...

To them, the images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style...

To them, the images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style...

To them, the images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style...

To them, the images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style...

To them, the images exemplified graffiti as art rather than graffiti as vandalism, a concept that was gaining international attention after the release of Charlie Ahearn’s Wild Style...