Gio Ponti 516 Armchairs, Walnut Frame, Two-Tone Upholstery, 1950
By Gio Ponti
Located in Las Vegas, NV
Vintage 516 Armchairs by master Italian architect, publisher, and designer Gio Ponti, 1950.
Mid-20th Century Italian Armchairs
Walnut
Gio Ponti 516 Armchairs, Walnut Frame, Two-Tone Upholstery, 1950
By Gio Ponti
Located in Las Vegas, NV
Vintage 516 Armchairs by master Italian architect, publisher, and designer Gio Ponti, 1950.
Walnut
$4,875Sale Price / item|66% Off
Gio Ponti Model 516 Armchair, Painted Walnut, Cream White, 1950
By Figli di Amadeo Cassina, Cassina, Gio Ponti
Located in Brooklyn, NY
Pair of armchairs, model “516”, originally designed by Ponti for the furnishing of Tranatlantico Conte Biancamano, Manufactured by Figli di Amadeo Cassina (Cassina), Italy, c. 1950 ...
Textile, Walnut
$10,335Sale Price / set|65% Off
Gio Ponti Model 516 Pair of Lounge Chairs, Cream White Painted Walnut, 1950
By Figli di Amadeo Cassina, Gio Ponti, Cassina
Located in Brooklyn, NY
Pair of armchairs, model “516”, originally designed by Ponti for the furnishing of Tranatlantico Conte Biancamano, Manufactured by Figli di Amadeo Cassina (Cassina), Italy, c. 1950 ...
Textile, Walnut
Unavailable
H 32.29 in W 25.6 in D 29.93 in
Gio Ponti for Cassina Couple of Armchairs Mod. 516, Milano, 1955
By Cassina, Gio Ponti
Located in Milano, IT
Gio Ponti for Cassina, couple of armchairs model 516, stained wood, Ocra fabric upholstery, Italy, 1955.
Fabric, Walnut
Set of 2 Armchair by Gio Ponti, mod.516, variant, Cassina
By Gio Ponti
Located in Milano, Lombardia
Gio Ponti for Cassina, pair of armchairs model 516, cherry wood, grey and blue velvet upholstery, Italy, 1955.
Velvet, Cherry
Sold
H 30.32 in W 24.02 in D 24.02 in
Pair of Mid-Century Modern Armchairs Model 516 by Gio Ponti for Cassina, 1950s
By Cassina, Gio Ponti
Located in Brussels, BE
Pair of Mid-Century Modern Armchairs Model 516 by Gio Ponti for Cassina, 1950s
Wood
Pair of Gio Ponti Armchairs Model 516
By Cassina, Gio Ponti
Located in New York, NY
Pair of sculptural walnut armchairs, model 516, designed by Gio Ponti for Cassina in 1955.
Fabric, Walnut
Gio Ponti Italian Midcentury Armchairs Model N. 516 Cassina, 1956
By Gio Ponti, Cassina
Located in bari, IT
Superb pair of 516 model armchairs designed by Maetstro Gio Ponti for Cassina in 1956.
Cherry
Gio Ponti for Cassina 'Model 516' Lounge Chair
By Gio Ponti
Located in Waalwijk, NL
Gio Ponti for Cassina, armchair model 516, walnut, grey velvet, Italy, 1955.
Walnut, Velvet
Gio Ponti for Cassina Pair of Walnut Armchairs Model 516
By Gio Ponti, Cassina
Located in New York, NY
Designed by Gio Ponti and manufactured by Cassina model 516 pair of sculptural armchairs or lounge chairs, with white and navy cotton linen upholstered cushions on walnut frames, Ita...
Upholstery, Walnut
Gio Ponti Pair of Armchairs, Model # 516
By Gio Ponti
Located in New York, NY
Pair of armchairs, # 516, in dark mahogany stained walnut designed by Gio Ponti, (1891-1979 ), produced by Cassina, Italy, circa 1950.
Fabric, Walnut
Sold
H 30.32 in W 25.6 in D 26.78 in
Extraordinary Pair of "Model 516" Armchairs by Gio Ponti for Cassina
By Cassina, Gio Ponti
Located in Saint Ouen, IDF
Extraordinary pair of "model 516" armchairs designed by Gio Ponti, manufactured by Cassina in the '50s.
Pair of Gio Ponti Armchairs, Italy, 1950s
By Gio Ponti
Located in New York, NY
A sculptural pair of Gio Ponti armchairs, model no. 516, circa 1955 in walnut and black and white fabric upholstery.
Upholstery, Walnut
An architect, furniture and industrial designer and editor, Gio Ponti was arguably the most influential figure in 20th-century Italian modernism.
Ponti designed thousands of furnishings and products — from cabinets, mirrors and chairs to ceramics and coffeemakers — and his buildings, including the brawny Pirelli Tower (1956) in his native Milan, and the castle-like Denver Art Museum (1971), were erected in 14 countries. Through Domus, the magazine he founded in 1928, Ponti brought attention to virtually every significant movement and creator in the spheres of modern art and design.
The questing intelligence Ponti brought to Domus is reflected in his work: as protean as he was prolific, Ponti’s style can’t be pegged to a specific genre.
In the 1920s, as artistic director for the Tuscan porcelain maker Richard Ginori, he fused old and new; his ceramic forms were modern, but decorated with motifs from Roman antiquity. In pre-war Italy, modernist design was encouraged, and after the conflict, Ponti — along with designers such as Carlo Mollino, Franco Albini, Marco Zanuso — found a receptive audience for their novel, idiosyncratic work. Ponti’s typical furniture forms from the period, such as the wedge-shaped Distex chair, are simple, gently angular, and colorful; equally elegant and functional. In the 1960s and ’70s, Ponti’s style evolved again as he explored biomorphic shapes, and embraced the expressive, experimental designs of Ettore Sottsass Jr., Joe Colombo and others.
Ponti's signature furniture piece — the one by which he is represented in the collections of the Museum of Modern Art in New York, Germany’s Vitra Design Museum and elsewhere — is the sleek Superleggera chair, produced by Cassina starting in 1957. (The name translates as “superlightweight” — advertisements featured a model lifting it with one finger.)
Ponti had a playful side, best shown in a collaboration he began in the late 1940s with the graphic artist Piero Fornasetti. Ponti furnishings were decorated with bright finishes and Fornasetti's whimsical lithographic transfer prints of things such as butterflies, birds or flowers; the Montreal Museum of Fine Arts possesses a 1950 secretary from their Architetturra series, which feature case pieces covered in images of building interiors and facades. The grandest project Ponti and Fornasetti undertook, however, lies on the floor of the Atlantic Ocean: the interiors of the luxury liner Andrea Doria, which sank in 1956.
Widely praised retrospectives at the Queens Museum of Art in 2001 and at the Design Museum London in 2002 sparked a renewed interest in Ponti among modern design aficionados. (Marco Romanelli’s monograph, which was written for the London show, offers a fine overview of Ponti’s work.) Today, a wide array of Ponti’s designs are snapped up by savvy collectors who want to give their homes a touch of Italian panache and effortless chic.
Find a range of vintage Gio Ponti desks, dining chairs, coffee tables and other furniture on 1stDibs.
Armchairs have run the gamut from prestige to ease and everything in between, and everyone has an antique or vintage armchair that they love.
Long before industrial mass production democratized seating, armchairs conveyed status and power.
In ancient Egypt, the commoners took stools, while in early Greece, ceremonial chairs of carved marble were designated for nobility. But the high-backed early thrones of yore, elevated and ornate, were merely grandiose iterations of today’s armchairs.
Modern-day armchairs, built with functionality and comfort in mind, are now central to tasks throughout your home. Formal dining armchairs support your guests at a table for a cheery feast, a good drafting chair with a deep seat is parked in front of an easel where you create art and, elsewhere, an ergonomic wonder of sorts positions you at the desk for your 9 to 5.
When placed under just the right lamp where you can lounge comfortably, both elbows resting on the padded supports on each side of you, an upholstered armchair — or a rattan armchair for your light-suffused sunroom — can be the sanctuary where you’ll read for hours.
If you’re in the mood for company, your velvet chesterfield armchair is a place to relax and be part of the conversation that swirls around you. Maybe the dialogue is about the beloved Papa Bear chair, a mid-century modern masterpiece from Danish carpenter and furniture maker Hans Wegner, and the wingback’s strong association with the concept of cozying up by the fireplace, which we can trace back to its origins in 1600s-era England, when the seat’s distinctive arm protrusions protected the sitter from the heat of the period’s large fireplaces.
If the fireside armchair chat involves spirited comparisons, your companions will likely probe the merits of antique and vintage armchairs such as Queen Anne armchairs, Victorian armchairs or even Louis XVI armchairs, as well as the pros and cons of restoration versus conservation.
Everyone seems to have a favorite armchair and most people will be all too willing to talk about their beloved design. Whether that’s the unique Favela chair by Brazilian sibling furniture designers Fernando and Humberto Campana, who repurposed everyday objects to provocative effect; or Marcel Breuer’s futuristic tubular metal Wassily lounge chair; the functionality-first LC series from Charlotte Perriand, Le Corbusier and Pierre Jeanneret; or the Eames lounge chair of the mid-1950s created by Charles and Ray Eames, there is an iconic armchair for everyone and every purpose. Find yours on 1stDibs right now.