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Guy Aulenti

Gae Aulenti Enamel Steel Lounge Coffee Table for Knoll, 1980
Gae Aulenti Enamel Steel Lounge Coffee Table for Knoll, 1980

Gae Aulenti Enamel Steel Lounge Coffee Table for Knoll, 1980

By Knoll, Gae Aulenti

Located in Vienna, AT

In recent years Gae (pronounced "Guy") Aulenti's designs have soared in demand as interior designers are now recognizing her works as some of the best of the 20th century.

Category

Vintage 1980s Italian Mid-Century Modern Coffee and Cocktail Tables

Materials

Steel

Recent Sales

Set of 4 Gae Aulenti Leather and Steel Lounge Chairs for Knoll, Signed 1980
Set of 4 Gae Aulenti Leather and Steel Lounge Chairs for Knoll, Signed 1980

Set of 4 Gae Aulenti Leather and Steel Lounge Chairs for Knoll, Signed 1980

By Knoll, Gae Aulenti

Located in Los Angeles, CA

And this particular set is ideal for collectors as it has its original leather cushions and paint color in a desirable color-way and beautiful condition with light patina as collecto...

Category

Vintage 1980s American Modern Lounge Chairs

Materials

Steel

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Spanish White Pair of Table Lamps by Fase, Model "Bambina", 1980s
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Located in Vigonza, Padua

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Gervasoni Inout Side Table in White Ceramic with Black Dots by Paola Navone

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Pair of French Wrought Iron Martini Tables
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Category

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Accademia Tavolo Picoli by Cini Boeri for Artemide 1978
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Category

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Category

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Category

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Located in Los Angeles, CA

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By Luigi Massoni, Poltrona Frau

Located in Turin, Turin

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Materials

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Gae Aulenti for sale on 1stDibs

The Italian architect and designer Gae Aulenti will forever be best remembered for her work with museums, in particular her 1980–86 renovation of a Beaux Arts Paris train station to create the galleries of the Musée d’Orsay. Aulenti — whose first name, short for Gaetana, is pronounced “guy” — should also be recalled for her tough intellectual spirit and for working steadily when few women found successful architectural careers in postwar Italy.

After she graduated from the Milan Polytechic in 1954, Aulenti opened an architectural office. She also joined the staff of the progressive architectural magazine Casabella, whose editorial line was that the establishment, orthodox modernism of Le Corbusier and the Bauhaus, had outlived it usefulness. When their movement for fresh approaches to architecture and design received a sympathetic hearing, Aulenti found patrons — most prominently Gianni Agnelli, of Fiat, who later employed her to renovate the Palazzo Grassi in Venice for use as an arts exhibition space.

Commissions for showrooms and other corporate spaces brought Aulenti to furniture design. She felt that furniture should never dominate a room. Her chairs and sofas — low-slung, with rounded enameled metal frames and ample seats — and tables, particularly her 1972 marble Jumbo coffee table for Knoll, project solidity and sturdiness. In lighting design, however, Aulenti is bravura.

Each work has a marvelous sculptural presence. Pieces such as her Pipistrello table lamp and Quadrifoglio pendant are a perfect marriage of organically shaped glass and high-tech fixtures. Others have a futuristic elegance — and some even have a touch of personality. Aulenti’s Pileino and La Ruspa table lamps each look almost like little robots. Her lighting pieces are an artful grace note in the career of a woman who believed in strength.

Find vintage Gae Aulenti armchairs, coffee tables and other furniture on 1stDibs.