Ince Mayhew

Very fine pair of antique armchairs, desk chairs, library or possibly dining chairs in the Hepplewhite style in the manner of Ince and Mayhew. This pair of chairs are one of the mos...

The cabinet bears all the hallmarks in its quality and Architectural design that may be attributed to a number of eminent makers including Messrs. Ince & Mayhew who, so it is recorde...

The six round slightly tapering legs reeded. In the manner of Mayhew and Ince. circa 1780.

The design is derived from plate XLII in the 1762 pattern book by Ince and Mayhew, Universal System of Household Furniture Circa 1790 Provenance: ex collection of Lady Zia Wern...

The features of the semi-elliptical commode conform with those identified as characteristic of Mayhew and Ince, the celebrated Golden-Square, London cabinet-makers.

An exceptional George III satinwood and marquetry cabinet on stand, attributed to Mayhew and Ince, executed in golden satinwood and inlaid with exquisite marquetry detail in a variet...

George III decorated settee after the design by Ince and Mayhew.

A George III mahogany pembroke table inlaid on the butterfly shaped top with a central boxwood paterae banded with satinwood and tulipwood and surrounded by boxwood and ebony stringi...

A George III parcel-gilt-white painted daybed, attributed to Ince and Mayhew. Covered with a woolwork embroidery signed MA and dated 1934

The central plate is a Queen Anne period bevelled oval that has been integrated in the later frame. Attributed to Mayhew and Ince. English, circa 1785. In 1762 Mayhew and Ince ...

Attributed Mayhew & Ince, this fine marquetry corner bow-fronted washstand employs superb veneers of harewood, having oval panels of amboyna on the two doors and on the top section.

Similar to shelves made by Ince and Mayhew and Thomas Chippendale.

The original circa 1770, attributed to Mayhew & Ince, the largest competitor to Chippendale in the 18th century.

Consequently, cabinet-makers turned their attention to the making of suitable ornamental tables. William Ince and John Mayhew illustrated designs for 'Tea Kettle Stands' in their The...

A pair of painted cabinets with similar mounts, attributed to Mayhew and Ince were exhibited by Carlton Hobbs at Olympia Fine Art and Antiques Fair, 2009 and also relates to a demi-l...

Footnote, William Moore learned his trade in London working under the renowned firm of Mayhew and Ince, Moore set up in Dublin 1785 - 1815 where he had workshops in Abbey Street and ...

William Moore trained in London specializing as a 'marqueter' with the leading firm of Mayhew and Ince. He then left for the increasingly prosperous city of Dublin which was building...

Gillows of Lancaster and London, founded circa 1730 became one of the pre-eminent English cabinet making firms of the late 18th and 19th centuries, on a par with Chippendale, Mayhew ...

The design of paired legs fronting a six-legged side table seems to have appeared from just before the middle of the 18th Century, and the form was continued by the best-known design...

The Darlys advertised that "Ladies to whom the fumes of the Aqua Fortis are Noxious may have their Plates carefully Bit, and proved, and may be attended at their own Houses, and have...

A fine Adam period console table in the manner of Ince & Mayhew and Linnell, having satinwood parquetry, tulipwood crossbanded & ebony strung top, with floral inlaid harewood panel a...

Measures: width: 132cm, depth: 62cm, height: 223cm Ince & Mayhew were a partnership of furniture designers and cabinet makers run by William Ince and John Mayhew from 1759 until 1...

The cabinet was made by Mayhew & Ince. Elements of Robert Adam s designs for various decorative schemes to include fire screens & ceilings for Osterley Park and others are also echoe...

A Fine George III Mahogany Breakfront Cabinet Circa 1770 Attributed to Ince & Mayhew From a Design of Robert Adam The over hanging molded cornice carved with ribbons,...

In The Manner of Ince and Mayhew A fine quality mahogany serpentine shaped chest of drawers inlaid and cross-banded with satinwood.

The use of a blind oval paterae is a feature often associated with Mayhew and Ince the celebrated cabinet makers.

Cator, The Partnership of William Ince and John Mayhew, 2022, pp 140-141). Locks stamped E Gascoigne are found on a number of Ince and Mayhew commissions (ibid 148, 154 nn52-53).

Footnote: The feathered bosses are a particular feature of the inlay work of the Ince and Mayhew partnership, one of the most prominent firms operating in London in the late 18th cen...

Important and rare George III harewood and satinwood pembroke table attributed to Mayhew & Ince, circa 1780. One of the finest 18th century pembroke tables ever made.

A George III (Hepplewhite) mahogany and satinwood foliate marquetry ladies serpentine cheval writing or work table in the manner of Ince and Mayhew. The top Inlaid with satinwood urn...

See also Robert Adam, and Ince & Mayhew designs for similar satinwood marquetry commodes of the late 18th century.

Architectural publications such as Batty Langley’s “Treasury of Designs” served as the crossover from architecture to furniture design and writing tables with ratcheted tops appear i...

The carved paterae on this piece are often seen on pieces by Mayhew and Ince with Chippendale and Linnell's neoclassical period work more often relying on inlay rather than carving.

A fine satinwood, rosewood banded and sycamore marquetry inlaid demilune side cabinet, the fine leaf and fan inlaid top above an anthemion and honeysuckle inlaid frieze with a drawer...

Very fine George III Adam period giltwood demilune console table, circa 1780, the later Grand Tour specimen marble top with over 130 examples of various marbles and other hardstone i...

 A well designed set 4 18th Century mahogany hall chairs, in the manner of ‘Ince and Mayhew’. The oval back with dished centres and moulded central panels, above shaped seats with d...

He worked closely with Robert Adam and rivalled the works of the leading furniture makers of the period, Thomas Chippendale, Mayhew and Ince and John Cobb. Measures: W...

That bookcase is attributed to the firm of John Mayhew & William Ince, and appears of similar craftsmanship, though exhibits more of their trademark neoclassical designs & an...

Johnson was a carver rather than a cabinet-maker, and, as a result, his designs have been seen as far more inventive than those of his contemporary cabinet-makers – such as Chippenda...

The letter on the right of the drawer mentions Ince and Mayhew, best known for their 1762 book The Universal System of Household Furniture, which was in response to their rival Thoma...

., and which is thought to have been supplied to the Duke and Duchess of Northumberland by the London firm of Mayhew and Ince, who are known to have furnished the house.

Provenance: Private collection, Holland Park Royal Borough of Kensington London Literature: Image 2 (in black & white) from literature - English Furniture 1500-1840 by Geoffrey Bear...

For an example of a Carlton House table attributed to the firm, see this example at Kingston Lacy in Dorset: The inspiration for our tables was undoubtedly the output of the likes ...

Chippendale had considerable competition during his active years, most notably by Ince and Mayhew.   

The Adam's main rivals were James Wyatt, whose many designs for furniture were less known outside the wide circle of his patrons, because he never published a book of engravings; and...

A pair of ash and elm side chairs in the manner of Mayhew & Ince. The oval back centred by a crest, details below, above a shaped seat and square tapering legs with foot blocks, sw...

Probably the most direct influence are the designs published by Chippendale's rivals Ince and Mayhew in their 1762 Universal System of Household Furniture.

He also collaborated with John Linnell, Ince and Mayhew, Vile and Cobb, Daniel Smith and Robert Sharp, John Parker and Edward Wakelin.

Attributed to Ince & Mayhew, a George III marquetry padouk-wood and mahogany serpentine commode, having a curved back to the top.

Raised on square tapering legs with cross grained veneer and block feet with original brass castors. Probably made by Ince & Mayhew. A very striking table in this exotic timber

The octagonal satinwood top centered by a beribboned spray of flowers within a stringed and crossbanded kingwood border, the spiral carved and fluted yew wood center pedestal above t...

19th century George III Gothic inspired mahogany dumbwaiter in the style of Mayhew & Ince.

Mayhew and Ince’s style was far more classical than that of Thomas Chippendale.

Pembroke Table Thomas Chippendale Circa 1780 This highly significant Pembroke table is a rare example of Thomas Chippendale's exceptional craftsmanship, showcasing his legacy's unpa...

Antique French marquetry, ormolu and jasperware Bureau du Roi by Beurdeley French, c. 1890 Height 151cm, width 190cm, depth 100cm The Bureau du Roi, also known as the secrétaire à ...

This highly important secrétaire-cabinet was crafted for and specially ordered by King George I for the British Ambassador to Russia. From its craftsmanship and materials to its exce...

English Georgian mahogany sideboard with bow shaped front and inlaid with cross-banding and panels on either side of center front drawer.

We are delighted to offer for sale this important pair of Thomas Chippendale style, heavily carved with Claw & Ball Cabriolet legs, brown leather, library tub armchairs. These are t...

This rare 18th-century serpentine chest of drawers was crafted in the style of the iconic Thomas Chippendale. The George III mahogany dresser is complete with its original brass hand...

This magnificent demi-lune Georgian sideboard displays the pinnacle of the era’s refined craftsmanship and boasts a distinguished provenance. Crafted of the finest mahogany, the era'...

A George III style carved giltwood mirror After a design by Thomas Johnson Of grandiose proportions, the central oval glass plate built up in a concentric arrangement of mercury ...

This William and Mary-period chest is distinguished by oyster veneering and circular inlay. Intersecting circles are inlaid into the veneers on the drawer fronts and on top of the ch...

A fine pair of 18th century George III Hepplewhite period floral marquetry inlaid demi-lune card tables attributed to John Cobb. The semi-elliptical sabico and floral marquetry top ...

A magnificent 19th-century mahogany arm chair crafted in the George II taste. From the pierced, intertwined ribbon back and duck-form armrests to the hairy ball-and-claw feet, the qu...

A fine George III Chippendale period Pembroke table with a central chrysanthemum patera; the top paneled with two cuts of mahogany and with extensive diagonal banding.