2002 ISSEY MIYAKE printed cropped RUNWAY jacket
By Issey Miyake
Located in San Fransisco, CA
This 2002 runway jacket by Issey Miyake is cropped with a boxy cut.
2002 ISSEY MIYAKE printed cropped RUNWAY jacket
By Issey Miyake
Located in San Fransisco, CA
This 2002 runway jacket by Issey Miyake is cropped with a boxy cut.
Issey Miyake Serpent Green Pleated Jacket With Side Zippers & Long Front 2002-03
By Issey Miyake
Located in Los Angeles, CA
Issey Miyake Size: 3 Fabric: 56% cotton, 44% silk 2002-2003 Collection Excellent Vintage Condition Authenticity Guaranteed
Issey Miyake multicoloured mesh and lycra skirt and top set, ss 2002
By Issey Miyake
Located in London, GB
▪ Issey Miyake multicoloured mesh and lycra skirt and top set ▪ Vest with ruched back and bust panels ▪ Mid-length skirt with ruched seams and handkerchief hemline ▪ JP 3 / EU + US M...
Issey Miyake 2002 Dark Blue & Red Pucker Pleat Zipper Front Sporty Jacket 4
By Issey Miyake
Located in West Palm Beach, FL
Issey Miyake 2002 dark blue & red pucker pleat zipper front sporty jacket marked size 4.
2002 Issey Miyake Psychedelic Tropical Digital Print Pleated Skirt
By Issey Miyake
Located in London, GB
A fun and Vibrant skirt by innovative Japanese designer Issey Miyake. The skirt has a psychedelic blue, turquoise, pink, brown and cream digital print that is pleated and stitched to...
Issey Miyake Abstract Waves Print Cropped Jacket, Spring Summer 2002
By Issey Miyake
Located in Seattle, WA
From Issey Miyake Spring Summer 2002 runway, mainline for women.
From the prismatic Pleats Please collection to the modular, three-dimensional garments crafted from recycled plastic bottles in his Reality Lab, the captivating fashions by Japanese designer Issey Miyake are all about movement.
Born in Hiroshima, Miyake studied graphic design at Tama Art University in Tokyo before relocating to Paris in 1965, where he studied couture and cut his teeth working for Guy Laroche and Hubert de Givenchy. In 1969, he moved to New York, where he worked for Geoffrey Beene. He returned to Tokyo in 1970 to found his first solo venture, the Miyake Design Studio. It wasn’t until the 1990s, though, that the designer had his breakthrough moment with experimentations in pleating. Some of his earliest explorations were for choreographer William Forsythe’s Frankfurt Ballet Company, with the 1991 performance of The Loss of Small Detail featuring costumes Miyake designed with pleats that complemented and transformed the movement of the dancers.
Though long a staple in couture — from delicate women’s skirts to men’s suit pants — pleats took on new life in Miyake’s hands. By using a heat press to cure his fabrics after his garments are stitched, Miyake was able to maintain the accordion structure of the pleat, turning a series of folds into sculptural, often futuristic forms unbound by the shape of the human body. In 1993, Miyake debuted “garment pleating” in his Pleats Please line, in which the clothes are constructed at a size that is larger than what is intended for the finished product. The pleats are then created — a process that involves folding and ironing and is separate from the joining of seams — and individual pieces are subsequently hand-fed into a heat press. The pleats are permanent and the garments can be worn and washed without losing their shape.
Miyake’s pleats run the gamut in scale, which enabled him to evoke dramatic, sharp silhouettes and flowy movements in equal measure. In essence, he created an entirely new material whose iterations are infinite — a feat of technology as much as fashion.
Other innovations include Miyake’s 1997 Just Before collection, which introduced a series of tube-knit dresses that could be cut as desired, reducing both work and resources. His Reality Lab now investigates new materials, such as a fully recycled polyester. Miyake’s prowess, in fact, captured another iconic figure in the tech world: Steve Jobs, for whom the designer made hundreds of identical black turtlenecks, the late Apple founder’s sartorial signature.
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