Mark Pharis

From his website: My introduction to ceramics began in the fall of 1967 at the University of Minnesota. As I began my education at the University, I found my way into several art ...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...

In 1980, Simon built his own salt kiln after seeing the work of ceramic artist Mark Pharis. That same year, he began to keep a pot from each kiln load of his in order to have an ongo...