Paloma Picasso for Tiffany & Co. On Sale

When thinking about the colorful gemstones and flashy forms that so frequently characterized 1980s jewelry, it is impossible not to conjure images of the expressive confections that Paloma Picasso created for legendary American luxury house Tiffany & Co. For iconic work such as the Loving Heart ring and the Love & Kisses brooch, Picasso mined what she admired about urban street art in New York City’s grungy subways and brought it to fine jewelry-making on a global stage.

The daughter of artists Pablo Picasso and Françoise Gilot, Paloma was destined for creative success. She was determined to succeed on her own, however, and didn’t rely on her parents' renown. Picasso graduated from the Université de Paris in Nanterre, where she studied jewelry design and costuming. She spent a short period in the late 1960s as a fashion designer and a jewelry stylist for a Parisian theater company, an experience that essentially ignited Picasso’s career. Critics took notice, and her friend and French fashion designer Yves Saint-Laurent commissioned her to make costume jewelry for his runway collections.

Picasso designed a collection of necklaces and bracelets for the Greek jewelry firm Zolotas in the early 1970s, and her success with Saint-Laurent led to an important connection between Picasso and Tiffany & Co. design director John Loring. Picasso jumped at Loring’s request to present a table setting at a 1979 Tiffany & Co. exhibition, and within a single year, Loring commissioned her to design jewelry for the brand. Her first proper collection, Paloma's Graffiti, is her best-known work for the company.

Paloma had joined the illustrious ranks of Elsa Peretti and Angela Cummings — both revered jewelry designers who’d signed contracts with Tiffany just before her. Her Graffiti collection, which initially comprised a range of both slender and bubble-letter-like scribbles, X’s, O’s and other figures in 18-karat gold and palladium, was an extraordinary debut for her. Finding inspiration in Keith Haring’s Pop art as well as the street art that covered Manhattan subway cars of the era, Picasso introduced a graphic quality to her inaugural Tiffany line.

“In the ‘70s, people were starting to tag subways and walls, which had everyone outraged,” Picasso explained of the concepts behind her vibrant rings, earrings and necklaces. “I wanted to look at graffiti differently and try to make something positive out of it.”

Picasso would later draw on nature for her sterling silver-and-pearl Olive Leaf accessories at Tiffany and frequently created gold necklaces and bracelets that were set with a striking mix of colorful semi-precious stones.

Throughout her career, Picasso has garnered acclaim from many institutions such as the Fashion Group International and was presented with an award in 1988 by the Hispanic Designers Council. She has been recognized the National Museum of Women in the Arts, and her work is held in the collections of the Smithsonian National Museum of Natural History and the Field Museum in Chicago.

Find vintage Paloma Picasso Tiffany & Co. brooches, bracelets and other jewelry on 1stDibs.

Gold is the feel-good metal, the serotonin of jewelry. Wear vintage and antique gold necklaces, watches, gold bracelets or gold rings and you feel happy, you feel dressed, you feel, well, yourself. 

Gold, especially yellow gold, with its rich patina and ancient pedigree going back thousands of years, is the steady standby, the well-mannered metal of choice. Any discussion of this lustrous metal comes down to a basic truth: Gold is elementary, my dear. Gold jewelry that couples the mystique of the metal with superb design and craftsmanship achieves the status of an enduring classic. Many luxury houses have given us some of our most treasured and lasting examples of gold jewelry over the years.

Since its founding, in 1837, Tiffany & Co. has built its reputation on its company jewelry as well as its coterie of boutique designers, which has included Jean Schlumberger, Donald Claflin, Angela Cummings and Elsa Peretti. There are numerous gold Tiffany classics worth citing. Some are accented with gemstones, but all stand out for their design and the workmanship displayed.

For the woman who prefers a minimalist look, the Tiffany & Co. twist bangle (thin, slightly ovoid) is stylishly simple. For Cummings devotees, signature pieces feature hard stone inlay, such as her pairs of gold ear clips inlaid with black jade (a play on the classic Chanel black and tan), or bangles whose design recalls ocean waves, with undulating lines of lapis lazuli and mother-of-pearl. And just about any design by the great Jean Schlumberger is by definition a classic.

Even had he eschewed stones and diamonds, Southern-born David Webb would be hailed for the vast arsenal of heavy gold jewelry he designed. Gold, usually hammered or textured in some manner, defines great David Webb jewelry. The self-taught jeweler made very au courant pieces while drawing inspiration from ancient and out-of-the-way sources — East meets West in the commanding gold necklaces made by Webb in the early 1970s. The same could be said for his endlessly varied gold cuffs.

In Europe, many houses have given us gold jewelry that sets the highest standard for excellence, pieces that were highly sought after when they were made and continue to be so. 

Numerous designs from Cartier are homages to gold. There are the classic Trinity rings, necklaces and bracelets — trifectas of yellow, white and rose gold. As a testament to the power of love, consider the endurance of the Cartier Love bracelet.

Aldo Cipullo, Cartier’s top in-house designer from the late 1960s into the early ’70s, made history in 1969 with the Love bracelet. Cipullo frequently said that the Love bracelet was born of a sleepless night contemplating a love affair gone wrong and his realization that “the only remnants he possessed of the romance were memories.” He distilled the urge to keep a loved one close into a slim 18-karat gold bangle. 

BVLGARI and its coin jewelry, gemme nummarie, hit the jackpot when the line launched in the 1960s. The line has been perennially popular. BVLGARI coin jewelry features ancient Greek and Roman coins embedded in striking gold mounts, usually hung on thick link necklaces of varying lengths. In the 1970s, BVLGARI introduced the Tubogas line, most often made in yellow gold. The Tubogas watches are classics, and then there is the Serpenti, the house's outstanding snake-themed watches and bracelets.

A collection called Monete that incorporated the gold coins is one of several iconic BVLGARI lines that debuted in the 1970s and ’80s, catering to a new generation of empowered women. Just as designers like Halston and Yves Saint Laurent were popularizing fuss-free ready-to-wear fashion for women on the go, BVLGARI offered jewels to be lived in. 

Since Van Cleef & Arpels opened its Place Vendôme doors in 1906, collection after collection of jewelry classics have enchanted the public. As predominantly expressed in a honeycomb of gold, there is the Ludo watch and accessories, circa the 1920s, and the golden Zip necklace, 1951, whose ingenious transformation of the traditional zipper was originally proposed by the Duchess of Windsor. Van Cleef's Alhambra, with its Moroccan motif, was introduced in 1968 and from the start its popularity pivoted on royalty and celebrity status. It remains one of VCA’s most popular and collected styles.

Mention must be made of Buccellati, whose name is synonymous with gold so finely spun that it suggests tapestry. The house’s many gold bracelets, typically embellished with a few or many diamonds, signified taste and distinction and are always in favor on the secondary market. Other important mid-20th-century houses known for their gold-themed jewelry include Hermès and Ilias Lalaounis.

Find a stunning collection of vintage and antique gold jewelry on 1stDibs.