Paris Etching Society

Published in France by Paris Etching Society.

Part of a set of prints portraying iconic views of New York City. Published by Paris Etching Society in 1938 and printed in aquatint in France.

Published by the Paris Etching Society in the 1940s and printed on Rives BFK French art paper.

Paul wood's original etching and aquatint, "En Pointe" is printed upon wove paper and with full margins as published in New York by the Paris Etching Society circa 1935.

Paul Wood's original etching and aquatint, "En Pointe" is printed upon wove paper and with full margins as published in New York by the Paris Etching Society around 1935.

Engraving based upon the famous oil painting titled The Golfers—A Grand Match by Charles Lees, 1847. Published by the Paris Etching Society and printed in France.

"Le Grand Oiseau de Paradis Emeruade No. 1" and "Le Grand Oiseau de Paradis Emeruade No. 2" Etchings after the artist Jacques Barraband (1767-1809), published circa 1950 by Paris Etc...

This view shows the shores of Brooklyn Heights in the foreground and the skyline of the burgeoning city of Manhattan, when the tallest structures of the metropolis were its churches....

Splendidly printed on Rives BFK French art paper by the Paris Etching Society in the early 1950s. Renowned as a botanical artist Redouté was the court artist for Marie Antoinette.

Splendidly printed on Rives BFK French art paper by the Paris Etching Society in the early 1950s. Redouté was the court artist for Marie Antoinette and was nicknamed the Raphael of ...

In the foreground, we see young soldiers training with defensive cannon fortifications while military vessels, commercial boats, and ferries fill the entrance to the East River. Publ...

We see a tree-lined, cobble-stoned Broadway, horse-drawn private and commercial vehicles, and promenading pedestrians. Published by Paris Etching Society and engraved in aquatint in ...

His etchings were published by the Paris Etching Society and exhibited in the United States and France.

His etchings were published by the Paris Etching Society and exhibited in the United States and France.

His etchings were published by the Paris Etching Society and exhibited in the United States and France.

Splendidly printed on Rives BFK French art paper by the Paris Etching Society in the early 1950s. Redouté was the court artist for Marie Antoinette and was nicknamed "The Raphael of ...

Splendidly printed on Rives BFK French art paper by the Paris Etching Society in the early 1950s. Redouté was the court artist for Marie Antoinette and was nicknamed "The Raphael of ...

The Paris Etching Society and the Camilla Lucas Gallery (later the Phyllis Lucas Gallery) published a colorful series of color etchings by Blondin of iconic views of Paris.

Part of a set of prints portraying iconic views of New York City. Published by Paris Etching Society and engraved in aquatint in 1938.

Two doors west is the profile of the Merchants Bank; the large building on the extreme left is the Insurance Building, and dominating the print in the background is Trinity Church. P...

These words clearly apply to this large, beautiful aquatint and etching. Luigini also worked extensively with the Paris Etching Society and the Phyllis Lucas Gallery.

Equestrian Jump Size: 19x24 framed original frame 24x33x1 Paris Etching Society 1923. Original signed color etching title "Jump" by French artist Louis Claude.

Published by the Paris Etching Society. Dimensions: 20h x 16w (unframed).

Published by Paris Etching Society a division of the Phyllis Lucas Gallery.

In the 1930’s his etchings were published by the Paris Etching Society and exhibited in the USA and in France.

Titled 'Polo' and signed 'Louis Claude' in pencil below the image. Printed in Paris for the Paris Etching Society, New York. 465mm by 595mm (platemark) 500mm by 650mm (sheet)

Original color aquatint/etchings published by the Paris Etching Society in France, circa 1935.

Pieces published by Lucas are marked with a triangle or circle with Lucas' initials inside and sometimes "PES" for the Paris Etching Society. They would sign the etchings either Pier...

Description: This is an original hand-colored aquatint/etching by Paul Wood (1897–1964), published by the Paris Etching Society around 1935.

Redouté, published by the Paris Etching Society. Pierre-Joseph Redoute is regarded as the greatest botanical artist.

Redouté, published by the Paris Etching Society. Pierre-Joseph Redoute is regarded as the greatest botanical artist.

Redouté, published by the Paris Etching Society. Pierre-Joseph Redoute is regarded as the greatest botanical artist.

Redouté, published by the Paris Etching Society. Pierre-Joseph Redoute is regarded as the greatest botanical artist.

Redouté, published by the Paris Etching Society. Pierre-Joseph Redoute is regarded as the greatest botanical artist.

Redouté, published by the Paris Etching Society. Pierre-Joseph Redoute is regarded as the greatest botanical artist.

This drawing was the prototype that was used to produce beautiful etchings published by the Paris Etching Society in the 1930's.

The Paris Etching Society and the Camilla Lucas Gallery published a colorful series of color etchings by Blondin of iconic views of Paris.

The Paris Etching Society and the Camilla Lucas Gallery published a colorful series of color etchings by Blondin of iconic views of Paris.

Lucas of the Paris Etching Society, which became the current Phyllis Lucas Gallery.

Across the street from the old Custom House, Trinity Church stands in the background. Published by the Paris Etching Society. Copyright Sidney Z. Lucas Displayed in a 0.75 W black an...

Shows two polo riders in a dual for the ball. Published by Paris Etching Society a division of the Phyllis Lucas Gallery.

Published by the Paris Etching Society in the 1940s and printed on Rives BFK French art paper.

Published by the Paris Etching Society in the 1940s and printed on Rives BFK French art paper.

Engraving based upon the famous oil painting titled The Golfers—A Grand Match by Charles Lees, 1847. Published by the Paris Etching Society and printed in France.

Engraving based upon the famous oil painting titled The Golfers—A Grand Match by Charles Lees, 1847. Published by the Paris Etching Society and printed in France.

Engraving based upon the famous oil painting titled The Golfers—A Grand Match by Charles Lees, 1847. Published by the Paris Etching Society and printed in France.

Engraving based upon the famous oil painting titled The Golfers—A Grand Match by Charles Lees, 1847. Published by the Paris Etching Society and printed in France.

Part of a series of aquatint engravings that depict iconic views of New York. Published by the Paris Etching Society. 3/4 x 3/4 inch wood frame with black lacquer and gold leaf fini...

This view shows the shores of Brooklyn Heights in the foreground and the skyline of the burgeoning city of Manhattan, when the tallest structures of the metropolis were its churches....

Lucas of the Paris Etching Society, which became the current Phyllis Lucas Gallery.

His most successful plates portray the autumnal aspects of Flemish landscape. * These words clearly apply to this large, beautiful aquatint and etching. Luigini also worked extensive...

Lucas who was an early American print publisher through his Paris Etching Society. This Nastasio lithograph is unnumbered and was probably a small print run for a select group of fri...

Vincent HADDELSEY (1934-2010) Horse : Polo Game, 1974 Original Lithograph Handsigned in pencil Numbered / 100 On Arches vellum 53 x 38 cm (c. 23 x 15 in) Excellent condition

Colour c1958 'Polo' engraving by Louis Claude pencil signed (LR) Print Sz: 18 1/2"H x 23 1/4"W Frame Sz: 28"H x 32"W w/ French matte

Art Sz: 16"H x 21 3/4"W Frame Sz: 19 1/4"H x 25"W Classic Deauville, French polo etching with gouache highlights by Eugene Pechaubes (1890-1967) pencil signed (LR) w/ limited editi...

Work on canvas White Wooden frame 50 x 85 x 2 cm