Sir Peter Lely

His major works include The Chinese Convert (1687 Royal Collection, London) a series of four portraits of Isaac Newton painted at various junctures of the latter's life a series of t...

The portrait is typical of Mary Beale's works from the late 1670s and 1680s depicting the sitter in a painted cartouche, a composition that was championed by Beale's friend and mento...

The artist being Dutch by birth and training is thought to have come from Soest in Westphalia, which was also the birthplace of Sir Peter Lely. It is not clear when he arrived in Lon...

The artist being Dutch by birth and training is thought to have come from Soest in Westphalia, which was also the birthplace of Sir Peter Lely. It is not clear when he arrived in Lon...

He moved to London in 1662 and became a pupil of Sir Peter Lely, court painter to Charles II. At the start of his career, Greenhill was hard working and ambitious and according to Ge...

An original hand colored copper plate engraving after Dutch artist Sir Peter Lely (1618-1680) titled "Elizabeth Lady Denham", 1833.

The exceptional historical resonance of this portrait lies in its relationship to the “Windsor Beauties”—a celebrated set of portraits painted by Sir Peter Lely in the early 1660s, a...

Portrait of Frances, Lady Whitmore nee Brooke (c.1638-1690) Circle of Sir Peter Lely (1618-1680) Titan Fine Art presents this exquisite portrait that depicts Frances Brooke, Lady Wh...

The portrait has clearly been painted by an artist of great ability who has been influenced by Sir Peter Lely. Sir Peter Lely was the leading portrait painter working in England a...

Many portraits of William III show him in armour, a symbol of his kingship, often reflecting the style set by the Italian and Flemish artists Titian and Rubens in their depictions of...

Of note, is a portrait of “The Duke of Somerset”, which was sold on 18th April 1682 in Lely’s posthumous estate sale after his death (‘Copies after Sir Peter Lely, left in his House ...

In the style of mid-17th century portraits, such as Sir Peter Lely's (1618-1680) 'Mary Wilson (c.1632-1705), Lady Ashe' and 'Ann Wotton, Lady Hales', with similar use of colour and p...

Literature: Ingrid Martelius, Slott och herresäten i Sverige, Blekinge, 1968, mentioned p. 306 as by Sir Peter Lely, illustrated as part of the interior Measurements without frame.

Sir Peter Lely’s character and art dominated the art world of the second half of the seventeenth century in England.

Portrait of Mary of Modena (1658-1718) when Duchess of York c.1675-80 Studio of Sir Peter Lely (1618-80) Presented by Titan Fine Art This attractive portrait, most likely painted ar...

Of all the artists to emerge from the studio of Sir Peter Lely– John Greenhill was, as George Vertue noted, “the most excellent.”

The ‘head on hand’ portrait became hugely popular in England in the 1660’s, largely due to Peter Lely’s artistic mastery and the rise of Barbara Villiers at court – Lely’s depiction ...

Sir Peter Lely’s character and art dominated the art world of the second half of the seventeenth century in England.

The work was painted by the most technically proficient painter in England after the death of Van Dyck, and the dominant court painter to Charles II and James, Duke of York, Sir Pete...

During her childhood in Suffolk Mary's father was friendly with contemporary British artists such as Sir Nathaniel Bacon, Robert Walker, and Sir Peter Lely, leading to both Robert Wa...

portrait of an aristocratic lady in grey dress with pearls, 18th century, follower peter lely .Oil on canvas, housed in an ebonised frame.The size overall being 84 x 94 cm high (33 x...

Of all the artists to emerge from the studio of Sir Peter Lely– John Greenhill was, as George Vertue noted, “the most excellent.”

Sir Peter Lely’s character and talent dominated the art world in the second half of the seventeenth century in England and everyone of significance sat to him.

Horace Walpole stated that there were seven pictures by Van Diest in Sir Peter Lely’s collection. Van Diest died in London in 1704.

Horace Walpole stated that there were seven pictures by Van Diest in Sir Peter Lely’s collection. Van Diest died in London in 1704.

Sir Peter Lely (Soest 1618 – 1680 London) Portrait of lady with a crown, possibly Bridget Drury Lady Shaw, formerly Viscountess Kilmorey, later Lady Baber (d.1696) c.1665 Oil on canv...

His major works include The Chinese Convert (1687; Royal Collection, London); a series of four portraits of Isaac Newton painted at various junctures of the latter's life; a series o...

Her style was influenced by Sir Peter Lely, the leading court painter of the time, and she even received commissions from members of Lely's circle.

Her pose is inspired by the numerous portraits by Sir Peter Lely (1618-1680) depicting Charles II’s court beauty, Barbara Villiers (1640-1709), the Duchess of Cleveland.

During her childhood in Suffolk Mary's father was friendly with contemporary British artists such as Sir Nathaniel Bacon, Robert Walker, and Sir Peter Lely, leading to both Robert Wa...

Our portrait, painted half-length set within a richly ornate faux cartouche surround, typical of the ‘Lelyesque’ design that was at the height of fashion at the time, probably dates ...

This exquisite work is an accomplished example of the type of portrait in vogue in England during the third quarter of the 17th century. There was a large demand for paintings in Eng...

He came to London in 1676 and most probably joined the studio or Sir Peter Lely as an assistant that same year.

Aside from several works by Constable, he also acquired an array of old masters including pieces by Aelbert Cuyp (1620-1691), Meindert Hobbema (1638-1709), Sir Peter Paul Rubens (157...

Bearing a similarity to Dutch artist Sir Peter Lely in pose (and the 50x40” stretcher size is clearly British) this portrait retains a French elegance.

Apart from collaborating with the artist Johann Kerseboom he also worked with William Wissing, who was a pupil and former collaborator of the court portrait painter Sir Peter Lely, i...

Though the postures and designs of Johann Kerseboom’s portraits often follow the formulaic patterns first seen in the works of Sir Peter Lely and Sir Godfrey Kneller, but the charact...

John Closterman (also spelled Cloosterman, Klosterman) was born in Germany and is thought to have arrived in England in 1681, following the death of court painter Sir Peter Lely. Soo...

Nevertheless, he departed at the age of eighteen and returned to England, where he formed a friendship and was employed by Sir Peter Lely for four years in Windsor, Berkshire.

Willem Wissing was a Dutch artist who came to London in 1676. He studied with Sir Peter Lely and effectively took over his business for the seven years between Lely’s death in 1680 ...

He occasionally collaborated with the artist Johann Kerseboom but, notably, he painted draperies and landscapes for the fashionable Willem Wissing, who was a pupil and former collabo...

It worth noting that Charlotte Stanley was depicted at different stages of her life (see Van Dyke, Cornelius Johnson, Sir Peter Lely…) but the physiognomy in these images varies cons...

He came to London in 1676 and most probably joined the studio or Sir Peter Lely as an assistant that same year.

He learnt portraiture in Sir Peter Lely's London studio from 1675. He was the son of a hatmaker and merchant who moved with his family to Antwerp in 1659.

His work was on a level with, and to some excelled, Sir Peter Lely; Riley’s portraits were unquestionably a better likeness.

He came to London in 1676 and most probably joined the studio or Sir Peter Lely as an assistant that same year.

She left seven Stuart portraits to the Royal Collection and five distinguished paintings to the National Gallery (including two Van Dykes and one Sir Peter Lely, which is said to be ...

His work was on a level with, and to some excelled, Sir Peter Lely; Riley’s portraits were unquestionably a better likeness.

It has been documented that there were portraits at the Samwell family seat, Upton Hall, of both Thomas Catesby and Margaret Catesby, both by Sir Peter Lely. In 1665, Margaret mar...

He briefly worked in Paris under François de Troy (1679–1752) before coming to England in around 1681, following the death of court painter Sir Peter Lely. Soon after his arrival Clo...

Painted by the most technically proficient painter in England after the death of Van Dyck, and the dominant court painter to Charles II and James, Duke of York, Sir Peter Lely. This...

One of his friends was fellow portrait painter Olive Snell (1887–1962), whom he painted in 1922 in a manner reminiscent of Sir Peter Lely. Snell’s husband, Major Ebenezer Pike, an An...

Oil Painting, Three Quarter length Portrait of Lady Elizabeth Percy by the studio of Sir Peter Lely (1618-1680) Housed in a good period, swept ornate frame.

Rene Lalique Opalescent glass 'raisins' vase, with blue stained details. This pattern features deep relief grape bunches, hanging from vines. Stenciled makers mark, 'R LALIQUE FRANCE...

17th century English/Dutch School, from the Circle of Sir Peter Paul Rubens A very interesting and well-painted 17th-century oil on canvas of two men seated on horseback in a landsc...

David Morier (c.1705–1770 London) An equestrian portrait of Field Marshal Sir John Ligonier, 1st Earl of Ligonier (1680–1770) Oil on canvas Canvas size - 40 x 50 in Framed size - 48 ...

Gerard Thomas (Antwerp 1663-1720) Attributed to The Artist's Studio Oil on canvas (99 x 115 cm - in frame 70 x 86 cm) This fascinating painting, depicting the interior of an ar...

Large pair patinated life size bronze statues sculpture of Regal Big Cats Lions. Exceptional detailed high quality Large pair of Patinated bronze statues of Seated lions, outstanding...

Tiffany Studios New York Tyler Leaded Glass and Patinated bronze Table Lamp, Circa 1900 Art Nouveau. A very special lamp with a geometric monochromatic deep green art glass surround...

We offer you the chance of buying this breathtaking, rare Jaguar XK 120 which had its first road legal in february 1950. There has been built only a very little number of these cars,...

Judith with the head of Holofernes, antique oil painting after Cristofano Allori. Painting has been restored. Dimensions without frame. Frame has some damage.

A beautiful large early 19th century Georgian oil on canvas portrait of a young lady wrapped in silk. Excellent quality portrait which is indistinctly inscribed on the reverse with ...

This enchanting 18th-century French fête galante captures the elegance and joy of aristocratic leisure, set amidst a lush garden adorned with flowers. A scene of refined celebration,...

Artist/ School: British School, indistinctly signed lower right, circa 1950's Title: Portrait of an Aristocratic Lady. The previous owner believed the sitter to be a member of the Q...

Up for sale is a 19th/20th-century American school Antique original oil painting on canvas depicting a portrait of a fisherman seated by a table with fishing creel and basket. No v...