Metal Metalwork

Antique Central Asian Turkmenistan silver Gold Amber bead Necklace Quality Turkmenistan silver and gilt pendant with rustic amber beads Nice wearable antique piece pendant siz...

Antique Kashmiri Indian Silver Meenakari Enamel Hexagonal Box c1900 A finely worked antique silver hexagonal box from Kashmir, dating to the late 19th / early 20th century. Decorated throughout with crisp hand-chased floral and foliate designs, highlighted with rich blue and turquoise enamel panels in the traditional Kashmiri manner. The hinged lid opens to a fully gilded interior, with matching chased decoration to the underside of the lid, indicating a good quality piece. The workmanship is sharp and consistent across all panels. Condition: Very good antique condition with minimal wear; enamel remains bright and intact. Dimensions: Height 6 cm; Width 5 cm; Depth 7 cm Weight: 93 grams A scarce and attractive example of Kashmiri enamelled...

Fine Thai Silver Repoussé Box with Nāga Decoration Exceptional Thai silver lidded box, richly worked in deep repoussé and fine chasing with power...

FREE WORLDWIDE SHIPPING Chinese cloisonné enamel bottle vase attributed to Lao Tian Li (老天利製), dating to circa 1920. The vase is of wide flattened bottle...

Japanese bronze vase with artist sign, used to decorate single flower arrangement in Japanese traditional tea ceremony. Artist signature is on the last photo. Age: Japan, Showa Pe...

Antique Large Chinese Cloisonné Enamel Round Lidded Box on Fitted Wood Stand, depicting floral patterns. 10" in diameter n 6" in height, wood stand is 2 12" high.

Exceptional floor lamp - lantern made of solid bronze, crafted in Japan during the 1920s Taisho period. This historic lantern was made in Japan in the 1920s and was originally inten...

FREE WORLDWIDE SHIPPING Japanese cloisonné enamel vase in the manner of Ota Tameshiro, dating to the Meiji period circa 1900. The vase is of unusual pentagonal lobed form with a ge...

Chinese Archaistic gilt bronze ritual bell with raised panthers on the sides, a stylized mask on front and back, incised and relief geometric decoration. With a wonderful verdigris p...

A heavy traditional bronze temple bell (bonshô), boasting a bright green patina and a resonant sound. The top handle (ryûzu), is beautifully sculpted into the form of twin dragon he...

This is an old Japanese iron puppy figurine, made during the Shōwa period (circa 1950s–1970s). It radiates a presence that is both powerful and warm, as if the skill of the foundry c...

Rare brutalist bottle holder designed and produced by art3 in Spain in the 80s. Brass and aluminum structure that can hold 6 bottles. Design objects that will decorate your interior ...

A sculptural Mid-Century Japanese bird-form incense vessel, beautifully crafted in patinated metal and inspired by the refined traditions of Japanese incense culture. The piece takes...

ANTIQUE AND COLLECTABLE DECORATIVE JAPANESE SIGNED KATANA SWORD. Comprising a Japanese katana signed. The blade is signed "Ikeda Kishinmaru Kunishige" 池田鬼...

A large masterpiece of Ando Jubei wireless cloisonné vase at an exceptional 10" height. In his signature green enamel, portraying an intricate arabesque design of a blooming clematis...

A wonderful, beautifully aged Tsuba - Japanese sword hand guard often circular, sometimes square, which emerged as an essential part of Japanese sword craftsmanship during the Heian period (794–1185). Initially crafted from iron or bronze, over time they became more decorative in nature and more for show as the waring Samurai clans disbanded and became part of Japan's past. The particular Tsuba features an imprinted/hammered repeating pattern of stars or cherry blossoms design perhaps. The piece has a gorgeous patina that is acquired from age and handling/use It is quite an appealing work. The piece is likely from the mid Edo Period (1603-1868). The Tsuba has a nice feel and wonderful aged texture to it. Would be a great addition to any Tsuba or Japanese Asian sword...

A fully articulated and signed Meiji period copper Jizai Okimono in the form of a spiney lobster.

These are a very good pair of antique Ming style Chinese foo or lion dog sculptures, sometimes called temple lions, made of bronze, with good detail, which we date to the late Qing or early Republic period of the 20th Century, Circa 1920. These pieces are well cast with very good detail, showing wear and a good natural patination to the high points as expected from use and polishing over a long period, the lustrous copper bronze metal below. The places on the castings where one would not normally polish ( eg. the underside, the back and neck area) are fairly rough to the touch in keeping with their age These are a substantial pair of bronzes, weighing over 900gm unpacked These lovely pair of antique Chinese foo dogs...

This is an old iron hanging bell believed to have been made over 100 years ago. It is highly likely that it was manufactured in Japan, though the possibility of Korean or Chinese ori...

Presenting a very large and beautiful Chinese cloisonné enamel egg with intricated patterns made by hand seating on a wood stand, early 20 century. It's measured about 17" x 10" with...

An antique Japanese copper water dropper with cloisonne enamel design. Meiji period, 1868 to 1913. Cylinder shape, moveable top handle. Polychrome floral pattern against the dark gre...

Presenting a very large and beautiful Chinese cloisonné enamel egg with intricated patterns made by hand seating on a wood stand, early 20 century. It's measured about 16.5" x 10" wi...

Antique Indian Hindu Bronze Sculpture – Krishna with Flute (18th Century) A captivating and finely crafted antique bronze figure depicting Lord Krishna, rendered in the distinctive ...

Quality pair of antique Japanese twin handle bronze vases having a quality pair of Japanese bronze vases decorated with flowers, birds and foliage with twin flower handles to the sid...

This antique Persian water kettle is shaped from silver-plated brass and was once used to boil water for tea and other hot drinks. The body is decorated with repoussé and chased desi...

An exceptional palatial quality pair of 19th century Chinese cloisonné Fu dogs featuring gold gilding over copper. Chinese cloisonné o...

This striking Indian brass ghanta temple bell assembly features three bells, each suspended from the trunk of a cast elephant head, forming a visually dynamic and symbolically rich c...

Vintage Tibetan Gau Box Necklace in Silver with 18K Gold Detail This striking vintage Tibetan gau box necklace is a beautifully crafted statement piece that blends cultural heritage...

Fine Vintage Sino-Tibetan Gilt Bronze Figure of Avalokiteshvara Early–Mid 20th Century Height 28 cm 11 inches This finely cast Sino-Tibetan gilt bronze figure of Avalokiteshvara, ...

A large antique Japanese vase with cloisonne enamel design. Taisho Period (1912-1926). Two medallions with birds among flowers and human figures are presented on sides. Depiction of ...

A fine & rare antique Imperial Chinese Qing dynasty solid gold & cloisonne enamel snuff bottle, Qianlong mark & period, 1736-1795, tests as 16k gold. It is rare to find a cloisonné e...

Burmese bronze bell with clapper inside with stand. Age: Burma, 19th century Size: Height 15.2 C.M. / Width 8.8 C.M. Size including stand: Hei...

Antique Laos bronze gong, a kind of Laos musical instrument which produces a loud and sonorous sound. Gong stick is included. Age: Laos, 19th Century Size of Gong: Diameter 47 C.M. ...

A fine bronze tribute drum (Heger Type III), Pazi (Burmese), pam klo’ (Karen). This unique lost wax casting of a drum is ornamented with 8 frogs with bulging eyes placed in stacks o...

Fine antique 19th century Malaysia Southeast Asia .900 silver box in the form of a pumpkin. Wonderful shape and form. Has repousse relief around the box. Opens and closes as it shoul...

Pair of vintage Asian bronze incense burners A pair of bronze censers with lids, handles, and knobs as mythological animals, China circa 1...

This is an antique Japanese iron articulated sculpture of a spiny lobster. Judging from its advanced craftsmanship and refined construction, it is believed to have been created in th...

Small Betel Nut Box, Maranao, Southern Philippines (Mindanao). A mixed metal box having a bronze body with bordered silver inlay design overall of a symmetrical floral tendril vine p...

Cambodian Silver Elephant Box. A traditional sturdy crouching elephant form with front legs tucked beneath him and the hind kneeling underneath. The ha...

19th Century Dated Persian Qajar Tinned Copper Ewer Ablution Basin Set, Dated 1878. A complete two-piece Islamic ablution set comprising of a tall, elegant ewer (aftabeh) and its m...

A large Japanese Meiji period cloisonne enameled vase with a scene of birds, butterflies, and flowers on the pink background and borders with colorful decoration. Collectible Orienta...

A beautiful and heavy large ovoid brown patinated bronze vase with an unique vibrant red murashidô motif. The shoulder with a slender circular recess. The bottom of the vase with a ...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

A large pair of Meiji Period Japanese Cloisonne Enamel Double Dragon Vases, 19th century. Japanese cloisonne enamel dragon vases are highly ...

This is an objet of turtle which you can use as a jewelry holder. This is made with bronze and it was made in Japan around 1980s. The thing that written on the bottom of the turtle i...

A vintage Russian Orthodox silver-tone priest's cross. The front side is decorated with a relief depiction of Jesus Christ. Inscription in Church Slavo...

Vintage Cambodian Repoussé Silver Pumpkin Shaped Box. A squat low form with sections having chased and punched scales, coiled silver wire sepals in ...

FREE WORLDWIDE SHIPPING ON ALL OUR COLLECTION - MORE IMAGES AVAILABLE UPON REQUEST MEIJI PERIOD (1868-1912)  From our Japanese collection we are delighted to present this exceptio...

Antique Asian Bronze buddhist bell Tibetan Meditation Prayer Ghanta Bell. Buddhist Tibetan Meditation Prayer Bell. A Bronze ritual bell "DRILBU" in Tibetan or commonly known as "Ghan...

Presenting a supper large and beautiful Chinese cloisonné enamel egg with intricated patterns of "hundred birds" made by hand seating on a tripod bronze stand, from the Mid-20th Cent...

Meiji Masterpiece attributed to Ando Jubei: A Maroon Cloisonné Vase with Dragons & Phoenix, circa 1895 This monumental Meiji period Japanese cloisonné vase, attributed to the es...

Presenting a pair of huge and beautiful Chinese cloisonné enamel eggs with intricated patterns of hundred butterflies made by hand seating on a wood stand, from the early 20 century....

19th century Turkish bath clog, or Nalin, walnut with mother of pearl and silver wire inlay. Ottoman Empire, worn to the public bath houses or Hamma...

Antique Japanese Samurai Suit of Armor, Edo period, 18th century. A complete matching set of lacquered iron work; the cuirass with dragonfly decoration and blue lacing, a Kaga schoo...

TA04027 Set of Three Antique Thai Bronze Lime Boxes. Tall Cylinders of varying shapes and sizes: A) Thai Bronze Lime Container in the shape of a Stupa, u...

Antique 19th century Middle Eastern Persian Qajar Dynasty ( 1785-1924) tinned copper pitcher. The teardrop form ruffled mouth with a flat hand wrought handle, over a neck decorated with hand chased human figures, floral, and geometric designs. Nice decorative old rustic hand-hammered ewer pitcher in the Mameluke Qajar style. Large copper pitcher entirely engraved and plated with silver, tinned with incised scene of a figure seated. Persian Moorish Middle Eastern tinned copper water jug ewer. Middle Eastern Arabic...

Burmese bronze elephant bell with stand. Age: Burma, 19th Century Size: Height 12.5 C.M. / Width 9 C.M. Size including stand: Height 23.5 C.M. Condition: Nice condition overall...

This is a small oval shaped antique metal Pill Box with Inlay to the lid and dating to the Edwardian or late Victorian period. The box is made ...

Oriental rain drum in bronze, richly decorated with oriental characters and frogs on top. Approx. 1880. Dimensions Height approx. 41.5 cm. Island approx. 56 cm. This type of drum i...

Offered for sale is this large 19th Century Victorian antique copper and brass kettle of good quality, having a shaped brass and copper...