C. Jeré Artisan House Chandeliers and Pendants

Italian Mid-Century Modern Blown Opaline Glass and Brass Chandelier, 1970s This mid-century modern chandelier from Italy was crafted in the 1970s. It features a hand-blown opaline g...

An iconic brass chandelier designed by Gaetano Sciolari in the Seventies. The chandelier it also can be used as a ceiling or wall light not using brass cili...

A wonderful thirteen-light brass three-tier flush mounted light sculpture composed of golden aged brass and enameled steel rods. Restored. Rewired. We can drop it on an extended ceil...

Brutalist Swag Pendant Light Lamp Tom Greene Brass Feldman Co. This plugs into a wall outlet. It has approx 13' Cord/chain.

Suspension lamp in bronzed Murano glass, with brass details.

Mid-Century Modern Sputnik Chandelier in Brass and Opaline Glass, Czech Republic, 1970s A striking example of 1970s Eastern European design, this Mid-Century Modern Sputnik chandelier features a sculptural arrangement of twelve opaline glass spheres radiating from a polished brass core. Manufactured in the former Czechoslovakia, this piece captures the essence of space-age modernism with its bold geometric form and luxurious material contrast. The chandelier is constructed around a central brass sphere from which twelve angled arms extend, each terminating in a smooth, glossy opaline glass globe. The soft, milky tone of the glass provides warm, diffused light, creating a glowing effect that complements both vintage and contemporary interiors. With a height of 75 cm and a diameter of 53 cm, this chandelier has a strong visual impact without overwhelming the space. Its proportions make it ideal for dining areas, entryways, or living rooms seeking a refined statement piece. The central stem and canopy are made of polished brass, consistent with the high-quality craftsmanship typical of Czechoslovakian lighting...

Photography fails to capture the simple elegant illumination provided by this lamp. Fitting messing pendant ceiling light with fixing to hold a stylish Belgian Art Deco lampshade. ...

Elegant Swedish Modern chandelier crafted in brass with a teak base, featuring five gracefully curved arms and pleated textile lampshades. The combination of polished brass and the...

A rare example of a Murano glass and brass chandelier, attributed to Seguso, from the 1950s. Twenty-two curved arms in Murano crystal. Rewired, it has four European E27 or American E...

Brutalist Mid-Century lamp in the style of Curtis Jere. Torch cut shapes of stars and branches or starfish and sea urchin-line tentacles. Supported by a round black metal base. Comes...

Twelve-leaf chandelier in Murano glass, twelve lights with E14 or E12 USA socket, in pure gold-plated brass.

Danish designer Svend Aage Holm Sørensen (1913-2004) is known for his self-produced lighting designs dating from the 1950s, ‘60s and ‘70s. Despite the desirability of his designs on the vintage market, there is a lack of biographical information on the designer and his eponymous manufacturing company. The Danish designer Svend Aage Holm-Sørensen (1913-2004) possessed an artist eye and a very good understanding of the potential of materials, and he understood how to innovate with these. To this day, Holm-Sørensen's style as a designer addresses not only the Nordic market, but also the international interest in the designer's distinctive and experimental expression. Sven Aage was known for being able to draw sketches on almost everything: envelopes, theater programs, even tram tickets he used to sketch his vision. It is speculated that Holm Sørensen designed lights for well-known Danish lighting manufacturers Fog & Mørup and Lyfa in the 1950s, before establishing his own lighting company, Holm Sørensen A/S to produce and distribute his own designs. Holm Sørensen’s style varies greatly, with designs from the 1950s truly reflecting the mid-century modern lighting style, with clear influences from the De Stijl and Bauhaus movements. His attenuated floor and table lamps contain the classic tri-pod base that was popular at the time, referencing such designs as H. Th. J. A. Busquet’s Pinocchio Lamp (1954). From the 1960s onwards, Holm Sørensen’s style changed utterly. His designs diverged from colorful, geometric table lamps and floor lamps, to pendants with raw finished brass and copper surfaces. These pendant lamps showcase Holm Sørensen’s interpretation of the Brutalist style, which was popular from the 1950s to the mid-70s. Originally coined by the Swedish architect Hans Asplund...