Charles Rennie Mackintosh Side Chairs

Chair designed by Charles Rennie Mackintosh in 1902. Relaunched in 1973. Manufactured by Cassina in Italy. Prices vary dependent on color and material of the piece. Originally a fur...

Chair designed by Charles Rennie Mackintosh in 1902. Relaunched in 1973. Manufactured by Cassina in Italy. This iconic chair reflects Charles Rennie Mackintosh’s style and his fearless approach to the most challenging manufacturing processes. Originally a furnishing accessory for one of Mackintosh’s major design projects, Hill House in Helensburgh, near Glasgow, Scotland, from which its name derives. The linear, geometric form is evocative of the minimal, abstract lines of Japanese graphics, which confer symbolic and figurative symbolic value to the piece’s striking visual impact. This piece is seen by many critics as not only a chair but also a veritable treatise on the way space can be articulated. The tall back is defined by a succession of vertical lines that are topped with a grid of verticals and horizontals. Thanks to the mastery of the furnitire makers of Meda, in the Brianza area north of Milan, Cassina has re-issued the Hill House chair...

Pair of Argyle chairs by Charles Rennie Mackintosh for Atelier International, Designed 1897 and exhibited at the Eighth Secession Exhibi...

A sophisticated pair of 1950s Italian sidechairs in green leather with wicker backs and brass detailing. Add some classic mid-century modern elegance to your home with this gorgeous pair of 1950s Italian side chairs...

This chair was made in the style of the Hill House Chair, designed by Charles Rennie Mackintosh for Cassina, during the 1980's. Originally a furnishing accessory for one of Mackintos...

Pair of armchairs model "Willow" designed by Charles Rennie Mackintosh for the "Willow Tea Room" in 1903 in Glasgow. Made of black lacquered ashwood structure and upholstered in leather. In its original configuration, the high, semicircular backrest of this solid wood throne served as a divider between the entrance and the tea room behind it. Complex series of lines and shapes reflect the style of Mackintosh. Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald...

Charles Rennie Mackintosh Ingram Art Nouveau Dining Chair for Cassina, Set of 12 This rare, collector-grade set of 12 Charles Rennie Mackintosh "Ingram" dining chairs, produced by ...

Rachel sits oh so beautifully in a Charles Rennie Mackintosh Argyle side chair in Blade Runner (1982), a perfect example of the chair’s timeless elegance and futuristic appeal. Orig...

Armchair model "Willow" designed by Charles Rennie Mackintosh for the "Willow Tea Room" in 1903 in Glasgow. Made of black lacquered ashwood structure and upholstered in leather. In its original configuration, the high, semicircular backrest of this solid wood throne served as a divider between the entrance and the tea room behind it. Complex series of lines and shapes reflect the style of Mackintosh. Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism. His work, alongside that of his wife Margaret Macdonald...

Handsome pair of Hibriten Chair Co. side chairs. Their great geometric wooden frames have been blackened with dye and they retain their original greenish gold faux leather upholstery...

Hill House chair by Charles Rennie Mackintoch, designed in 1902 and reissued in the 1970s.

Chair designed by Charles Rennie Mackintosh in 1902. Relaunched in 1973. Manufactured by Cassina in Italy. This iconic chair reflects Charles Rennie Mackintosh’s style and his fearless approach to the most challenging manufacturing processes. Originally a furnishing accessory for one of Mackintosh’s major design projects, Hill House in Helensburgh, near Glasgow, Scotland, from which its name derives. The linear, geometric form is evocative of the minimal, abstract lines of Japanese graphics, which confer symbolic and figurative symbolic value to the piece’s striking visual impact. This piece is seen by many critics as not only a chair but also a veritable treatise on the way space can be articulated. The tall back is defined by a succession of vertical lines that are topped with a grid of verticals and horizontals. Thanks to the mastery of the furnitire makers of Meda, in the Brianza area north of Milan, Cassina has re-issued the Hill House chair...