Emile RAMPELBERG Art

A colorful depiction of a tropical scene with huts by Eliza BK Dooley, most likely created while the artist was in Puerto Rico. Dooley moved to Puerto Rico in 1904, and remained ther...

Paul Lecomte (1842-1920) L'étang à Mortefontaine, an autumn landscape signed lower left Watercolor on paper, 29,3 x 22.5 cm In its original vintage frame : 46 x 39,5 cm titled on t...

Jean Maxime CLAUDE Paris 1804 - Maisonf Lafitte 1904 Seascape in Moonlight Watercolor Signed lower right 24 x 38 cm sheet 36 x 51 cm frame Gilded wood frame, circa 1900...

This luminous gouache captures a majestic mountain vista, likely set in California’s Sierra Nevada (possibly Yosemite). Two broad granite peaks with sunlit faces dominate the backgro...

“Venice, 1889” by Louis Ritter (American, 1854-1892). A fantastic example of Ritter’s renowned European watercolors. This beautifully poised composition captures the sun-washed faça...

Original watercolor and gouache on archival paper artwork of Lake Atitlan in Guatemala. Signed by the artist Adolf Arthur Dehn lower left. Condition is excellent. Circa 1955. The ...

Paul Lecomte (1842-1920) The Tree by the riverbank signed lower left watercolor on paper 33 x 50 cm framed 37 x 54 cm The tree and the river: Paul Lecomte had a particular fondn...

Edward Dufner (1872 - 1957) Monhegan Island, Maine Watercolor on paper Sight 16 x 20 inches Signed lower right With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy. In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines. Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler. During his time in France, Dufner summered in the south at Le Pouleu with artists Richard Emil Miller...

Conditions : Very good Conditions. Oil on canvas signed lower left framed. This painting presents a captivating landscape of Normandy. The houses in the background, with their slate...

Very pretty floral watercolour inspired by a street market in Asia. Matted ready for framing

Early 20th century orientalist watercolour of cattle grazing signed Aiveill bottom right. In art history, Orientalism is the imitation or depiction of aspects in the Eastern world. ...

“Rowing on the Charles River, Harvard University” by Aiden Lassell Ripley (American, 1896-1969) A fantastic, rare view of Harvard University and the Charles River by renowned Americ...