Erik Gunnar Asplund Wall Lights and Sconces

Large wall lamps by Gunnar Asplund for ASEA, 1950s. These lamps feature a large frosted opaline glass shade, resting on a frame of brass. Condition: Very good original condition wit...

In the annals of mid-century modern design, the Swedish designer and architect, Gunnar Asplund stood out as a luminary, and his delicately sculptural creations, such as this pair of wall lamps from the 1950s, epitomize the era's sophistication and functional beauty. Swedish architect and designer, Erik Gunnar Asplund is celebrated as the godfather of functionalist design in Sweden. Asplund's meticulous attention to detail and penchant for marrying form with function is evident in these wall lamps, combining materials just as ingeniously as forms and shapes. Crafted in the 1950s, these wall lamps feature circular brass mounts that gracefully extend two brass arms, holding both the light bulbs and the large, sculptural opaline glass diffusers. The geometric precision of the design reflects Asplund's architectural background, where clean lines and balanced proportions reign supreme. The lamps serve as great examples of the enduring quality of mid-century Swedish craftsmanship. Swedish mid-century modern design, marked by its emphasis on simplicity and functionality, sought to bring beauty into everyday life. Asplund's pieces encapsulate this ethos, transcending mere utilitarianism to become objets d'art that enhance living spaces. Manufactured by ASEA, a Swedish powerhouse in electrical engineering and industrial design, these lamps embody the marriage of aesthetics and utility. ASEA, founded in 1883, played a pivotal role in shaping Sweden's industrial landscape. Their foray into lighting design seamlessly blended technological innovation with artistic sensibility, making them a prominent player in the mid-century modern movement. The choice of brass and opaline glass as primary materials in these lamps speaks to the enduring appeal of this combination in mid-century modern lighting design. Brass, with its warm and timeless lustre, complements the opulence of mid-century interiors, while opaline glass diffusers disperse light with a soft, ethereal glow. This harmonious pairing endures as a hallmark of sophistication, blending seamlessly into contemporary design aesthetics. Swedish lighting design, deeply rooted in the country's commitment to quality craftsmanship and functional elegance, continues to influence global trends. The enduring popularity of mid-century modern design, exemplified by these Erik Gunnar Asplund lamps...

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, this lamp emphasizes geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplate has a polygon shape. Pairing the geometric elements with the more organic one shows Asplund’s great eye for design that was ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman...

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, these lamps emphasize geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplates have a polygon shape. Pairing the geometric elements with the more organic ones shows Asplund’s great eye for design that was well ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surfaces, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman...

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, these lamps emphasize geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplates have a polygon shape. Pairing the geometric elements with the more organic one shows Asplund’s great eye for design that was ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman...

“GA9” appears to be inspired by a droplet, floating upward the wall. The mouth blown glass with bubbles creates an intricate play between light and shadow, giving the appearance of light travelling through water. Swedish architect and designer, Erik Gunnar Asplund, is celebrated as the godfather of functionalist design in Sweden. Like his celebrated Stockholm City Library, these lamps emphasize geometric simplicity and clarity of form. The construction of this model is ingenious, with a bent arm holding the glass in place, with yet another arm holding the light source in the centre of the luminaire. The black lacquered metal bends organically into sinuous forms, while the backplates have a polygon shape. Pairing the geometric elements with the more organic one shows Asplund’s great eye for design that was ahead of his time. The large, mushroom-like mouth blown glass shades have distinctive “drops” on their surface, creating a beautiful effect that becomes even more apparent when the light is on. The atmospheric light it creates is not measurable, nor is it functional in the traditional sense. It is easily forgotten, but nevertheless important when creating a space of wellbeing. It is the most basic and fundamental of all lighting principles, one that has been with us since the dawn of time. Asplund’s life and work served as inspiration to a number of Scandinavian design luminaries, such as lifelong friend and mentee Alvar Aalto, as well as Erik Bryggman and Arne Jacobsen. An acronym for Allmänna Svenska Elektriska Aktiebolaget (“General Swedish Electrical Limited Company”), ASEA was a Swedish manufacturer of electrical products and industrial infrastructure. The company endures in the hearts of design lovers for their mid-century interior lighting collections produced in collaboration with venerated designers like Gunnar Asplund. Condition: In good vintage condition. Wear consistent with age and use. The metal structure has some marks and scratches. Dimensions: 10.23 in W x 15.74 in D x 10.62 in H 26 cm W x 40 cm D x 27 cm H About the designer: Erik Gunnar Asplund, born in Stockholm in 1885, was a Swedish architect, mostly known as a key representative of the Nordic classicism...

Erik Gunnar Asplund & Asea - Scandinavian Modern An exquisite pair of large vintage wall lamps , designed by Erik Gunner Asplund, brass and decorated frosted and clear glass i str...

Large wall lamps by Gunnar Asplund for ASEA, 1950s. These lamps feature a large frosted opaline glass shade, resting on a frame of brass. ...

Rare outdoor wall lamp in copper and glass, manufactured in Sweden circa 1940. The playful design that reminds of an umbrella, combined with high-q...

This large size wall lamp is a design by Gunnar Asplund from Sweden. Other fixtures are sometimes labelled or marked by Asea. Always used indoors and therefore in beautiful condition...

ERIK GUNNAR ASPLUND & ASEA - SCANDINAVIAN MODERN An exquisite set of large vintage wall lamps (4no available) , designed by Erik Gunner Asplund, brass and decorated frosted and cle...

Rare model, designed 1937 by Gunnar Asplund. This pair produced by Böhlmarks, Sweden, 1940s. Signed. White lacquered swivel metal screen. Good original condition with patina.