Henry Cahieux and Ferdinand Barbedienne Decorative Objects

Louis XVI Style, Candelabras, Gilt Bronze, Crystal, France, 1960s Each having four lights one wired and one not wired. The base strong and sturdy with hanging crystals. The pair in ...

This lovely small pair of two-light candelabra are made in gilded bronze and were made in France around the turn of the century. Cast as a satyr holding up sinuous candle arms termin...

Execptional pair of candelabras in gilt bronze louis XVI style, 9 lights ,all the details are remarkable quality and the decoration is very unsual , its why they are execptional orig...

This finely cast bronze sculpture, made in France in the late 19th century, is a striking representation of a classical Greek warrior — likely a hoplite — caught in the dynamic motio...

Handsome patinated brass urn converted into a lamp. Four laurel trees and ten different male and female figures, all in classical dress, in circle the urn which includes a pedestal o...

19th c., France, a pair of Louis XVI style gilt bronze candelabra. The upwardly tapering and chiseled column support rises from ...

This lovely pair of candelabra, crafted in both gilded and patinated bronze, are 19th century French. Cast as female figures in Egyptian headdress and classical robes standing upon R...

A very attractive pair of 19th century Neo-Classical st. bronze urns. Each urn is raised on a square mottled edge black Belgian marble base. Above is the patinated bronze urn with gi...

Alfred Emmanuel Louis Beurdeley (French, 1847-1919) A very fine pair of French 19th century Louis XVI style ormolu-mounted and white marble three-light candelabra (now electrified), ...

A finely decorative pair of late 19th century French or Continental cut-crystal and gilt-metal candelabra, conceived in the Louis XVI Revival taste and reflecting the brilliant decorative vocabulary of the Belle Époque interior. Each candelabrum is composed with a shaped cut-crystal standard rising from a radiating scalloped circular base, the glass worked with alternating fluted, diamond-cut, and crosshatched panels that catch and refract light with strong prismatic effect. The central upright finial is similarly faceted, lending height and architectural presence to the form. The gilt-metal arms extend in scrolling foliate branches, terminating in three crystal candle cups or bobeches dressed with faceted crystal bead swags and elongated pendant drops. The combination of clear cut glass, dark metal pinning, and warm gilt-metal mounts follows the historic French taste for ormolu-mounted crystal lighting, recalling the refinement of late 18th century neoclassical candelabra while incorporating the more theatrical sparkle favored in the late 19th century. The floral and foliate arms, scalloped crystal bases, cut-glass finials, and profusion of suspended prisms make the pair especially suitable for use as mantel candelabra...

Pair of Early 19th Century French Empire Neoclassical Bronze Urns, Wired as Lamps. Featuring ornate swag garlands and rams heads, with a frieze of dancing putti.

A handsome pair of French 19th century Neo-Classical st. patinated bronze and ormolu urns. Each urn is raised by a square patinated bronze base with an elegant central diamond reserv...